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Farrenc worked within a network of musicians devoted to chamber music, including a dozen or more women pianists who specialized in the Classical repertoire. In the early decades of the nineteenth century, violinists like Pierre Baillot and Jean-Delphin Alard established chamber music concerts that created a culture of enthusiasm for string quartets and quintets, piano trios, and large ensemble music. Pianists like Farrenc, Thérèse Wartel, Sophie Pierson-Bodin, and Clara Loveday specialized in the performance of chamber music in the 1830s–50s, which allowed them to establish professional careers within a social environment that placed strict limits on “respectable” women and their activities in public spaces. Wartel established the Society for Classical Music, which presented septets, octets, and nonets for winds and strings to the Paris public for the first time. Farrenc composed her Nonet for the members of this group of virtuoso wind and string players, who performed it together in her solo concert in 1850.
Even in the worst conditions, Jews needed to hear music, read books, attend lectures, watch actors perform, and participate in a myriad of cultural activities in order to connect to prewar values and memories. This chapter highlights the extraordinary cultural production of Jews in situations from cramped, dangerous ghettos, to the worst possible extremes, concentration and extermination camps. Jews stressed how much cultural activity helped them retain their psychological integrity and resist Nazi attempts to dehumanize them.
This chapter posits a revealing “census” or reckoning of the ways in which Messiaen has appeared in musicology in France vs. foreign climes and his presence in concert programming. More than twenty-five years after his death, Messiaen’s legacy in France is still a matter of debate. It examines how Messiaen’s work has fared in France since his death, and how institutions and performers have engaged with this work.
Mass gatherings are vulnerable to terrorist attacks and are considered soft targets with potential to inflict high numbers of casualties. The objective of this study was to identify and characterize all documented terrorist attacks targeted at concerts and festivals reported to the Global Terrorism Database (GTD) over a 50-year period.
Methods:
The GTD was searched for all terrorist attacks against concerts and festivals that occurred world-wide from 1970 through 2019. Analyses were performed on temporal factors, location, target type, attack and weapon type, attacker type, and number of casualties or hostages. Ambiguous incidents were excluded if there was doubt about whether they were exclusively acts of terrorism. Chi-square tests were performed to evaluate trends over time and differences in attack types.
Results:
In total, 146 terrorist attacks were identified. In addition to musical concerts, festivals included religious, cultural, community, and food festivals. With 53 incidents, South Asia was the most heavily hit region of the world, followed by the Middle East & North Africa with 25 attacks. Bombings and explosions were the most common attack types. The attacks targeted attendees, pilgrims, politicians, or police/military members who secured the concerts and festivals.
Conclusion:
This analysis of the GTD, which identified terrorist attacks aimed at concerts and festivals over a 50-year period, demonstrates that the threat is significant, and not only in world regions where terrorism is more prevalent or local conflicts are going on. The findings of this study may help to create or enhance contingency plans.
Examines the use of music in recruitment and fundraising. It will show how military musicians were mobilised in the early days of war, and the ways in which commanders had to cater for the newly expanded forces. It will look at how the civilian music industry responded to the start of the conflict, and the ways in which bands, concerts and other musical events were used for the purposes of supporting the war effort. This chapter will also provide a survey of the work of various committees established to support both the music industry, all of whom sought to both protect and maximise performers’ employment opportunities during the early years of the war.
This chapter considers how professional singers used benefit concerts to facilitate their exposure and to establish their reputations between 1703 and 1729 – years inclusive of the earliest Italian opera performances in England through the Royal Academy of Music. First, it will document the patterns and conventions apparent in benefits given by professional Italian and English singers, emphasizing the different kinds of concerts and opera benefits, the pros and cons of each, and the ways in which these events were tailored to fit the singers. For the bulk of the chapter, I will focus on three clear motivations behind concert benefits for singers of Italian opera. My survey of advertisements shows that singers used these special performances in order (1) to collaborate within a network of professional musicians; (2) to create and promote their individual celebrity; and (3)to construct and respond to particular narratives about contemporary musical taste.
The benefit concert was an offshoot of the Restoration tradition whereby an individual or group of individuals would receive the proceeds from one night’s performance in the playhouse. Musical entertainments were added as bait to increase attendance. Starting in the 1690s, the benefit concert flourished with the proliferation of dedicated concert spaces (York Buildings) as well as repurposed onces (Hickford’s Dancing School and Stationers’ Hall). In this essay, I will show the significant role English composers and their music played in these benefit concerts from the 1690s to 1714. Through an examination of newspaper advertisements and other suriving sources I will reconstruct the repertory for these benefits, demonstrating the continued importance of native music and musicians even as foreign composers and performers flooded the market.
This introduction provides an overview of Music and the Benefit Performance in Eighteenth-Century Britain, first by introducing the mechanics of musical benefits in the eighteenth century, followed by a literature review of prior research into the subject. We then offer a discussion of themes that emerge throughout the book, including networking and repertories, benefits beyond London, benefits and public image, the emergence of charity benefits, and finally, the role of the audience.
In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in other European and American cities. Indeed, the charity benefit became a musical phenomenon in its own right, leading, for example, to the lasting success of Handel's Messiah. By examining benefits from a musical perspective - including performers, audiences, and institutions - the twelve chapters in this collection present the first study of the various ways in which music became associated with the benefit system in eighteenth-century Britain.
A review of the mass-gathering medicine literature confirms that the research community currently lacks a standardized approach to data collection and reporting in relation to large-scale community events. This lack of consistency, particularly with regard to event characteristics, patient characteristics, acuity determination, and reporting of illness and injury rates makes comparisons between and across events difficult. In addition, a lack of access to good data across events makes planning medical support on-site, for transport, and at receiving hospitals, challenging. This report describes the development of an Internet-hosted, secure registry for event and patient data in relation to mass gatherings.
Methods
Descriptive; development and pilot testing of a Web-based event and patient registry.
Results
Several iterations of the registry have resulted in a cross-event platform for standardized data collection at a variety of events. Registry and reporting field descriptions, successes, and challenges are discussed based on pilot testing and early implementation over two years of event enrollment.
Conclusion
The Mass-Gathering Medicine Event and Patient Registry provides an effective tool for recording and reporting both event and patient-related variables in the context of mass-gathering events. Standardizing data collection will serve researchers and policy makers well. The structure of the database permits numerous queries to be written to generate standardized reports of similar and dissimilar events, which supports hypothesis generation and the development of theoretical foundations in mass-gathering medicine.
LundA, TurrisSA, AmiriN, LewisK, CarsonM. Mass-Gathering Medicine: Creation of an Online Event and Patient Registry. Prehosp Disaster Med. 2012;27(6):1-11.
Mass gatherings create difficult environments for which to plan emergency medical responses. The purpose of this study was to identify those variables that are associated with increased medical usage rates (MURs) and certain injury patterns that can be used to facilitate the planning process.
Methods:
Patient information collected at three types of mass gatherings (professional American football and baseball games and rock concerts) over a three-year period was reviewed retrospectively. Specific variables were abstracted: (1) event type; (2) gender; (3) age; (4) weather; and (5) attendance. All 216 events (total attendance9,708,567) studied were held in the same metropolitan region. All MURs are reported as patients per 10,000 (PPTT).
Results:
The 5,899 patient encounters yielded a MUR of 6.1 PPTT. Patient encounters totaled 3,659 for baseball games (4.85 PPTT), 1,204 for football games (6.75 PPTT), and 1,036 for rock concerts (30 PPTT). The MUR for Location A concerts (no mosh pits) was 7.49 PPTT, whereas the MUR for the one Location B concert (with mosh pits) was110 PPTT. The MUR for Location A concerts was higher than for baseball, but not football games (p = 0.005). Gender distribution was equal among patrons seeking medical care. The mean values for patient ages were 29 years at baseball games, 33 years at football games, and 20 years at concerts. The MUR at events held when the apparent temperature was £80°F significantly lower statistically than that at events conducted at temperatures <80°F were (18°C) (4.90 vs. 8.10 PPTT (p = 0.005)). The occurrence of precipitation and increased attendance did not predict an increased MUR. Medical care was sought mostly for minor/basic-level care (84%) and less so for advanced-level care (16%). Medical cases occurred more often atsporting events (69%), and were more common than were cases with traumatic injuries (31%). Concerts with precipitation and rock concerts had a positive association withthe incidence of trauma and the incidence of injuries; whereas age and gender were not associated with medical or traumatic diagnoses.
Conclusions:
Event type and apparent temperature were the variables that best predicted MUR as well as specific injury patterns and levels of care.
Mass-gatherings events provide a difficult setting for which to plan an appropriate emergency medical response. Many of the variables that affect the level and types of medical needs, have not been fully researched. This review examines these variables.
Methods:
An extensive review was conducted using the computerized databases Medline and Healthstar from 1977 through May 2002. Articles selected contained information pertaining to mass-gathering variables. These articles were read, abstracted, analyzed, and compiled.
Results:
Multiple variables are present during a mass gathering, and they interact in complex and dynamic ways. The interaction of these variables contributes to the number of patients treated at an event (medical usage rate) as well as the observed injury patterns. Important variables include weather, event type, event duration, age, crowd mood and density, attendance, and alcohol and drug use.
Conclusions:
Developing an understanding of the variables associated with mass gatherings should be the first step for event planners. After these variables are considered, a thorough needs analysis can be performed and resource allocation can be based on objective data.
Evaluate the experience of paramedic personnel at mass gatherings in the absence of on-site physicians.
Design:
Retrospective review of patients evaluated by paramedics with emergency medical services (EMS) medical control.
Setting:
First-aid facility operated by paramedics at an outdoor amphitheater involving 32 (predominantly rock music) concerts in accordance with the Chicago EMS System, June through September 1990.
Participants:
A total of 438 patients (≤0.1% on-site population) were evaluated.
Interventions:
Presentations to the first-aid facility were viewed as if the patient was presenting to an ambulance. Transportation to an emergency department was strongly recommended for all encounters. Time from presentation to the first-aid facility until disposition was limited to 30 minutes in the absence of on-line [direct] medical control. Refusal of care was accepted. On-line [direct] medical control with the EMS resource hospital was initiated as needed. Off-line [indirect] medical control consisted of weekly reviews of all patient records and periodic site visits.
Results:
Of the 438 patients, 366 (84%) refused further care, including 31 patients (7%) who refused advanced life support (ALS) level care. Seventy-two patients (16%) were transported; 37 by ALS and 35 by basic life support (BLS) units. On-line [direct] medical control was initiated in all ALS patients that were transported as well as for those who refused care. No known deaths or adverse outcomes occurred, based on lack of inquiries or complaints from the local EMS system, emergency departments receiving transported patients, law enforcement agencies, 9-1-1 emergency response providers, venue management, or security. No request for medical records from law firms have occurred. Problems noted initially were poor documentation and a tendency not to document all encounters (e.g., dispensing band-aids, tampons, earplugs, etc.). Concerns noted included: initial and subsequent vital signs, times of arrival, interventions, dispositions, and patient conditions of refusal. Specific problems with documentation of refusals at disposition included: appropriate mental status, speech, and gait; release with an accompanying family member or friend; and parental notification and approval of care for minors. There also was an initial tendency not to establish on-line [direct] medical control for ALS refusal or BLS medicolegal issues.
Conclusions:
The medical system configuration modeled after practices of prehospital care, demonstrates physicians did not need to be onsite when adequate EMS medical control existed with less than 30 minutes on-scene time.
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