We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This paper examines the development of the University of Ghana’s Institute of African Studies (IAS), arguing that the landscape of decolonial epistemology is more complex than is often assumed. Drawing on new archival documents it maps out the different landscape of ideas regarding its decolonial origins — phase one (1948–50), phase two (1954–61), and phase three (1960–63) — not only to elucidate problems of defining what decolonial work should entail but also as a historical study of how people associated with the IAS contributed to defining and activating a decolonial project. It shows Nkrumah’s specific instrumentality to its emergence through an African-centred or “Afroepistemic” approach to African Studies. It also highlights how the decolonial imperative was shaped by different historical moments.
The Introduction outlines key problems of conceptualising and shaping literary history in general, and Russian literary history in particular. It explains the radical decision to structure the volume not as an integrated narrative but as a set of chronologically parallel histories. The Introduction explains the choice of ‘movements’, ‘forms’, ‘mechanisms’, and ‘heroes’ as frameworks for the four main histories, yet also argues that further histories are imaginable, as indicated by the six clusters of smaller essays, or ‘boxes’. As for ‘Russian’: the adjective can refer to language, to geopolitical space, or to cultural and/or national identity. The relationships among these three categories are increasingly contested. Russian Studies have only recently begun to acknowledge and explore the distinctions that are well established for literatures in other imperial languages (for instance, English and Anglophone, French and Francophone). The polyphonic structure of the book facilitates constructive engagement with debates about reshaping the field.
Edited by
Randall Lesaffer, KU Leuven & Tilburg University,Anne Peters, Max Planck Institute for Comparative Public Law and International Law, Heidelberg
This chapter discusses the overlooked and often ignored historiography of the history of international law in Africa. It argues that this absence is a symptom of the myth of African ahistoricity before the coming of European imperialism and the idea that the advent of intellectual independence only came after decolonisation. In order to overcome this exclusion scholars should abandon the disciplinary tools and markers of nineteenth- and twentieth-century Western international law that are usually employed when establishing the canon of the history of international law. Instead, the chapter proposes that pan-Africanism can offer a lens through which to view African and Black authors’ historical engagement with histories of international law on the continent. Unlike their European contemporaries, most pan-African authors were not interested in analysing detailed state practice, but had a far more ambitious project: to construct a new world order based on racial equality and self-determination. In that sense, what they were interested in was forging anew the very foundations on which international law and international relations had been built.
A change is more often than not faced with resistance from thinking minds before it is welcomed. This paper emphasizes the urgent need to scrutinize the proposed changes to the age-old Indian Penal Code to be brought about by the enactment of the new Bharatiya Nyaya Sanhita, 2023 (BNS). It critically evaluates every such new change to resolve all doubts and apprehensions, in delving particularly into the inspection of the BNS, in a theoretical study comparing with the Indian Penal Code. The paper discusses the “legislative intent and colonial continuities”, “anti-democratic tendencies” and “general critiques” addressing the debates over “patriarchal biases, problems laden within a false promise to marriage in the BNS, linguistic imperialist connotations, and the ambiguities over punishments”. This paper aims to evaluate the premise for an overhaul of the existing penal code and to identify and correspond substantial changes suggested in the new act in light of a promised wave of decolonization.
There is a growing body of literature calling for the decolonisation of International Relations (IR) theory. This literature, which includes perspectives from the Global South, Indigenous, and feminist approaches, has explained how the colonial thought and White supremacy of early IR scholars like Wilson, Reinsch, and Schmitt shaped the contemporary field and is still reflected in mainstream understandings of core concepts like peace, sovereignty, and security. The need to decolonise IR is well established, but the way to do so is not always clear. This paper explores how engaging with the global politics of Afro-Caribbean Rebel Music serves the decolonisation effort. We can understand Rebel Music as a form of knowledge that emerged in dialogue with, and continues to reproduce ideas embedded in, global and anti-colonial Black approaches to IR theory. Textually and sonically, Rebel Music critiques the nation-state as the primary agent of peace, security, and identity, imagines a transnational Black identity, and is one of the primary forms in which we can hear the voice of the marginalised communicate their understanding of world politics. Engaging with Rebel Music is thus one avenue to decolonising contemporary IR.
The study of the Western Indian Ocean in the first millennium is a dynamic and exciting field, in which scholarship, especially from within the Indian Ocean region itself, is expanding rapidly. It is experiencing a period of major, but not necessarily disruptive, change, to its core questions, terminology and periodisation. This article offers an overview of the study of Roman trade with the Western Indian Ocean (sometimes termed ‘Indo-Roman studies’) from the early 2000s to the present. It examines key developments in the field, including the changing scope of analysis in terms of period, region and evidence; the impact in the field of an increasingly global focus and efforts to decolonise a subject historically deeply rooted in colonial processes; and specifically the effort to provincialise or decentre Rome in historical narratives. It then suggests directions in which the field appears to be developing and makes tentative suggestions for future work.
This chapter draws from the theoretical perspectives of transnationalism, postcolonialism, and critical place-based pedagogy. We use selected constructs from these theories to analyse and address concerns identified in our qualitative studies related to early childhood education and care (ECEC) pedagogies that support migrant families’ transnational identities and practices in the particular context of Aotearoa New Zealand (Aotearoa). Aotearoa is a country with a history of colonisation by Britain, and it continues to address the impacts of colonisation on Māori, the Indigenous people. Postcolonial theorising seeks to understand and theorise restorative pathways beyond these impacts.
Although calls to decolonise International Relations (IR) have become more prominent, the endeavour becomes infinitely more complex when searching for concrete approaches to decolonise IR knowledge production. We posit that decolonising IR, a global counter-hegemonic political project to dismantle and transform dominant knowledge production practices, must be enacted according to context-specific particularities. Contexts shape practices of epistemological decolonisation, since knowledge hierarchies are enacted and experienced – and must be challenged and dismantled – differently in different sites. Yet although acknowledged as important, contexts are understudied and under-theorised. This raises several questions: how do contexts matter to IR knowledge production, in what ways, and with what effects? This article disaggregates six contexts in IR knowledge production – material, spatial, disciplinary, political, embodied, and temporal – and explores how they impact academic practices. We bring together hitherto-disparate insights into the role of contexts in knowledge production from Global IR, Political Sociology, Feminist Studies, Higher Education Studies, and Critical Geopolitics, illustrating them with empirical evidence from 30 interviews with IR scholars across a variety of countries and academic institutions. We argue that an interrogation of the inequalities produced through these contexts brings us closer towards developing concrete tools to dismantle entrenched hierarchies in IR knowledge production.
This chapter considers the process by which an intelligence transfer of power took place in British India. This event ran parallel to, but was conducted in a very different manner and resulted in quite different outcomes from, the political decolonisation of South Asia. The chapter examines plans hatched by the British Security and Secret Intelligence Services to maintain an intelligence foothold in the subcontinent and unpicks how such schemes fostered a bitter and protracted struggle for bureaucratic power and influence between MI5 and MI6. It probes debates held at the highest levels within the British government over whether covert action should be undertaken in independent India, by whom, and to what purpose. It interrogates the efficacy of Indian agency in negotiating the security challenges confronted by an under-resourced post-colonial state, and that counterparts in the West (and the Eastern bloc) saw as a valuable Cold War prize.
For millennia, health and disease have shaped human society in profound and fundamental ways. While events such as the Justinian Plague and ‘Black Death’ decimated the European populations in the sixth and fourteenth centuries respectively, arresting urban development and impacting the relationship between church and state, the introduction of European and African diseases into Latin America is believed to have caused the deaths of up to 90 per cent of some of the continent’s indigenous populations. Biological weapons used during World War I led to international moratoriums on their use, even as more recent ‘naturally occurring’ events extending from the 2003 SARS outbreak, the 2013–16 West African Ebola outbreak and the COVID-19 pandemic have had widespread social, economic and political impacts.
While nations and nationalism have become the dominant mode of ascribing political culture in world politics, understanding the meaning and political importance of these terms has been a notoriously challenging task. One survey of concepts in International Relations said of the term ‘national interest’ that it was ‘the most vague and therefore easily used and abused’; of nationalism, that ‘there is a lack of consensus about what it is and why it has maintained such a firm hold over so much of the world’s population’; and that ‘Nations and states seem identical but they are not’ (Griffiths and O’Callaghan 2002: 202–13). Notwithstanding this confusion, nationalism is typically characterised as both an important form of cultural identity and a pervasive political ideology affirming that territorial communities called nations are necessary for human flourishing and that each nation should therefore be accorded a degree of autonomy in determining its own affairs (Woods et al. 2020: 813).
This chapter considers the relevance of postcolonialism to the discipline of ‘international relations’ (IR). It argues that postcolonialism advances a powerful critique of traditional approaches to IR (see chapters on realism and liberalism) since it calls into question the discipline’s foundational ontological and epistemological assumptions. In particular, it challenges the dominant assumption that states are the basic units of IR and that we should examine the relations between these units in the context of an anarchical system. Postcolonialism refocuses our attention on the constitutive role played by colonialism in the creation of the modern world and sees international relations as hierarchical rather than anarchical. It sees academic disciplines such as IR – and Western rationalist, humanist and universalist modes of thinking in general – as complicit in reproducing colonial power relations and seeks normatively to resist practices of colonialism in its material and ideational forms, whether political, economic or cultural.
This book presents the first comprehensive study of Iran's complex relationship with Africa during the late Pahlavi era. While many studies of Iran's foreign relations during the Cold War present Iranian policy as fully aligned with the United States, Robert Steele reveals Iran as an independent actor capable of forging its own path, and shows that Africa was central to Iran's economic policy and security strategy during the reign of Shah Mohammad Reza Pahlavi. Africa was where the shah sought allies to balance the radicalism of Nasser, often through Iranian aid, customers for Iranian oil and potential sources of uranium. Bolstered by the British withdrawal from the Persian Gulf in 1971 and the oil price hike of 1973, Steele also shows how the shah saw an opportunity for his Iran to play a leading role in the Indian Ocean, revealing the central place of Africa in Iran's global strategy.
This chapter illustrates how the categories ‘migrant’, ‘repatriate’, and ‘refugee’ acquired meaning between diplomatic relations and physical displacement. It argues that departure and arrival reified the networks on which the Italian community had been founded in Egypt, as well as the categories of political membership that defined it. Between 1952 and 1956, the Italian government avoided repatriation out of fear that the displaced population would disrupt the postwar economy. The absence of state policy aimed to forestall the creation of a political community of ‘refugees’ or ‘repatriates’. State actors viewed intergovernmental institutions, instead, as opportunities to manage displaced Italians. When the pace of departures quickened after 1953, the Italian government housed ‘repatriates’ in temporary refugee camps and converted Emigration Centres. Seeking to locate themselves in this Cold War Mediterranean, Italians from Egypt institutionalised their associations in and around the camps and holding centres. Pressure from these groups culminated in the extension of refugee status to Italians from Egypt and the consolidation of a political community.
This chapter examines the departure from Egypt from the perspective of oral history and personal collections. It shows how repatriated Italians remembered their departures, and their reception and integration in Italy. It looks at how those acts of remembering connected with histories of migration from and to Italy. In doing this, it reorients our understanding of imperial nostalgia, by considering the ways by which historical experiences are knotted into the present. Repatriated Italians are the protagonists of this chapter. They narrate how departure and arrival evoked different understandings of the origins of Italian communities in Egypt and how national and regional political constellations were perceived to have transformed in the Mediterranean. Considering the effects of ‘events’ in shaping decisions to leave Egypt, the chapter examines experiences of departure and arrival. It focuses on how the abandonment of belongings and the reception as ‘refugees’ shaped forms of political membership for repatriated Italians in relation to other migrant departures to and from the Mediterranean.
Returning to some of the themes addressed in Chapter 3, this final chapter considers the wider social responsibilities of archaeologists working in southern Africa in the twenty-first century. Matters discussed include gender and racial equity within the discipline itself (especially with respect to South Africa), how best to relate the work done by archaeologists to the wider public, heritage management and conflicts over this (including the restitution of cultural sites, property, and human remains), the roles of contract archaeology, university teaching departments, and museums, the importance of publication, and the potential for developing post-colonial approaches to the interpretation of archaeological evidence. In highlighting possible future research trends, the chapter concludes by emphasising the need for work that is both intellectually sound and socially engaged and by reiterating the global significance of southern Africa’s immensely long and varied archaeological record.
Colourised photographs have become a popular form of social media content, and this article examines how the digital sharing of colourised colonial photographs from the Sápmi region may develop into a kind of informal visual repatriation. This article presents a case study on the decolonial photographic practices of the Sámi colouriser Per Ivar Somby, who mines digitised photo archives, colourises selected photos, and subsequently shares them on his social media profiles. The article draws on a qualitative, netnographic study of Somby's Colour Your Past profiles in Facebook and Instagram and demonstrates how Somby and his followers reclaim photos of Sámi people produced during historical encounters with non-Sámi photographers. Drawing on Hirsch's (2008, 2012) concept affiliative postmemory, the analysis examines how historical information and affective responses becomes interwoven in reparative readings of colonial photos.
Current debates surrounding decolonisation and the democratisation of display are a critical issue for prehistoric collections as well as more recent material. The objects most likely to symbolise prehistory in museum displays, and thus in the popular imagination—those made of precious, skilfully worked materials—are a restricted group of iconic things, often interpreted as reflective of social status rather than anything more personal or spiritual. To contextualise this debate, the authors outline public reaction to the display of alternative objects with more representative messages within The World of Stonehenge exhibition, which was held at the British Museum in 2022.
How has migration shaped Mediterranean history? What role did conflicting temporalities and the politics of departure play in the age of decolonisation? Using a microhistorical approach, Migration at the End of Empire explores these questions through the experiences of over 55,000 Italian subjects in Egypt during the late-nineteenth and twentieth centuries. Before 1937, Ottoman-era legal regimes fostered the coupling of nationalism and imperialism among Italians in Egypt, particularly as the fascist government sought to revive the myth of Mare Nostrum. With decolonisation, however, Italians began abandoning Egypt en masse. By 1960, over 40,000 had deserted Egypt; some as 'emigrants', others as 'repatriates', and still others as 'national refugees'. The departed community became an emblem around which political actors in post-colonial Italy and Egypt forged new ties. These anticipated, actual, and remembered departures are at the heart of this book's ambition to rethink European and Mediterranean periodisation.