Prospect Poetry’ situates Goldsmith’s poem The Traveller, or A Prospect of Society (1764) at the confluence of various literary genres and show how its hybridity contributes to its innovative and influential qualities. Goldsmith’s poem modifies the prospect poem by decoupling the observer from any sense of belonging to the landscape, instead developing the figure of the wanderer that comes to inhabit many prose travelogues as well as Romantic epics. It also develops the political tendencies of its various precursor genres by exploring the relationship between individual, family, nation, and empire.

This chapter situates James Thomson’s “The City of Dreadful Night” in the midst of Victorian debates about psychological automatism, finding in the poem’s vision of mechanical life the materialistic and atheistic consequences to which conservative readers feared that theories like Thomas Huxley’s conscious automatism must lead. Thomson depicts not just the impotence of consciousness; he uses automatism to challenge the very possibility of free will. But while Thomson found in psychological automatism a confirmation of his own pessimism, this chapter notes that others in the 1870s articulated theories of the phenomenon that retained space for an immaterial and efficacious will (and the soul for which it seemed to stand). By considering how Thomson’s poem resonates with one key example of such conservative models, the work of William Carpenter, this chapter ultimately reveals the surprising endurance of an orthodox psychological dualism in the latter part of the nineteenth century.

Exchanges between Eastern and Western cultures were central to representations of human-animal relations in the eighteenth century. When in 1713 Alexander Pope published an essay against cruelty to animals, he observed how “Everyone knows how remarkable the Turks are for their Humanity in this kind.” This chapter explains how feeling for fellow creatures was coupled in English minds with Eastern – Ottoman and Arab as well as Persian and Indian – compassion for them. Derived from mercantile, scholarly, and scientific exchanges; travelers’ tales; and widely circulating translations of Eastern beast fables, what Srinivas Aravamudan calls “Enlightenment Orientalism” is examined in relation to a contemporary Ottoman representation of animals, the natural history and storytelling of Evliya Çelebi (1611–c. 1687). It also considers such texts as Jonathan Swift’s Gulliver’s Travels, Pope’s Windsor-Forest and Essay on Man, James Thomson’s The Seasons, and Gilbert White’s The Natural History of Selborne. These texts present different versions of multiple species of animal kind as “peoples” in the sense of the Qur’anic verse, explicated by Sarra Tlili, that ‘”there is not an animal in the earth nor a flying creature flying on two wings, but they are people like you.”

This chapter studies the relationship between two of the foremost examples of georgic poetry in English – James Thomson’s The Seasons and Vita Sackville-West’s The Land, and the tradition’s primary ancient model, Virgil’s Georgics. It argues that georgic poetry is deeply implicated in the politics of empire in Roman no less than in British contexts, using themes of geography, travel and patriotism to showcase and celebrate imperial power. Simultaneously, georgic poetry can be read as a kind of archive, celebrating the artisanal practices of rural communities under threat from profit-driven economic models, marrying intense appreciation of the natural world with an equally intense awareness of that world’s fragility. As such, georgic poetry can be usefully read as dramatizing certain contradictions and challenges which remain relevant in global politics in the twenty-first century.