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The present study focuses on seals of known provenance that are related to the coasts of the Adriatic and the Ionian Sea, with the exception of Sicily. A corpus of sixty-three seals was formed, dating mainly between the ninth and the eleventh centuries. It can be divided into two categories: seals found in the area under consideration (thirty specimens) and seals that originated from the Adriatic, but were found outside its limits (thirty-three specimens). On the basis of this evidence, the study comments on the circulation of seals, the trends observed in that respect and their conformity to the principle of territoriality, according to which seals tend to be found within, or in the vicinity of, the area in which they were issued. This principle, which seems to be prevalent to the rest of the empire, is not applied catholically in the case of the Adriatic, since the eastern, Balkan rim diverges from it. If this is not a consequence of the lack of published material, then perhaps it can be attributed to the significance of this region as a frontier zone in the periphery of Byzantium, linking the Italian possessions to the centre.
Surveys the physical, social, religious, cultural and demographic changes which take place in the sixth and seventh centuries, preparing the stage for the detailed study from 700 CE onwards. The intention is to demonstrate that Rome in 700 was a ‘Byzantine’ city, a ‘Constantinople on the Tiber’ in the phrase coined by Per Jonas Nordhagen.
Byzantium's relations with the Latin west in this period have a 'Cheshire cat' character in comparison with ninth-century exchanges. Very little attention is paid to the Christian west by Byzantine writers even when Saxon potentates begin to intervene in Italy and bedeck themselves with imperial trimmings. In the late 950s Byzantines envisaged the reconquest of Crete as the prelude to victory in Sicily, while Otto I's intervention in Italy came in response to appeals from nearly every prominent figure, including John XII. The nature and extent of the impact of Theophanu on Ottonian court culture is controversial and ambivalent. The Byzantine late tenth- or early eleventh-century objets d'art still extant in German cathedral treasuries and museums probably arrived by a variety of routes, not merely from Theophanu's sumptuous dowry. Otto III tried to earn the appreciation of Rome's citizens through his promotion of the cult of the Virgin as protectress of Rome.
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