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This Introduction to Structures of Governance in Song Dynasty China, 960–1279 CE presents the book’s premise and major themes. It opens with a survey of the two prevailing yet contrasting views of the Song state: (1) that Confucian literati (“scholar-officials”) dominated governance and effected, in accordance with Confucian principles, a “benevolent” administration; (2) that the Song monarchy established and maintained a centralized and predatory political system whose rapacious center extracted then squandered provincial resources. This book synthesizes these two views by expanding the hitherto accepted definition of Song political culture to include all its players, Confucian and non-Confucian, literati and non-literati alike. The resulting model of Song China as a “technocratic–Confucian continuum” combines elements from both these historical perspectives and offers a new model for thinking about governance in Song and during the entire imperial period in China. This model posits Song governance as a continuum of possibilities that ranged between two theoretical poles – a Confucian institutionalism and an imperial technocracy. A brief historiographical prelude summarizes the author’s previous work, The Making of Song Dynasty History: Sources and Narratives, and links the two volumes. This Introduction concludes with a synopsis of each of the work’s eleven chapters.
Charles Hartman presents an ambitious analysis of the workings of governance in Imperial China centered on the Song Dynasty (960–1279). Here he develops a new model for thinking about the deeper structures of governance in Song and pre-imperial China – the 'technocratic–Confucian continuum' – which challenges the prevailing perception of Confucian political dominance and offers a vehicle for expanding the definition and scope of Song political culture to embrace all its actors. Building on his acclaimed work The Making of Song Dynasty History: Sources and Narratives, 960–1279 CE (2021), this richly detailed exploration of the Song court is of significance beyond the immediate period of study both in rethinking the nature of monarchy in China and in examining the constructive possibility of political dissent.
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