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Examines American relations with non-Protestant others within the Mediterranean, primarily Jews, Catholics, and Muslims. Pays particular attention to shipwrecks in Morocco.
Between 1903 and 1952, there was a Jesuit and French university in Shanghai called l’Aurore. This article focuses on its medical faculty, which operated from 1912 to 1952. It shows that, in a precarious political and military context, l’Aurore simultaneously benefited from Jesuit missionary activity and the French quest for imperial influence, without fully identifying with either. The faculty was not an official missionary institution, and most of its hundreds of students were not Christians. However, the Jesuit administration kept a record of baptisms among the students and, based on Catholic principles, encouraged opposition to birth control through courses on ‘medical ethics’ and a special oath that medical graduates had to take. Nor was the medical faculty an overtly imperial institution. It was part of a concession and the result of an alliance between Jesuit missionaries and anti-clerical diplomats of the French Third Republic. Yet, the faculty was key to a French policy of imperial influence designed to compete with other imperial, religious, and private foreign powers active in medical education in China. During the years of war between China and Japan (1937–1945), the faculty consolidated its influence by increasing student numbers and building new infrastructure, whereas its Chinese staff assumed a more prominent role, reinforcing the importance of Chinese medicine in teaching and research. Doctors trained at l’Aurore who stayed in China remained active in public health until well into the second half of the twentieth century, even after the medical faculty was abolished by the Communist regime.
The chapter analyses how the political and economic realities of the aftermath of the First World War gave the term ‘tax justice’ a new meaning in Belgium, occupied during four years by Germany, but also how it was fought over for moral and economic reasons during the 1920s. On the left of the political spectrum, the Socialists brought their own fiscal agenda, entailing new progressive income taxes on the wealthy. On the right, Liberals and Catholics disapproved of such innovations, judging them morally wrong and economically harmful. Compromises were found, with a real shift in the tax system. However, as the 1920s wore on, the Belgian franc suffered from a depreciation like the French and German currencies, with capital fleeing the country. The political debate on progressive income taxes shifted from justice to injustice: the massive level of tax fraud and tax evasion was making the system unfair towards honest taxpayers. Tax policies made in the name of social justice became an achievement to be defended for some and an excessive ideal to be attenuated for others.
Catholic hospitals and health systems have proliferated and succeeded in American healthcare; they now operate four of the largest health systems and serve nearly one in six hospital patients. Like other religious entities that Wuest and Last write about in this issue, in their article Church Against State, they have benefited by and supported the long reach of conservative efforts to undermine the administrative state.
In 1928-29, politicians of the Irish Free State debated the Censorship of Publications Bill, which included a clause banning print media on contraception. They contended that ignorance of birth control would increase reproductive rates and prevent Irish “race suicide.” W. B. Yeats contested the Bill in the press, in part due to apprehension about Catholic population growth and dwindling Protestant numbers. This chapter positions the Free State’s “race suicide” debates into the context of their eugenic origins, and it argues that Yeats’s reaction to the Bill set the stage for his eugenic plan in On the Boiler, one that responded to what he believed was an Anglo-Irish “race suicide.” Through coded references to Irish class divisions, Yeats proposes restraints on Catholic reproductive rights, strategies of selective breeding among an Irish elite, and population control achieved through violence. His ideas about race and reproduction offer a study of scientific racism that reflects fringe and mainstream rhetoric that endures today in the form of “replacement theory.” An investigation of Yeats contributes to the ongoing, multidisciplinary effort to pinpoint the origins, development, and effects of theories that bring together questions of science, race, reproduction, and rights.
This chapter shows how the material and ritual legacies of apostolic Rome provoked debate among Protestant travellers and called attention to the intertwined legacies of early Christianity and imperial Rome. We demonstrate how one site (St Peter’s Basilica) became a battleground for sectarian readings of the apostolic past. Previous scholarship has demonstrated how anglophone travellers constructed their modernity in opposition to an imagined archaic Italian Other. Yet critics have paid insufficient attention to how religious difference and sectarian identity shaped such attitudes. Catholics had a special commitment to validating the early history of the Roman Church, but Protestants also had an active interest in apostolic legacies. By demonstrating that the earliest Christians practised a simple and earnest form of worship – anathema to the splendour of medieval Catholicism – Protestant commentators vindicated their faith as a return to apostolic authenticity. Yet if British and American travellers wanted to put Catholicism in its place, some Catholics sought to win over Protestant sceptics by appealing to a shared antiquarian epistemology, combining the aesthetic appeal of Catholic ritual with an historicizing emphasis on the material legacies of apostolic antiquity.
This introductory essay to the volume sets out the volume’s form and purpose, and then provides advance introduction of each of its component essays in turn. Since the volume comes together as a tightly organised and cumulative introduction to David Tracy, this essay forms its own concerted introduction to Tracy parallel to the performance of the book as a whole.
David Tracy’s theological formation and work stretch across more than five decades of his emergent ‘theology-in-culture’. Diachronically, this essay highlights: (1) the influence of Bernard Lonergan; (2) how Blessed Rage for Order (1975) articulated a ‘critical not dogmatic’ theology turned towards a ‘twofold crisis’ of Christian meaning in post-Christian times and modern meaning in post-modern times; (3) how The Analogical Imagination (1981) clarified this ‘mutually critical’ reading-together of historical tradition and contemporary situation, opening it to radical problematisings of interpretation and culture; and (4) how this then has led Tracy to identify cultural and religious classics as ‘fragments’ and ‘frag-events’. Taken as a whole, Tracy’s theology-in-culture follows ‘an analogical paradigm’ that regards the human creature as having a transcendentally driven grace-informed nature, in spite of tragedy and sin. Hence, art and conversation remain theological hopes for Tracy, and when the noble endeavours of modernity yield to post-modern fragmentation even this remains hopeful for Tracy, because humans inhabit an invisible infinity which exceeds the visible world.
This chapter considers the treatment of religion in Puccini’s operas, with a strong focus on the two works with particular ecclesiastical themes, Tosca and Suor Angelica. It shows how Puccini drew upon the example of earlier models of religious representation in opera, by composers including Boito and Verdi. It considers the changing relationship between the Church and the state during Puccini’s lifetime, and the ongoing (though evolving) role of censorship laws. The use of liturgical scenes by Puccini and his contemporaries within the giovane scuola is discussed, with close analysis of stock techniques that are employed. The author concludes that Puccini’s works are made particularly effective by their habit of contrasting the secular and the sacred, using a more nuanced characterisation than is found in the works of his contemporaries.
The statute known as the Act of Settlement1 was enacted in 1701. As its name suggests, it amended or ‘settled’ the royal succession – the second such amendment in little over a decade. In 1689 the Bill of Rights2 had not only declared Prince William of Orange and his wife Princess Mary to be King William III and Queen Mary II of England, it had also vested the royal succession firstly in the survivor of them, then in Mary’s descendants, next in her younger sister Princess Anne and her descendants, and finally in the descendants of William. At the time this had seemed adequate, but circumstances had proven otherwise. William and Mary were childless, he remained a widower after her death in 1694, and none of Princess Anne’s children thrived. When the last of these died in July 1700 at the age of eleven, it appeared that the childless William III would be succeeded by the childless Anne. The Act of Settlement therefore determined that following the deaths of William and Anne, respectively, and in the absence of descendants, the Crown would pass to Princess Sophia, a granddaughter of King James I of England through her mother, Princess Elizabeth Stuart.
Chapter 2 analyzes the life histories and experiences of métis children who were wards of the colonial state in the 1930s in Senegal and Gabon. They received government funding and management of their education. The daily lives of métis wards became a battleground through which fictive and blood kin, métis activists, emerging African political leaders, French colonial administrators, and Catholic missionaries debated the meanings of race, culture, and child welfare. In Senegal, African stakeholders mediated métis children’s access to French education, living conditions, and colonial welfare payments based on their parentage from French and European men. The state was obliged to provide access to education for all children born in Africa, with métis as a distinct group. In Gabon, an association of adult métis lobbied for access to favorable material conditions for métis children and for them to attend a school for European children and reside in a boarding home without black children. Contestations around their welfare hinged on the French republican rhetoric of universal rights and equality and racialized hierarchies within African societies.
After the Second World War, countries across occupied Europe were faced with the challenge of restoring political stability at home and peace abroad. Although extremist sentiment had not disappeared, moderate elites resolved to choke it off at the source by building robust bureaucratic parties that could incorporate the masses. Christian democratic parties on the right and moderate social democratic parties on the left took power all across the continent, ushering in an unprecedent period of stability. Yet with the economic stagnation of the 1970s, this consensus began to unravel, giving rise to the emergence of populist alternatives. This chapter departs from existing explanations for this turnaround. It shows that the populist strategy was always most effective in the patronage-based party systems of southern Europe. In northwest Europe, in contrast, bureaucratic parties have adapted, substituting professionalized service provision for mass membership and participation.
Lionel Johnson is more famous now for his life (and death) than his work – for his alcoholism and insomnia, conversion to Catholicism, erroneous claims to Irish heritage, and death by severe brain haemorrhage at the age of thirty-five. As a founding member of the Rhymers’ Club and contributor to the notorious Yellow Book, he is frequently referred to as a major figure of British Decadence, but his work is rarely considered in any detail. This chapter looks at Johnson’s criticism, poetry, and letters as expressive of a religious humanism heavily influenced by Pater’s sensuously continent aestheticism. No one was more excited by the world than Johnson, by the crowds of London as much as by the wonders of nature, and the continence he described was hardly a cloistered retreat. But sex was at the heart of what he saw as wrong in the modern world: its lack of respect for tradition; its bad manners; the haste that led people to look to their own uncultivated selves for a guide to right and wrong. Like Pater, Johnson portrayed continence as a sociable practice, leading to better relationships with people, objects, and the past.
By the 1970s, younger generations of Irish men and women were beginning to question the Church’s teachings in relation to contraception, and many others were exhibiting resistance in their contraceptive practices. It is evident, however, that for the older generations, Church teachings had a significant impact on their family planning choices, often resulting in guilt and shame if individuals chose to use contraception. Although it is clear that the encyclical Humanae Vitae caused considerable anguish for some members of the priesthood, speaking out against papal teachings could have significant consequences. Many priests toed the line and the confession box was an important sphere where priests could continue to exert power over women’s family planning choices. Yet, it is clear that some priests were also beginning to follow their own consciences, and used the confession box compassionately to assist individuals who were troubled by their decision to use contraception.
The Catholic Church holds the concept of natural law in reference to a created order. While this concept has been put aside in philosophy and science the Church deems that creation implies an inherent relationship between all its components. The Social doctrine of the Church is built on the concept of natural law accessible to human intelligence. The teaching of Thomas Aquinas drawing from Aristotle remains the main source of Catholic understanding of natural law. Natural law and natural rights are not to be confused. Right refers to a natural order of things, which is the natural law apprehended by reason at a given moment. The source of human rights is entailed in a measure inscribed in the order created by God. So natural rights are determined on the basis of what constitutes a just relationship between persons in accordance with natural law. The attention given today to the ecosystem including the biosphere and human society altogether brings us back to the core of natural law. The ecosystem witnesses to an order which pre-exists to our attempts to use it arbitrarily. ’Integral ecology’ apprehends the human being in its interdependence with the created order of the universe.
Graham Greene's Monsignor Quixote illustrates an ecclesiology of friendship through the title character's relationship with Sancho. Quixote is depicted as a holy fool, who is able to bring his companero back to the faith by his open mutual mediation with him. Greene has not strayed from orthodoxy, but has developed his theology compared to his earlier novels
Hugh Hall was a highly sought-after gardener in late sixteenth century England. He worked in the Midlands, specifically in Worcestershire, Warwickshire, and Northamptonshire, and mostly for Catholic families. Hall was a Catholic priest who resigned his parish living after the Elizabethan Religious Settlement, but continued to perform clerical duties such as saying Mass and hearing confession alongside his second vocation as a gardener. Indeed, his esteem as a gardener and, later, surveyor of works was strong enough that he attracted Protestant clients like Lord Burghley and Sir Christopher Hatton despite his adherence to Catholicism. Hall’s two vocations shaped his identity: his sense of self, his manhood, and how others perceived him. Hall’s written garden advice, A priestes discourse of gardeninge applied to a spirituall understandinge, which exists only in manuscript form, exemplifies the fusion of gardening and spiritual life, articulates Hall’s conceptions of manhood, and offers new perspective on how religion intersects with late Renaissance English gardens.
challenges the still-influential view of Cary as a Catholic writer, arguing instead for her association with reform-minded men such as Spenserian John Davies and parliamentarians such as her father Lawrence Tanfield, who were defending the liberties of the subject when Cary was producing her drama. Opening up questions about the right to free speech and debate guaranteed by English common law, Cary’s Tragedy of Mariam (1613) allows quasi-legal arguments to multiply on either side until reaching a resolution by juxtaposing characters who scorn the common law with those who articulate its fundamental principles. For Members of Parliament, as for Mariam, freedom to speak one’s conscience was an inalienable right equivalent to owning property (or, in Mariam’s case, owning her body and independent lineage); in Mariam, as in Parliament, those rights are asserted in defiance of the royal prerogative to silence them.
Chapter 7, “Matters of Faith: Catholic Intelligentsia and the Church,” asks how Catholics behaved in Warsaw and why. Roman Catholicism was the religion of the majority of Varsovians and had played an important role in the development of the Polish national project. In the absence of a Polish government, the Church provided a potential locus of authority for Poles. Warsaw’s priests drew particular negative attention from the Nazi occupation for their potential influence and they were viciously persecuted, imprisoned, and often sent to the concentration camp at Dachau. Nevertheless, leaders of the Church, from the pope in Rome to local bishops, were hesitant to provide guidance, support Nazi occupation, or encourage opposition to it. Despite the lack of a top-down Catholic policy, this chapter argues that individual priests and lay Catholic leaders were motivated by their religious faith to form everything from charities to a postwar clerical state. Crucial among Catholics was the question of the developing Holocaust and the role of Polish Jews in Polish Catholic society, which sharply divided them.
Both lauded and criticized for his pictorial eclecticism, the Florentine artist Jacopo Carrucci, known as Pontormo, created some of the most visually striking religious images of the Renaissance. These paintings, which challenged prevailing illusionistic conventions, mark a unique contribution into the complex relationship between artistic innovation and Christian traditions in the first half of the sixteenth century. Pontormo's sacred works are generally interpreted as objects that reflect either pure aesthetic experimentation, or personal and cultural anxiety. Jessica Maratsos, however, argues that Pontormo employed stylistic change deliberately for novel devotional purposes. As a painter, he was interested in the various modes of expression and communication - direct address, tactile evocation, affective incitement - as deployed in a wide spectrum of devotional culture, from sacri monti, to Michelangelo's marble sculptures, to evangelical lectures delivered at the Accademia Fiorentina. Maratsos shows how Pontormo translated these modes in ways that prompt a critical rethinking of Renaissance devotional art.