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Part II - Themes and Issues

Published online by Cambridge University Press:  28 August 2025

Brad Kent
Affiliation:
Université Laval, Québec
David Kornhaber
Affiliation:
University of Texas, Austin
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Publisher: Cambridge University Press
Print publication year: 2025

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References

Further Reading

Kornhaber, David, The Birth of Theatre from the Spirit of Philosophy: Nietzsche and the Modern Drama (Evanston, IL: Northwestern University Press, 2016).Google Scholar
Krasner, David and Saltz, David Z., Staging Philosophy: Intersections of Theatre, Performance, and Philosophy (Ann Arbor: University of Michigan Press, 2010).Google Scholar
Moi, Toril, Henrik Ibsen and the Birth of Modernism: Art, Theatre, Philosophy (Oxford: Oxford University Press, 2006).CrossRefGoogle Scholar
Puchner, Martin, ‘The Theater in Modernist Thought’, New Literary History 33.3 (Summer 2002): 521–32.CrossRefGoogle Scholar
Rokem, Freddie, Philosophers and Thespians: Thinking Performance (Stanford, CA: Stanford University Press, 2010).Google Scholar

Further Reading

Abdalla, Daniel Ibrahim, ‘“Heredity, Heredity!” Recovering Henry James’s The Reprobate in its Scientific and Theatrical Contexts’, Modern Drama 64.1 (2021): 6787.CrossRefGoogle Scholar
Baugh, Christopher, Theatre, Performance and Technology: The Development and Transformation of Scenography (London: Palgrave Macmillan, 2013).CrossRefGoogle Scholar
Shepherd-Barr, Kirsten E., Theatre and Evolution from Ibsen to Beckett (New York: Columbia University Press, 2015).Google Scholar
Shepherd-Barr, Kirsten E., ‘“Golden Dust” in the Wind: Genetics, Contagion, and Early Twentieth-Century American Theatre’, in The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science, ed. The Triangle Collective (New York: Palgrave Macmillan, 2020), 511–24.Google Scholar
Wolff, Tamsen, Mendel’s Theatre: Heredity, Eugenics, and Early Twentieth-Century American Drama (New York: Palgrave Macmillan, 2009).CrossRefGoogle Scholar

Further Reading

Aronson-Lehavi, Sharon, Performing Religion on the Secular Stage (New York: Routledge, 2023).Google Scholar
Bial, Henry, Playing God: The Bible on the Broadway Stage (Ann Arbor: University of Michigan Press, 2015).CrossRefGoogle Scholar
Fischer-Lichte, Erika, Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre (New York: Routledge, 2005).Google Scholar
Lingan, Edmund B., The Theatre of the Occult Revival: Alternative Spiritual Performance from 1875 to the Present (New York: Palgrave Macmillan, 2014).CrossRefGoogle Scholar
Prentiss, Craig, Staging Faith: Religion and African American Theater from the Harlem Renaissance to World War II (New York: New York University Press, 2013).Google Scholar
Reckson, Lindsay V., Realist Ecstasy: Religion, Race, and Performance in American Literature (New York: New York University Press, 2020).Google Scholar
Sheppard, W. Anthony, Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater (Berkeley: University of California Press, 2001).Google Scholar
Tanner-Kennedy, Dana, ‘America’s Postsecular Stages’, Theater 50.2 (2020): 519.CrossRefGoogle Scholar

Further Reading

Farfan, Penny, Performing Queer Modernism (New York: Oxford University Press, 2017).CrossRefGoogle Scholar
Farfan, Penny, ‘On the Home Front: Designs for Living in British Drama between the Wars’, in Futility and Anarchy? British Literature in Transition, 1920–1940, ed. McNeill, Dougal and Ferrall, Charles (Cambridge: Cambridge University Press, 2018), 299314.CrossRefGoogle Scholar
Finney, Gail, Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century (Ithaca, NY: Cornell University Press, 1989).Google Scholar
Senelick, Laurence, ed., Lovesick: Modernist Plays of Same-Sex Love, 1894–1925 (London: Routledge, 1999).Google Scholar
Showalter, Elaine, Sexual Anarchy: Gender and Culture at the Fin de Siècle (New York: Viking, 2000).Google Scholar
Sinfield, Alan, Out on Stage: Lesbian and Gay Theatre in the Twentieth Century (New Haven, CT: Yale University Press, 1999).Google Scholar

Further Reading

Dossett, Rachel, Radical Black Theatre in the New Deal (Chapel Hill: University of North Carolina Press, 2020).CrossRefGoogle Scholar
Hay, Samuel A., African American Theatre: An Historical and Critical Analysis (Cambridge: Cambridge University Press, 1994).CrossRefGoogle Scholar
Hughes, Langston and Neale Hurston, Zora, Mule Bone: A Comedy of Negro Life (New York: Harper Perennial, 1940).Google Scholar
Young, Harvey, Race and Theatre (New York: Palgrave Macmillan, 2013).CrossRefGoogle Scholar

Further Reading

Bay-Cheng, Sarah, Kattenbelt, Chiel, Lavender, Andy, and Nelson, Robin, eds., Mapping Intermediality in Performance (Amsterdam: Amsterdam University Press, 2010).CrossRefGoogle Scholar
Chapple, Freda and Kattenbelt, Chiel, eds., Intermediality in Theatre and Performance (Amsterdam: Rodopi, 2006).CrossRefGoogle Scholar
Fisher, Margaret, Ezra Pound’s Radio Operas: The BBC Experiments, 1931–1933 (Cambridge, MA: MIT Press, 2002).Google Scholar
Hughes, Robert, and Fisher, Margaret, Cavalcanti: A Perspective on the Music of Ezra Pound (Emeryville, CA: Second Evening Art, 2003).Google Scholar
Moran, James, Modernists and the Theatre (London: Bloomsbury, 2022).CrossRefGoogle Scholar

Further Reading

Bai, Ronnie, ‘Dances with Mei Lanfang: Brecht and the Alienation Effect’, Comparative Drama 32.3 (Fall 1998): 389433.CrossRefGoogle Scholar
Chen, Xiaomei, Occidentalism: A Theory of Counter-Discourse in Post-Mao China (New York: Oxford University Press, 1995).CrossRefGoogle Scholar
Downer, Leslie, Madame Sadayakko: The Geisha Who Bewitched the West (New York: Gotham Books, 2003).Google Scholar
MacFie, A. L., Orientalism (London: Routledge, 2013).Google Scholar
Morash, Christopher, Yeats on Theatre (Cambridge: Cambridge University Press, 2021).CrossRefGoogle Scholar
Savarese, Nicola and Fowler, Richard, ‘1931: Antonin Artaud Sees Balinese Theatre at the Paris Colonial Exposition’, TDR: The Drama Review 45.3 (Autumn 2001): 5177.CrossRefGoogle Scholar

Further Reading

Awasthi, Suresh and Schechner, Richard, ‘“Theatre of Roots”: Encounter with Tradition’, TDR: The Drama Review 33.4 (1989): 4869.CrossRefGoogle Scholar
Brandon, James R. and Banham, Martin, The Cambridge Guide to Asian Theatre (Cambridge: Cambridge University Press, 1997).Google Scholar
Moody, Alys and Ross, Stephen J., eds., Global Modernists on Modernism: An Anthology (London: Bloomsbury, 2020).Google Scholar
Ordaz, Luis, El teatro en el Río de la Plata (Buenos Aires: Editorial Futuro, 1946).Google Scholar
Rubin, Don, Diakhate, Ousmane, and Ndumbe Eyoh, Hansel, The World Encyclopedia of Contemporary Theatre: Africa (Kiribati: Routledge, 1997).Google Scholar
Versényi, Adam, Theatre in Latin America: Religion, Politics and Culture from Cortés to the 1980s (Cambridge: Cambridge University Press, 2009).Google Scholar
Viera, Marcelino, ‘El teatro de Roberto Arlt: Drama de la literatura, literatura de la vida’, Latin American Literary Review 43.86 (2016): 728, www.jstor.org/stable/26407248.Google Scholar

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  • Themes and Issues
  • Edited by Brad Kent, Université Laval, Québec, David Kornhaber, University of Texas, Austin
  • Book: The Cambridge Companion to Modernist Theatre
  • Online publication: 28 August 2025
  • Chapter DOI: https://doi.org/10.1017/9781108917872.011
Available formats
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Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Themes and Issues
  • Edited by Brad Kent, Université Laval, Québec, David Kornhaber, University of Texas, Austin
  • Book: The Cambridge Companion to Modernist Theatre
  • Online publication: 28 August 2025
  • Chapter DOI: https://doi.org/10.1017/9781108917872.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Themes and Issues
  • Edited by Brad Kent, Université Laval, Québec, David Kornhaber, University of Texas, Austin
  • Book: The Cambridge Companion to Modernist Theatre
  • Online publication: 28 August 2025
  • Chapter DOI: https://doi.org/10.1017/9781108917872.011
Available formats
×