The recreative view of the imagination sees it as a ‘mirror’ of basic mental attitudes: There are imaginative (pretend) variants of beliefs, i-beliefs (ordinarily called imaginings), i-seeings (visualizings), i-desires, i-emotions … the imagination is ‘half of psychic life’, as Meinong put it. The single attitude rival view sees the imagination instead as a sui generis nonderivative mental attitude, with distinctive traits: distinctive functional roles, distinctive norms to which it is beholden, and a distinctive phenomenology. This chapter confronts a recent argument by analogy for i-desires, due to Greg Currie, which is based on an alleged parallel between beliefs and desires. The chapter argues in response that this argument fails because the parallel on which it relies fails to obtain on different influential accounts of desires. The discussion strengthens responses to earlier arguments for i-desires.

Porphyry and Iamblichus added further levels of virtue to Plotinus’ scale of virtues. In Chapter 8 I discuss Iamblichus’ On the Pythagorean Life, which presents Pythagoras as a model of the political virtues. I show how, on this level, Iamblichus takes over Epicurean ideas about serenity, freedom from disturbance, a balanced control of desires and bodily needs and how, more generally, the Epicurean biographical practice of praising philosophical heroes as models to be imitated anticipates Iamblichus’ presentation of the figure of Pythagoras. I note also a wider use of Epicurean ethical ideas in Late Antique Platonism, in particular on the level of political virtues, the virtues of the discipline of bodily desires.

In Chapter 7 I discuss the consequences, as regards the theory of virtue, of Plotinus’ denial that ‘spirit’ (thumos) and ‘desire’ (epithumia) are parts of the nature of soul. This denial contrasts with Plato’s tripartition of the soul (which includes spirit and desire) in the Republic, where the tripartition serves to define the four cardinal virtues. However, Plotinus defines these ‘political’ virtues in a different way, as the knowledge and the measure and order brought by rational soul to the affects which arise in the living body. Plotinus introduces furthermore a higher level of virtues, the ‘greater’ virtues. I discuss the relation between these two levels of virtue, in particular as regards the nature of this scale. I argue that in Plotinus the lower (‘political’) virtues are imperfect if possessed without the greater virtues

This book on the language of love’s joy starts with the acknowledgement that such a language has repeatedly been expressed as impossible. The poetic and vernacular tradition of joie d’amour originates in the lyrics of the troubadours, which famously sing the absence of fulfilment in the endless prolongation of desire: it is thus born in a lyrical language that presupposes its impossibility. This study on the language of love’s joy is thus grounded in the paradox that love’s joy is beyond language. The elusive nature of the emotion has resulted in a lack of studies on love’s joy. If there is an important scholarly tradition on the semantics of Old Occitan joi, this critical interest has been confined to the French literature of the twelfth and thirteenth centuries and has not been picked up by the field of emotion history nor by more recent studies on medieval love literature.

For many (if not most) artists, their work is a key part of who they are. Their creative efforts help shape their identity and how they see themselves in the world. It is not just the generic notion of “being an artist,” but rather their specific field, style, and project that define their self-concept. Some discuss the parallels between creating art and creating an identity; both involve generating different possible ideas and ultimately choosing the best one. They also talk about the process of learning to think of themselves as artists.

This chapter proposes new readings of the poems of Whym Chow: Flame of Love based on ideas of unconventional domesticity, alternative divinity, and queer, chosen families. The chapter explores the ways in which animal characteristics disrupt and subvert conventional poetic form and religious teachings in the volume, specifically elegy and Catholicism. It also focuses on connections between Michael Field’s writing and animal poetry found in the work of other fin-de-siècle and modernist writers. The chapter proposes that these poems can and should be celebrated for their eccentricity, oddity, and queerness rather than overlooked and marginalised within Michael Field’s oeuvre.

Temperance is a condition of a person’s physical appetites (for food, drink, and sexual contact) in which those appetites themselves conform to a rational standard. Temperance is possible for human beings because of the sophistication with which we can conceptualize the objects of our appetites and because an appetite’s object is internal to the appetite’s identity. A salmon steak construed as poisoned appeals to our appetite (and thus affects the pleasure of satisfying it) differently than one construed as healthful. Temperance differs from self-control, which doesn’t involve a conformity of the appetites themselves, but imposes rational control on unmodified appetites. The rational standard for temperance is the human good, which is the object of the virtues of caring. Thus, the temperate person’s physical appetites are such that, without being controlled, they fit the person to participate in an order of peace.

Lacan’s writings were for many decades the primary mode of access that the public had to his work. This was unfortunate because Lacan disdained writing and strove to write in a way that could not be readily understood. His oral seminars, which are now available, provide an enlightening contrast. This introduction concentrates on Lacan’s seminars to present a philosopher preoccupied with the problem of subjectivity and how the insights gleaned from psychoanalysis might be able to contribute to thinking through this problem. Many critics have wrongly associated Lacan with other French thinkers of his time, such as Jacques Derrida or Michel Foucault. This book will draw a significant contrast between them and highlight their irreconcilable differences.

In his Republic, Plato claims that we always do whatever we do in pursuit of the good. But in Book IV of the Republic, Plato shows that people can have attractions and aversive reactions at the same time toward the same objects or actions. In this essay, I argue that Plato’s recognition and use of aversion as a motivating response cannot be squared with what I call his ‘motivational monism’, that is, with the view that the pursuit of the good is the only thing that motivates us. Rather, as Plato’s own arguments show clearly, sometimes we don’t pursue what is good; instead, we act so as to avoid what is bad. I contend that this negative motivation cannot be wholly understood in terms of our positive interest in what is good.

As the providers of care work, women experienced the painful losses of male bodies during the Civil War acutely. This chapter explores the way Elizabeth Stuart Phelps used her works—particularly her successful sentimental novel, The Gates Ajar (1868)—to imagine faith as a way to manage this pain. Yet, Phelps’s popularity stemmed from the way her notion of faith also complicated the orthodox Calvinist belief in a disembodied spirit: an ontology premised on the soul’s difference from, and superiority to, the body. By developing what Phelps calls “spiritual materialism,” she puts the lived experience of embodiment at the very center of belief, not drifting or working between mind-centered and body-centered paradigms, as we have seen, but operating beyond them both at the level of faith. Precisely the way this re-embodied faith moves beyond mind-centered and body-centered ontologies allows Phelps’s sentimental novel itself to move beyond the restrictive gender politics of sentimentalism, “minding the body” to tell a less repressive story of domesticity and reveal a more capacious understanding of female desire.

Explores the interaction between love poetry and philosophy in Ovid and Plato. The philosophical uncertainty that results from Ovid’s visions of fluid ontologies is not restricted to the Metamorphoses but can also be identified in his earlier elegiac work, as love too is subject to constant change. Love and desire are also frequently theorized in ancient philosophy, with Ovid’s didactic Ars Amatoria integrating and distorting elements of this tradition. Its combination of a speculative approach to love with manipulative rhetoric, all with the goal of fostering and pursuing the object of desire, has clear precedents in the philosophical tradition, most notably Plato’s Symposium and Phaedrus. The nature of love, however, remains fundamentally elusive, and its definition something of a paradox. The dangers of abduction and sexual assault, however, remain a dark undercurrent in both Ovid’s and Plato’s works. This danger is closely associated with poetry in the Phaedrus, which includes myths of abduction and metamorphosis that internally disrupt the philosophical dimensions of the dialogue. Comparisons are also drawn between passages from the Symposium and Phaedrus and Ovid’s narratives of Narcissus and Hermaphroditus from the Metamorphoses.

Previous chapters have examined forms of action that the standard belief-desire model ignores. This chapter starts to dig deeper into the standard model itself. It is about how decisions get made (especially decisions that are commonly described as conscious ones), and about how those decisions subsequently give rise to actions. It draws on the scientific literature on prospection and on what is often called “neuroeconomics” to argue that valence (pleasure and displeasure) is the common currency of all decision-making. It also argues that the goals and intentions that result from decision-making are real, and distinct from beliefs and affective forms of desire. The chapter begins by showing that the ordinary notion of desire conflates two very different kinds of mental state, however, and it concludes by discussing how intentions and affective desires interact when they conflict.

The standard philosophical model of intentional action-explanation appeals to states of belief and desire to do the explaining. This chapter evaluates what philosophers have had to say about the nature of desire. Chapter 5 showed that the ordinary notion of desire encompasses two very different kinds of mental state: goals and intentions, on the one hand, and affective or emotion-like forms of desire, on the other. The focus here is on the latter. The chapter shows that desires of this sort always incorporate anticipatory pleasure, and that pleasure itself is an analog-magnitude representation of value. The chapter begins with what the science can tell us about the respective natures of pleasure and desire, before comparing the results with claims made by armchair-philosophers. Many of the latter are false, albeit sometimes containing partial insights.

This chapter discusses the relationship of the imagination to Christian eschatology. It gives an account of the function of eschatological imagery in the Bible, discusses the changing ways in which art and literature have engaged Christian eschatology, and concludes with an account of a distinctly eschatological imagination.