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This series traces the impact of philosophy on literature in both content and form. It shows how a philosopher's thought filtered thematically and substantively into literature, and also into the generic evolution of creative writing. Cambridge Studies in Literature and Philosophy also provides a summation of the state of 21st century knowledge on what impact a philosopher or theme has had on literature.

  • General Editors: Anthony J. Cascardi, University of California, Berkeley

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3 results in Cambridge Studies in Literature and Philosophy

Kant and Literary Studies

Heidegger and Literary Studies
  • Edited by Andrew Benjamin
  • Published online:
    09 November 2023
    Print publication:
    23 November 2023
  • Martin Heidegger is one of the most influential philosophers of the 20th Century, and a key philosophical resource for literary critics. Not only has he written about poetry, generations of poets have engaged his writings. And yet, for Heidegger poetry and literature are separate. An essential part of the project of this book therefore is to show how both the distinction and connection between literature and poetry is staged within Heidegger's thought. It offers Heidegger's perspective on a range of key themes, topics, poets, and writers, including Poetry and Poetics, Ancient Greek theatre and tragedies and then specifically Friedrich Hölderlin, Thomas Mann, Paul Celan, Euripides and Sophocles. As the Chapters comprising this book make clear, Heidegger's work remains indispensable for any serious engagement with either literature or poetry today.

Wittgenstein and Literary Studies
  • Edited by Robert Chodat, John Gibson
  • Published online:
    05 December 2022
    Print publication:
    23 February 2023
  • Wittgenstein is often regarded as the most important philosopher of the twentieth century, and in recent decades, his work has begun to play a prominent role in literary studies, particularly in debates over language, interpretation, and critical judgment. Wittgenstein and Literary Studies solidifies this critical movement, assembling recent critics and philosophers who understand Wittgenstein as a counterweight to longstanding tendencies in both literary studies and philosophical aesthetics. The essays here cover a wide range of topics. Why have contemporary writers been so drawn to Wittgenstein? What is a Wittgensteinian response to New Historicism, Post-Critique, and other major critical movements? How does Wittgenstein help us understand the nature of style, fiction, poetry, and the link between ethics and aesthetics? As the volume makes clear, Wittgenstein's work provides a rare bridge between professional philosophy and literary studies, offering us a way out of entrenched positions and their denials-what Wittgenstein himself called 'pictures' 'that held us captive.'