This chapter addresses facial surgery and prosthesis.The early modern period saw the development of medical procedures aimed as much at the augmentation and transformation of the face as at its restoration to ‘normality’. These advanced procedures brought into question the morality of changing one’s appearance. These issues were heightened in discussions of the Tagliacotian rhinoplasty. Promising to graft a new nose on to the faces of men afflicted by syphilis, this operation potentially, and controversially, disguised the results of sexual licentiousness. Moreover, satirists suggested not only that the graft might be taken from another person’s flesh, but that the grafted part might retain a sympathetic connection to its original ‘owner’. The nature of the connection (or lack thereof) between a person’s flesh and their ‘true’ identity was foremost in such discussions. Hester Pulter’s poem on the subject is a witty, sharply satirical admonition against sexual incontinence. Anticipating later works by Butler and Addison, it demonstrates how rhinoplasty became a vehicle for voicing larger concerns about embodiment, sociability, and morality.