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Part IV - Institutions

Published online by Cambridge University Press:  14 November 2024

Edited by
Amanda Harris  and
Clint Bracknell
Amanda Harris
Affiliation:
University of Sydney
Clint Bracknell
Affiliation:
University of Western Australia
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The Cambridge Companion to Music in Australia , pp. 309 - 411
Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Harper, M. and White, R., Symbols of Australia: Uncovering the Stories behind the Myths (Sydney: UNSW Press, 2010).Google Scholar
Harris, A., Representing Australian Aboriginal Music and Dance, 1930–1970 (New York: Bloomsbury Academic, 2020).CrossRefGoogle Scholar
James, D., ‘Signposted by Song: Cultural Routes of the Australian Desert’, Historic Environment, 25(3) (2013), 30–42.Google Scholar
James, D. and Williamson, I., ‘Kungkarangkalpa Inma Alatjila Kuwari Palyani: Dancing the Seven Sisters Songline Today!’, Musicology Australia, 42(2) (2020), 179–95.CrossRefGoogle Scholar
Kerry, G., New Classical Music: Composing Australia (Sydney: UNSW Press, 2009).Google Scholar
Power, A., ‘The Eighth Wonder: Explorations of Place and Voice’ in Karantonis, P. and Robinson, D. (eds.), Opera Indigene: Re/Presenting First Nations and Indigenous Cultures (Farnham: Ashgate, 2011), 141–55.Google Scholar
Rickwood, J., ‘African Grace in Central Australia: Community Choirs, Reconciliation and Intercultural Performance’, International Journal of Community Music, 7(3) (2014), 343–63.CrossRefGoogle Scholar
Roberts, R., ‘The Modernity of the Songlines’ in Diamond, B. and El-Shawan Castelo-Branco, S. (eds.), Transforming Ethnomusicology, vol. 2: Political, Social and Ecological Issues (New York: Oxford University Press, 2021).Google Scholar

Further Reading

Brown, R., Manmurulu, D., Manmurulu, J., O’Keeffe, I. and Singer, R., ‘Maintaining Song Traditions and Languages Together at Warruwi (Western Arnhem Land)’ in Wafer, J. and Turpin, M. (eds.), Recirculating Songs: Revitalising the Singing Practices of Indigenous Australia (Canberra: Asia Pacific Linguistics, 2017).Google Scholar
Harris, A., Representing Australian Aboriginal Music and Dance 1930–1970 (New York: Bloomsbury Academic, 2020).CrossRefGoogle Scholar
‘Mowanjum Festival 2019: Full Event’ [video], directed by Catherine Piota, produced by Pilbara and Kimberley Aboriginal Media, ICTV Play, https://ictv.com.au/video/item/7641, accessed 1 June 2023.Google Scholar
Phipps, P., ‘Indigenous Festivals in Australia: Performing the Postcolonial’, Ethnos, 81(4) (2015).Google Scholar
Slater, L., ‘Sovereign Bodies: Australian Indigenous Cultural Festivals and Flourishing Lifeworlds’ in Bennett, A., Taylor, J. and Woodward, I. (eds.), The Festivalization of Culture (London: Ashgate, 2014).Google Scholar
Treloyn, S. and Goonginda Charles, R., ‘Repatriation and Innovation: The Impact of Archival Recordings on Endangered Dance-Song Traditions and Ethnomusicological Research’ in Barwick, L., Thieberger, N. and Harris, A. (eds.), Research, Records and Responsibility: Ten Years of PARADISEC (Sydney: University of Sydney Press, 2015), 187–205.Google Scholar

Further Reading

Balanzategui, J., Burke, L. and McIntyre, J.,‘“What Would Bandit Do?”: Reaffirming the Educational Role of Australian Children’s Television during the COVID-19 Pandemic and Beyond’, Media International Australia, 178(1) (2020).Google Scholar
Brunt, S. and L. Giuffre, , Popular Music and Parenting (New York: Routledge, 2023).Google Scholar
Giuffre, L., ‘Bluey, Requestival, Play School and ME@Home: The ABC (Kids) of Communication Cultures during Lockdown’, Media International Australia, 178(1) (2021).CrossRefGoogle Scholar

Further Reading

Albury, K., ‘Spaceship Triple J: Making the National Youth Network’, Media International Australia Incorporating Culture & Policy, 91 (1999), 55–66.CrossRefGoogle Scholar
Cummings, J., ‘It’s More than a T-Shirt: Neo-Tribal Sociality and Linking Images at Australian Indie Music Festivals’, Perfect Beat, 8(1) (2006).Google Scholar
Gibson, C. and Connell, J., Music Festivals and Regional Development in Australia (Farnham: Ashgate, 2012).Google Scholar
Giuffre, L., ‘Maintaining Rage: Counting Down without a Host for over 20 Years’, Perfect Beat, 10(1) (2009), 39–57.CrossRefGoogle Scholar
Mathieson, C., The Sell-In: How the Music Business Seduced Alternative Rock (St Leonards: Allen & Unwin, 2000).Google Scholar
Walker, C., Stranded: The Secret History of Australian Independent Music 1977–1991, Revised and Expanded Edition (Portland, OR: The Visible Spectrum, 2021).Google Scholar

Further Reading

Duffy, M., Mair, J. and Waitt, G., ‘Addressing Community Diversity: The Role of the Festival Encounter’ in R. Finkel, and Sharp, B. (eds.), Accessibility, Inclusion and Diversity in Critical Event Studies (London: Routledge, 2018), pp. 9–20.CrossRefGoogle Scholar
Gibson, C. and Connell, J. (eds.), Festival Places: Revitalising Rural Australia (Bristol: Channel View Publications, 2011).CrossRefGoogle Scholar
Mair, J., The Routledge Handbook of Festivals (Abingdon: Routledge, 2019).Google Scholar
Piazzi, F. and Harris, R., ‘Community Engagement and Public Events: The Case of Australian Folk Festivals’, Event Management, 20(3) (2016), 395–408.CrossRefGoogle Scholar
Waitt, G., ‘Urban Festivals: Geographies of Hype, Helplessness and Hope’, Geography Compass, 2(2) (2008), 513–37.CrossRefGoogle Scholar

Further Reading

Allen, A. S. and Dawe, K. (eds.), Current Directions in Ecomusicology: Music, Culture, Nature (New York: Routledge, 2015).CrossRefGoogle Scholar
Bamblett, L., Myers, F. and Rowse, T. (eds.), The Difference Identity Makes: Indigenous Cultural Capital in Australian Cultural Fields (Canberra: Aboriginal Studies Press, 2019).Google Scholar
Barney, K. (ed.), Musical Collaboration between Indigenous and Non-Indigenous People in Australia (Abingdon: Routledge, 2022).CrossRefGoogle Scholar
Harris, A., Representing Australian Aboriginal Music and Dance 1930–1970 (New York: Bloomsbury Academic, 2020).CrossRefGoogle Scholar
Stratton, J., Multiculturalism, Whiteness and Otherness in Australia (Cham: Palgrave Macmillan, 2020), https://doi.org/10.1007/978-3-030-50079-5.CrossRefGoogle Scholar

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