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2 results

  • 28 - Setsuwa (anecdotal) literature:Nihon ryōikitoKokon chomonjū

  • from Part III - The medieval period (1185–1600)
  • Edited by Haruo Shirane, Columbia University, New York, Tomi Suzuki, Columbia University, New York, David Lurie, Columbia University, New York
  • Book:
    The Cambridge History of Japanese Literature
    Published online:
    05 January 2016
    Print publication:
    17 December 2015, pp 280-286

  • Summary

    In the early Heian Academy, talented scholars were sometimes able to rise to posts on the Council of State itself, but the hegemony of the Fujiwara Regents' House effectively ended literati political influence. During the mid to late Heian period, the collection Godansho contains many anecdotes illustrating the friction between hereditary scholars and unaffiliated students, as in this conversation about Sugawara no Fumitoki, scion of the Sugawara lineage, and Minamoto no Shitago, a less prestigious student from the same Letters curriculum. Another burst of glory for the traditional scholarly families was Oe no Masafusa, a child prodigy who tutored and advised three emperors, and was the first of his lineage to sit on the Council in over a century. Near the end of his life, Masafusa's student Fujiwara no Sanekane, began keeping a record of his conversations with his teacher, Godansho, an important influence on later setsuwa literature.

  • 30 - The Tales of the Heike

  • from Part III - The medieval period (1185–1600)
  • Edited by Haruo Shirane, Columbia University, New York, Tomi Suzuki, Columbia University, New York, David Lurie, Columbia University, New York
  • Book:
    The Cambridge History of Japanese Literature
    Published online:
    05 January 2016
    Print publication:
    17 December 2015, pp 295-305

  • Summary

    Fujiwara no Akihira compiles Honcho monzui or Literary Essence of Our Court is a repository of model pieces featuring genres that an educated Heian man needed to master in order to participate in court life, perform duties within the court bureaucracy. Canvassing about two centuries of Sino-Japanese literature from the Saga through the GoIchijo courts, he selected 427 pieces by seventy authors for a vast panorama in fourteen volumes, arranged by thirty-nine genres, with a special focus on the Engi, Tenryaku, and Kanko eras, high points for courtly kanshibun. Though it was the first anthology to feature a vast panorama of Sino- Japanese genres, Literary Essence took cues from previous collections. Inspired by the central importance of the Wenxuan, the sixth-century Chinese anthology of ornamental prose and poetry that was a major textbook for students in the "History and Literature track" at the Heian Academy, Akihira may have tried to create a Wenxuan for Japan.