Skip to main content Accessibility help
×
Hostname: page-component-6bb9c88b65-spzww Total loading time: 0 Render date: 2025-07-24T12:40:11.579Z Has data issue: false hasContentIssue false

W

Published online by Cambridge University Press:  19 June 2025

Maria M. Delgado
Affiliation:
Royal Central School of Speech and Drama, University of London
Simon Williams
Affiliation:
University of California, Santa Barbara
Get access

Information

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2025

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Book purchase

Temporarily unavailable

References

Carnegy, P., Wagner and the Art of the Theatre (New Haven, 2006)Google Scholar
Wagner, R., The Art-Work of the Future and Other Works, trans W. Ashton Ellis (London, 1893; rep. London and Lincoln, Nebraska, 1993)Google Scholar
Wagner, R, Opera and Drama, trans W. Ashton Ellis (London, 1895; rep. London and Lincoln, Nebraska, 1995)Google Scholar
Mungen, A., Hier gilt’s der Kunst: Wieland Wagner, 1941–1945 (Frankfurt, 2021)Google Scholar
Skelton, G., Wieland Wagner: The Positive Sceptic (New York, 1971)Google Scholar
Karpiński, M., The Theatre of Andrzej Wajda (Cambridge, 1989)Google Scholar
Walaszek, J., Teatr Wajdy: W kręgu arcydzieł: Dostojewski, ‘Hamlet’, ‘Wesele’ (Kraków, 2003)Google Scholar
Blubacher, T., Oskar Wälterlin und sein Theater der Menschlichkeit (Leipzig, 2011)Google Scholar
Gruszczyński, P. and Warlikowski, K., Szekspir i uzurpator (Warsaw, 2012)Google Scholar
Niziołek, G., Warlikowski: Extra Ecclesiam (Bern, 2014)Google Scholar
Klett, E., ‘Many Bodies, Many Voices: Performing Androgyny in Fiona Shaw and Deborah Warner’s Richard II’, Theatre Journal 58 (2006): 175–94CrossRefGoogle Scholar
Ledger, A. J., ‘Deborah Warner: Experiments of Words, Bodies and Place’, in Delgado, M. M. and Rebellato, D. (eds.), Contemporary European Theatre Directors, 2nd edn (London, 2020)Google Scholar
Jackson, S. and Weems, M., The Builders Association: Performance and Media in Contemporary Theater (Cambridge, Massachusetts, 2015)Google Scholar
Neri, L., ‘The Builders Association’, Interview, 23 November 2008, www.interviewmagazine.com/culture/theatre-the-builders-association#_Google Scholar
Schechner, R., ‘Building the Builders Association: A Conversation with Marianne Weems, James Gibbs, and Moe Angelos’, TDR: The Drama Review 56.3 (2012): 36–57CrossRefGoogle Scholar
Barnett, D., A History of the Berliner Ensemble (Cambridge, 2015)CrossRefGoogle Scholar
Wekwerth, M., ‘Brecht Today’, TDR: The Drama Review 12.1 (1967): 118–24Google Scholar
Wekwerth, M., Daring to Play (Abingdon, 2011)Google Scholar
Coult, T. and Kershaw, B. (eds.), Engineers of the Imagination: Welfare State Handbook (London, 2014)Google Scholar
Callow, S., Orson Welles: The Road to Xanadu (New York, 1995)Google Scholar
France, R., The Theatre of Orson Welles (Lewisburg, Pennsylvania, 1977)Google Scholar
Wherrett, R., Mardi Gras! From Frock Up to Lock Up (Melbourne, 1999)Google Scholar
Wherrett, R., The Floor of Heaven: My Life in Theatre (Sydney, 2000)Google Scholar
Thieme, G., ‘Musiktheater als Werkstatt: Interview mit Jossi Wieler’, Stuttgarter Zeitung, 15 September 2011Google Scholar
Brecht, S., The Theatre of Visions: Robert Wilson (Frankfurt, 1978)Google Scholar
Cappelle, L., ‘At 80, Robert Wilson Holds on to a Singular Vision for the Stage’, The New York Times, 30 November 2021, www.nytimes.com/2021/11/30/arts/music/robert-wilson-at-80.htmlGoogle Scholar
Holmberg, A., The Theatre of Robert Wilson (Cambridge, 1996)Google Scholar
Shevtsova, M., Robert Wilson (Abingdon, 2018)CrossRefGoogle Scholar
Rosenthal, D., The National Theatre Story (London, 2013)Google Scholar
Honan, W. H., ‘Brustein’s Successor Takes Experimental Path’, The New York Times, 14 September 2002Google Scholar
Kaye, H., ‘Robert Woodruff – A Theater Director Who Grabs the Audience by the Scruff of Its Neck’, The Jerusalem Post, 16 September 1998Google Scholar
Sommer, E., ‘“Saved”: Review’, Curtain Up, February 2001, www.curtainup.com/saved2.htmlGoogle Scholar
Wu, R., Daoyan Quancheng Jingweilu (The Rules of Directing) (Shanghai, 1984)Google Scholar

Accessibility standard: Unknown

Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • W
  • Edited by Maria M. Delgado, Royal Central School of Speech and Drama, University of London, Simon Williams, University of California, Santa Barbara
  • Book: The Cambridge Encyclopedia of Stage Directors
  • Online publication: 19 June 2025
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • W
  • Edited by Maria M. Delgado, Royal Central School of Speech and Drama, University of London, Simon Williams, University of California, Santa Barbara
  • Book: The Cambridge Encyclopedia of Stage Directors
  • Online publication: 19 June 2025
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • W
  • Edited by Maria M. Delgado, Royal Central School of Speech and Drama, University of London, Simon Williams, University of California, Santa Barbara
  • Book: The Cambridge Encyclopedia of Stage Directors
  • Online publication: 19 June 2025
Available formats
×