We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Focussing on writing by Ralph Keeler, Lee Meriweather, Harry Franck, Stephen Graham and Vachel Lindsay, Chapter Two charts the development of a subgenre of writing that combines the slumming narrative with the travelogue, which I call the ‘vagabond travel narrative’. In this subset of travel literature, a narrator attempts to sightsee without money. These narratives make a spectacle of the supposed ingenuity of the narrator in acquiring, in the absence of financial capital, what I call ‘experiential capital’. Yet these texts also reveal, against the intentions of their authors, that it is their privilege as white men that enables these journeys and experiences. Vagabond writers set themselves apart from hobos and tourists, seeing both groups as too closely associated with modernity. Unlike the hobo, the vagabond travels to escape modernity – to go ‘off road’, rather than ‘on the road’, we might say. Yet Vachel Lindsay in particular shows an uneasy solidarity with the transient workers whom he inevitably encounters.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.