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Following Homi Bhabha's prompt on reading nationalism as a set of discursive and performative practices, this Element focuses on the cultural geography of today's Russia and examines a range of performative strategies used by the Russian state to uphold its nationalist project. Simultaneously, it maps artistic strategies of resistance to the ideology of nationalism as employed by both state-funded and independent theatre companies, via new dramaturgies, performance practices and strategies of storytelling.
This study identifies the mnemonic strategies of the Slovak extreme-right Ľudová Strana Naše Slovensko (ĽSNS) / People’s Party Our Slovakia as a means of establishing a mnemonic alliance with Putin’s Russia. ĽSNS’s construction of mnemonic culture surrounding two critical events in Slovak history – the 1944 Slovak National Uprising and the 1968 invasion of Czechoslovakia by the Soviet army and its allies – is marked by an effort to overcome the ideological divide between its extreme-right ideology and Russia’s identity and memory politics rooted in its anti-fascist heritage. Those two events represent an uneasy terrain for building political and mnemonic alliances between ĽSNS and Putin’s Russia. Even though these two historical milestones represent a seemingly unmasterable past and an obstacle in an ĽSNS-Russia alliance, the party implemented several mnemonic strategies to reconfigure the place of these two key historical events in national memory and clear the path for a closer alliance with Putin’s Russia. We argue that ĽSNS’s memory construction is multidirectional rather than competitive or discordant. We unpack ĽSNS’s memory construction and identify multidirectional effects and trajectories as vectors for building a mnemonic alliance with Putin’s Russia.
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