Widowers make occasional appearances in Icelandic sagas of the thirteenth and fourteenth centuries and—even though Old Norse did not even have a word for them—they exhibit some distinctive behavioral patterns. This article uses the framework of bereavement studies to examine the interplay of gender, affect, and small-scale politics in the wake of the loss of a wife. It proposes two archetypes of dysfunctional bereaved husband, observable in the medieval Norse world which the sagas describe (ca. 800–1300): the widower on the warpath and the widower on the bridal path. Both followed cultural scripts for widowers’ conduct, but did so imperfectly, in a manner that exposes their society’s constructions of masculinity, its prescriptive family codes, and the clandestine channels linking private emotional turmoil with public socio-political disruption. My typology of maladjusted Norse widowers offers heuristic tools for further study of bereaved husbands in other periods and places, as well as for comparison with bereaved wives and with men in other life-stages.