In the late twelfth century, four Chinese stonemasons migrated to Japan from the Chinese coastal city of Ningbo. They participated in the most important contemporary building project in Japan—the reconstruction of the prestigious Tōdaiji monastery in Nara following the Genpei War. Drawing on Chinese and Japanese textual records, archaeological evidence from the quarry sites, and the existing stone works, this study investigates the network that facilitated the movement of the artisans and their materials between China and Japan and sheds light on the relationship between artisans and religious monuments from a transnational perspective. This study explores how the migrant artisans’ expertise and connections enabled them to establish roots in a new society. Additionally, it examines the timing of the artisans’ migration within the broader context of Japan’s societal transformations, aiming to highlight the connectivity fostered by maritime networks in premodern East Asia.