Elk Ridge was the largest pueblo in the northern Mimbres River Valley during the Classic Mimbres period. Data from the pueblo and surrounding sites indicate that it was the economic and ritual center of a larger community. Here, we use multiple lines of evidence—including survey data, ceramics, architecture, and faunal remains—to reconstruct the extent and structure of the Elk Ridge community. We see social interaction as the basis for community development, with (1) community members interacting to negotiate access to land, resources, and labor; and (2) communal rituals serving to reinforce cooperation and cohesion. The Elk Ridge community produced ceramics and raised turkeys that were traded to other Classic Mimbres communities, and these exchange networks created social ties between communities. Data from Elk Ridge also document interaction with non-Mimbres communities to the north, revealing a network of cultural interaction across the region. This study illustrates how landscape, location, kin relations, exchange networks, and ritual activities translate into a social community, similar to those we see throughout the US Southwest and elsewhere in the Neolithic world.

Great kivas served as important ritual spaces and played significant roles in community integration throughout the Pithouse period (AD 550–1000) occupation of the Mimbres Mogollon region of southwestern New Mexico. This article uses data from excavations at the Harris site, a large pithouse village located in the Mimbres Valley, to explore the role of great kivas and an associated plaza in community integration as the village grew, extended family households formed, and social distinctions developed. Data from excavations of sequentially used great kivas surrounding the plaza along with household data from domestic structures are used to examine the role of ritual space during the Pithouse period.

Mimbres painted pottery from the U.S. Southwest is renowned for its spectacular designs. Literature on style and identity suggests three concepts helpful for understanding its social significance: boundaries, multiple dimensions of variation, and historical context. This article investigates these concepts by synthesizing past studies with new analyses. The distribution of Mimbres pottery is strongly bounded, demonstrated with data from the cyberSW project. Variation in designs is multidimensional: (1) individual artists created distinctive styles; (2) specific designs are distributed homogeneously across the region, a conclusion demonstrated in part with new analyses of the geometric designs; and (3) pan-regionally, the designs’ content, regular structure, and appearance on multiple media suggest they were meaning-charged. Considering these findings in their historical context provides insights into the pottery's social significance and elaboration: population growth in the resource-rich Mimbres region engendered land tenure systems, marked in part by burials that included pottery. The pottery came to convey the message “I belong here” from two perspectives. By adopting the pottery, people, including migrants, signaled their acceptance of established ways of life in the region, and their access to the pottery indicated their acceptance in the social milieu.