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  • Curated Conversation 4: The Power of Guarani Rap

  • from Part II - Artistic Practices, Racism and Anti-Racism
  • Edited by Peter Wade, University of Manchester, Lúcia Sá, University of Manchester, Ignacio Aguiló, University of Manchester
  • Book:
    Art and Anti-Racism in Latin America
    Published online:
    19 December 2025
    Print publication:
    29 January 2026, pp 198-204
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  • Summary

    This conversation draws on an online discussion involving Brazilian Indigenous hip-hop artists Bruno Veron and Kelvin Peixoto, of the Brô MC’s duo, and Kunumi MC (a.k.a. Owerá). The Brazilian rap movement began in São Paulo in late 1980s, led by Black performers and activists, among them DJ Thaide and Racionais MC’s. As in other countries, Brazilian rap and hip-hop are mostly urban. Racionais MC’s focus on youth life in the peripheral areas of urban São Paulo, featuring topics such as racism, social inequality and drug violence. These themes held clear appeal for Indigenous peoples confronting racism, displacement and violence in Brazil. Performing in a combination of Guarani and Portuguese, Brô MC’s emerged in 2009 as the first Indigenous rap and hip-hop group, speaking to the violence and racism against Indigenous peoples that are particularly intense in the region they come from, Mato Grosso do Sul.