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9 - The Birth of Code/Body

from Part II - Living the Digital Life

Published online by Cambridge University Press:  11 November 2025

Beate Roessler
Affiliation:
University of Amsterdam
Valerie Steeves
Affiliation:
University of Ottawa

Summary

Akbari describes what it means to have a human body in the digital age and argues that datafication has transformed the materiality of the body in its very flesh and bone. This transformation is especially dangerous in uncertain spaces, such as borders and refugee camps, where identity becomes crucial and only certain categories of human bodies can pass. The consequences to those experiencing datafication of their bodies at the border are harsh and severe. However, the deliberate unruliness of the border paves the way for these spaces to become technological testing grounds, as evidenced by the development of technologies to track fleeing populations for the purposes of contact tracing during the COVID-19 pandemic. Akbari’s text oscillates deliberately between academic thinking, autobiographical accounts, pictures, and poetry, thus clearly denoting the discomfort of the human being living in a Code|Body.

Information

Type
Chapter
Information
Being Human in the Digital World
Interdisciplinary Perspectives
, pp. 129 - 142
Publisher: Cambridge University Press
Print publication year: 2025
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NC
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/cclicenses/

9 The Birth of Code/Body

They ask me how did you get here? Can’t you see it on my body? The Lybian desert red with immigrant bodies, the Gulf of Aden bloated, the city of Rome with no jacket. … I spent days and nights in the stomach of the trucks; I did not come out the same. Sometimes it feels like someone else is wearing my body.Footnote 1

We are Black and the border guards hate us. Their computers hate us too.Footnote 2

This book contends with various ways of being human in the digital era, and this chapter intends to describe what it means to have a human body in our time. Much has been written about the colonial, racializing and gendered continuities of perceiving, sorting and discriminating bodies in a digital world. However, nothing like the digital has transformed the materiality of the body in its very flesh and bone. It seems redundant to say that the body is the prerequisite to being human, yet this superfluous fact questions how bodies function in in-between worlds: they flow in this world’s digital veins and yet rigidly represent decisive characteristics. They seem unreal, an amalgamation of data sometimes, while at other times fingerprints, iris scans and bone tests portray a cage, a trap, a body that betrays. This contrast is especially visible in uncertain spaces, where identity becomes crucial and only certain categories of humans can pass, such as borders and refugee camps. These spaces are not only obscuring the body while exposing it; they also exist in a complex mixture of national jurisdiction, international regulations and increasingly private “stakeholders” in immigration management. In addition to the severity of experiencing datafication of bodies in these spaces, the deliberate unruliness paves the way for these spaces to become technological testing grounds (Molnar Reference Molnar2020); for example, technologies developed for fleeing populations were used for contact tracing during the COVID-19 pandemic.

The relationship between body, datafication and surveillance has been scrutinized from the early days of digital transformation. Today’s most debated issues, such as algorithmic bias, were already warned about, and the ramifications of their discriminatory assumption for marginalized people were highlighted at the end of the 1980s (Gandy Reference Gandy1989). Similarly, the predictive character of aggregated data and the consequences of profiling were analysed (Marx Reference Marx1989). From these early engagements, many instances of showing how routinely technologies are used to govern, datafy and surveil the body developed (see, e.g. Bennett et al. Reference Bennett, Haggerty, Lyon and Steeves2014). Additionally, surveillance scholars discussed how the “boundary between the body itself and information about that body” is increasingly transforming (Van der Ploeg Reference Van der Ploeg, Ball, Haggerty and Lyon2012, 179). Building on this rich body of literature and personal experiences of immigration, exile and entrapment, this chapter revisits the body, being uncomfortable in/with/within it and yet being aware of its power to define if one is considered human enough to bear rights, feelings and existence. Similar to the chapter’s movement between boundaries of the material and virtual, the text also oscillates between academic thinking, autobiographical accounts, pictures and poesy; denoting the discomfort of being in a Code/Body.Footnote 3 In this chapter, poetic language remedies the absence of the performative to help with the linguistic distress for finding the right words to describe embodied feelings.

9.1 From Data Doubles to Embodiment

The scholarship on datafication, surveillance and digital transformation in the 2000s is infatuated with what can be called the demise of the material body. The speed of datafication and digital change lead to the idea that the surveillance society gives rise to disappearing bodies (Lyon Reference Lyon2001); the body is datafied and represented through data in a way that its materiality is obscured. Although such conceptualizations had been formerly discussed, especially by feminist and queer scholars, the liberatory nature of these feminist interpretations of cyborg bodies (Haraway Reference Haraway1985) and body assemblages were not transferred into these new understandings of datafied and surveilled body. In their influential essay on surveillant assemblages, Haggerty and Ericson compare the digital era with Rousseau’s proclamation, “man was born free, and he is everywhere in chains” by claiming that nowadays “humans are born free, and are immediately electronically monitored” (Haggerty and Ericson Reference Haggerty and Ericson2000, 611). The subjectivating effect of surveillance, then, is instantly interlinked with basic rights and the meaning of being human. The body, they argue, is positioned within this surveillance assemblage: it is “broken down into a series of discrete signifying flows” (Haggerty and Ericson Reference Haggerty and Ericson2000, 612). Contrary to the Foucauldian way of monitoring, the body needs to be fragmented to be observed. Fragments can be combined or re-combined into “data-doubles”: ones that “transcend human corporeality and reduce flesh to pure information” (Haggerty and Ericson Reference Haggerty and Ericson2000, 613).

The scholarly debates on bodies in the following two decades were centred around the transformation of the body “via practices of socio-technical intermediation” (French and Smith Reference French and Smith2016, 9). The body and its datafication, visualization, mediation and multiplication have become increasingly important. Research about sorting, profiling and reification of marginal identities (or race/gender/class/etc.), inclusion and exclusion proliferates and successfully demonstrates how bias, racism, oppression and discrimination are injected into digital lives. The data double revealed the concurrent processes of the body’s objectification – to transform its characteristics to data – and its subjectivation due to the socio-technical processes of datafication. As Zuboff assertively writes in The Age of Surveillance Capitalism, “the body is simply a set of coordinates in time and space where sensation and action are translated as data” (Zuboff Reference Zuboff2019, 203). In this reading of the body, behavioural surplus is the engine of surveillance capitalism and the body is only another source of data. However, recent technological advancements, especially in using bodily features for identification, have started to expand and reconfigure such accounts. More recent studies underline the body’s centrality, for example, in big data surveillance and manipulation of the “surveilled subject’s embodied practices” (Ball et al. Reference Ball, Di Domenico and Nunan2016) or critically examine how biometric technologies transform the relationships between the body and privacy (Epstein Reference Epstein2016). It is argued that data body is not only a change in how bodies are represented but there exists an ontological change: the materiality of the body “and our subjective forms of embodiment that are caught in this historical process of change” are transforming (Van der Ploeg Reference Van der Ploeg, Ball, Haggerty and Lyon2012, 179). This chapter contributes to these later discussions, where the body is not only central as the source of data but has its own agency as an actant in data assemblages.

9.2 The Birth of Code/Body

Following the global digital transformation, discussions on issues of privacy, data protection, algorithmic harm and similar have entered the academic discourse and public debate. The recent years have seen an increase in reporting about the Big Tech companies as emerging new actors in the international governance realm. However, only those events that entail geopolitical or socio-economic relations to the Western countries are deemed relevant. For example, the news of Chinese payment methods through facial recognition technology rapidly reached the Western media (Agence France-Presse 2019) but much less attention was paid to the internal politics of digitalization in the Global South or the new e-governance measures of international governance institutions. This reluctance is intensified when digital technologies target communities that are marginalized, stateless or economically disadvantaged. UNHCR’s use of iris scanning for refugee cash assistance illustrates a case of extreme datafication of the body against people in dire need of assistance with hardly any voice to consent to or refuse the imposed technologies. Ninety per cent of refugees in Jordan are registered through EyeCloud, “a secure and encrypted network connection that can be used to authenticate refugees against biometric data stored in the UNHCR database” (UNHCR 2019). Iris scanning is then used for payment in the camp’s supermarket to calculate and pay the wages for working inside the camp and it replaces any monetary transaction. The EyeCloud demonstrates how current datafication practices do not only stop at using the datafied body for identification and representation but actively integrate the body as a part of data machinery. This instrumentalized body simultaneously carries the gaze of surveillance and guards itself against itself. The consequences are painful: more than a decade ago, The Guardian newspaper reported that asylum seekers burn their fingertips on electric stoves or with acid to avoid the Dublin regulations and to avoid being returned to their point of arrival, usually in Greece or Italy (Grant and Domokos Reference Grant and Domokos2011). The betraying body, however, regenerates fingertips after 2 weeks. Similarly, in cases where the age assessment of a claimed minor proves inconclusive, the person could be referred for a bone density test of the wrist by x-ray in Malta (Asylum Information Database Reference Akbari2023) or a “dental x-ray of the third molar in the lower jaw and MRI of the lower growth plate of the femur bone” in Sweden (Rättsmedicinalverket 2022). In these cases, the immigration authorities believe the body’s truthfulness and the accuracy of medical sciences against mendacious and deceitful asylum seekers. Table 9.1 shows the extent of data categories gathered on visa, immigration or asylum applicants travelling to Europe. The body increasingly becomes a vehicle for knowing the real person behind the application.

Table 9.1Data categories stored in European immigration data banks.4
A table outlines the data categories stored in various European Union immigration data banks. The table is divided into types of personal data and lists. See long description.
Table 9.1Long description

The table outlines the data categories stored in various European Union immigration data banks. The table is divided into types of personal data and lists whether each data type is stored in the Schengen Information System S I S, the Visa Information System V I S, E U R O D A C, the entry or exit system E E S, E T I A S, and E C R I S-T C N. An x indicates that the data type is stored in the respective system, and x indicates conditional storage.

  1. 1. Alphanumeric Data

    • General information, namely name, age, gender, and nationality are stored in S I S, V I S, conditionally in E U R O D A C, E E S, E T I A S, and E C R I S-T C N.

    • Occupation is stored in V I S and E T I A S.

    • Education is stored in E T I A S.

    • Reason for travel is stored in V I S.

    • Information about funds for living expenses is stored in V I S.

    • Address, phone number, email address, and I P address are stored in E T I A S.

    • Information about past or present felonies is stored in S I S, E T I A S, and E C R I S-T C N.

    • Information about a recent stay in a war or conflict region is stored in E T I A S.

  • Biometric Data

    • Fingerprints are stored in S I S, V I S, E U R O D A C, E E S, and E C R I S-T C N.

    • Facial image is stored in S I S, V I S, E U R O D A C conditionally, E E S, and E C R I S-T C N.

    • Genetic data is stored in S I S.

The body acts as a trap. It transcends the current argumentations about profiling, sorting or bias based on personal data. What we witness is not just the datafication of the body but its function as ID card, debit card or labour hours registration sheet. If the cash machines, IDs and punched cards were technologies of yesterday, today these features are transferred to the body. The body becomes the payment system, the surveillance machine, the border. It is integrated into the datafied society’s infrastructure. It is platformized humanity. It is an integral material part of the bordering. On the Eastern European borders, heartbeat detectors, thermal-vision cameras and drones are used to unlawfully return the asylum seekers who manage to pass the border (Popoviciu Reference Popoviciu2021). The border is not a line on the map; it is everywhere (Balibar Reference Balibar2012, 78). The border is simultaneously a body on the move and a vehicle to keep out a body that does not belong. Consequently, the body/border can efficiently prevent flight since it entraps. When the Taliban got hold of biometric data banks that Western governments, the UN and the World Bank left behind in 2021, many activists and experts who collaborated with the coalition went into hiding because any border passage would put them in immediate danger of identification (Human Rights Watch 2022). They went into indefinite house arrest within the skeleton of their own bodies. This notion of corporeal entrapment or embodied surveillance resonates with the new conceptualization of how we understand space in the era of datafication. Coded space is defined as “spaces where software makes a difference to the transduction of spatiality, but the relationship between code and space is not mutually constituted” (Kitchin and Dodge Reference Kitchin and Dodge2011, 18). The digitalization of border security at airports or the use of digital technologies in the classroom are examples of coded space. In all these instances, when technology fails, there are still ways to finish the intended task: if the machine at a fully-automated high-tech airport does not recognize you, there is always an officer who can legitimize the authenticity of your ID. However, in the code/space the existence of space is dependent on the code and vice versa. If you are attending an online presentation and the technology fails, that would end your interaction. The code/space highlights the dyadic relationship between the two and their co-constructive nature (Kitchin and Dodge Reference Kitchin and Dodge2011). The dyadic relationship also explains the sense of corporeal entrapment. The datafied or coded body still exists, moves and functions. It has a mutual relationship with the data it produces but is not entirely constituted through it. We have our virtual profiles in social media platforms or wear smart watches but, as soon as we leave such spaces, we resign from being part of their universe. The Code/Body, however, is born in co-construction with the code and ceases existence if the code fails.

The Code/Body is an extension of code/space argumentation to the Foucauldian corporeal space, constantly subject to governmentality. Consequently, the surveillant assemblage introduced by Haggerty and Ericson (Reference Haggerty and Ericson2000) is not only about the production of data double. Their use of the Deleuzian conceptualization of the “body without organs” as an abstraction of the material body does not reflect the co-construction of the virtual and the material. Code/Body, on the other hand, offers a way to understand how the materiality of the body remains integral to our understanding of the body’s datafication while transcending the virtual–material dichotomy. The Code/Body carries manifold wounds: the bodily pain of being wounded – burnt fingertips, lungs full of water, starved behind border walls – and the hidden wounds of datafied exclusion. Although algorithms try to hide their bias, Code/Body reveals that race has a colour, ethnicity has an accent and gender could be “scientifically” examined. Underlining such material features of the body and their role in defining the Code/Body emphasizes “the co-constitution of humans and non-humans” (Müller Reference Müller2015, 27) and brings our attention to how things are held together and how datafied societies function. Extending the assemblage point of view, Actor Network Theory (ANT) provides a better empirical ground to understand the politics of the networks. It moves the focus more on outward associations and less on the intrinsic characteristics of a thing or its abstraction. The Code/Body highlights the co-constitution of these outward–inward associations and the body’s agency in changing the flows and associations within the assemblage. From this perspective, things have an open and contested character (Mol Reference Mol, Law and Hassard1999, 75), and the body is performative, meaning that its position within an assemblage can redefine its reality. Consequently, if one thing could be shaped by a variety of practices and networked connections, it can be configured in multiple and ambivalent ways. Lawful immigrants from internationally undesirable countries experience this multiple configuration throughout their border experiences. Visas to countries that have been visited before are rejected; border officers ask irrelevant questions to make the entry unpleasant or surprisingly act extra friendly. Automated passport check stations flicker a red light for double control but, on the next visit, go green. The assemblage changes and the integrated body in it changes accordingly. The Code/Body is, then, the ultimate device to realize and fulfil this fluidity. As a result, it is highly political how assemblages take shape, what actants dominate the flows, and which of the multiple realities of a thing are given preference. The ontological politics (Mol Reference Mol, Law and Hassard1999, 74) of Code/Body define the conditions of the possibility of being a human. Depending on their position in an assemblage, a person’s body could be reconfigured very differently. Heartbeats mean one thing on a smartwatch at a spinning class and another when sitting behind a lie detector machine at a border detention centre. Such politics of being are not only about positionality and “where we are” but also include temporality and “when we are.” I was held twice at the UK border detention centre despite having a valid visa. On both occasions, a sympathetic border officer took upon himself the time-consuming task of removing me from the “bad list.” It feels like a wonder that, within 40 minutes, a detained suspicious person, banished to a corner of the airport under the watchful eyes of a guard, turns into a legal traveller. Like a thing, the body can be understood as “a temporary moment in an endless process of assembling materials, a partial stabilisation and a fragile accomplishment that is always inexorably becoming something else, somewhere else” (Gregson et al. Reference Gregson, Crang, Ahamed, Akhter and Ferdous2010, 853). Code/Body, again, facilitates this temporary and mutable process of re-configuration. The more the body is datafied, the more physical it becomes.

9.3 A Moebius Body

The Code/Body blurs not only the virtual–material binaries but also nuances the politics of sorting by questioning the discourse of inclusion–exclusion through digital technologies, platforms and algorithms. Code/Body extends concepts such as the mediated body or the quantified self to propose an existential situation where the self stops to exist outside the code. This newly contended notion of self is the prerequisite of citizenship in the smart cities – the utopian dream of an urban life, which all societies are ambitiously moving towards. In future smart cities, we will not only witness behaviour nudging or the gamification of obedience (Botsman Reference Botsman2017); cities will be transformed into experimental labs, where the urban citizen is produced through measuring (Mattern Reference Mattern2016). On top of gathering data through sensors, following the movements and urban flows, and closely watching the bodies, the body becomes an instrument of belonging. To be in, it needs to be outed. The body needs to be thoroughly datafied to become integrated into the smart infrastructure of the city. Living in the Code/Body is a constant ride on a Moebius ring: the inside and outside depend on how one defines their situation or how their situation is defined for them. The Code/Body could belong to an urban assemblage at a specific time and lose all its association by a slight change in the code in the next second. In Figure 9.1, I have drawn a Moebius ring on the verdict of my complaint against UK immigration’s refusal of my tourist visa.

A legal document from the United Kingdom first-tier tribunal regarding an immigration appeal by Azadeh Akbari Kharazi against the entry clearance officer in Istanbul. See long description.

Figure 9.1 Mobius strip on Immigration Courts’ verdict

© Azadeh Akbari, Reference Akbari2023
Figure 9.1Long description

The legal document from the United Kingdom first-tier tribunal immigration and asylum chamber, dated April 21, 2015, details the appeal. Azadeh Akbari Kharazi against a visa decision by the entry clearance officer in Istanbul. The document includes official markings such as the crown emblem and the appeal number, which is partially redacted, and is identified as a decision and reasons notice. It outlines that the appellant is an Iranian citizen who applied for a United Kingdom general long-term visitor visa intending to visit the United Kingdom for a year with frequent visits planned over a ten-year period. The document mentions her employment as a Professor Assistant and her past travel history to the United Kingdom. The hearing took place at Columbus House in Newport and was handled as a paper case without legal representation. Some personal information is obscured with redaction and marker.

I had lived in London for 4 years and, after giving up my residency and returning to Iran, my tourist visa application was rejected. I was confused: I used to belong, work, live and actively participate in British society. Why was I suddenly out? Curiously, the judge had suggested since I can use technologies such as Skype to contact my friends in the UK, my human rights are not deemed to be violated. The code kept my body outside through its affordances to bring us closer. The movement between inside and outside makes bodily functions fuzzy; as if one can die while breathing and live forever, even after the heart stops. The following quote from a Somali refugee (now residing in Europe) initially shocks the reader: Did they drown?

Immediately after this thought, it seems his body has been revived from a mass of drowned refugees.

I was caught by the Lybian coastguard three times – first time from Qarabully; second time, Zawyia; third time, Zuwarna. And my fourth time, we drowned. And the fifth time, I made it to safety.

Another female Kurdish Iranian protestor during the Woman, Life, Freedom movement – a movement of Iranian women against compulsory Islamic dress code and discriminatory laws – reflects on how her body experiences the images she had previously seen on (social) media. She writes about how the physical and digital blend into each other and, despite the fear of pain instigated by watching social media videos, the real batons or pellets do not cause the expected physical pain.

I once received loud cheers when I escaped a scene of confrontation with security forces and ran into the crowd. … The next morning when I was looking over my bruises in the mirror, the details of the confrontation suddenly passed before my eyes. … I had not simply been beaten; I had also resisted and threw a few punches and kicks. My body had unconsciously performed those things I had seen other protestors do. I remembered the astonished faces of the guards trying to subdue me. My memory had just now, after a time interval, reached my body.

(L 2022)

The body’s agency leaks into the consciousness only after it has performed a task. In moments of upheaval, where the oppressed body stands up to its oppressors, it tries to distort its entrapment. Despite being surveilled, controlled and censored the body lives the unpermitted imaginary: it kicks the security forces, it runs and hides, it shows skin. It revolts against the sensory limitations imposed on it. In Figure 9.2, Woman, Life, Freedom protestors have covered a subway CCTV camera with female menstrual pads. Their female bodies withstand the gaze that controls, hides, oppresses and objectifies them. Next to the camera is a hashtag with an activist’s name: this time, virtual campaigns fuse into the material reality of the city. The Code/Body which is meant to be a part of the surveillant machinery through CCTV camera and facial recognition technologies, blinds the omnipresent eye with its most female bodily function: menstruation.

A grayscale photo features a sanitary pad stuck to a perforated ceiling panel with text in a foreign language written nearby.

Figure 9.2 Blocking CCTV cameras in Public transportation with menstruation pads.

Similar to silencing some bodily features, some bodies are marked as intangible, unrepresentable and unfathomable. Despite being embedded within different streams of data and code, our collective imagination still does not register the precarity of some bodies. At the time that artificial intelligence claims to further the limits of our creative powers by creating historical scenes or impossible fantasies, I inserted the poem by Warsan Shire at the beginning of this chapter in three popular AI-based text-to-image generation platforms. The results in Figure 9.3 show irrelevant pictures of mostly men depicting some keywords of the poem. The messiness of the poetry – and the poet’s feelings – does not translate into clear cut images. The machine fails to grasp even the theme of the poem. The wounded Code/Body remains hidden. The skin bears the pain of these wounds without bleeding and without any algorithm capturing its suffering. The person is caught in a body that can be datafied, but its emotions cannot be perceived.

Twelve grayscale panels include trucks, people in various environments, comic text, and artistic scenes. See long description.

Figure 9.3 AI-generated pictures created by Azadeh Akbari based on the poem “Conversations about Home (at the Deportation Centre)” by Warsan Shire, using three popular AI-based platforms

Figure 9.3Long description

The twelve grayscale panels include a variety of scenes arranged in a 3 by 4 grid. The left column features different trucks parked or driving through sparse desert-like landscapes, often accompanied by solitary male figures standing nearby. The middle column features close-up views of individuals, including a man gesturing during a conversation, an older man with striking facial features in a suit, and another man wearing glasses with a caption beneath him. The right column includes a person lying on a hillside, a densely packed urban scene with a comic-style speech bubble that reads My dream went this way, and a scene of three figures in light clothing, viewed from behind, standing together.

This chapter does not aim to investigate the political, economic or social reasons or structures that construct the Code/Body. The biopolitical and necropolitical, the Foucauldian corporeal space and its governmentality have been the subject of many scholarly debates. How surveillance and datafication affect these spaces is also not a new matter of discussion. However, it seems persistently new how uncomfortable the body feels for some people. The more some lives are exposed to precarity of intense datafication, some bodies are forced to give away their unscrupulous owner. Surveilling and constant measuring of the Code/Body assures that these lives remain precarious. Some bodies, it seems, could be easily deleted, like a line of dead code.

Tell the sea after the news of my death
that I wasn’t that thirsty to fill my lungs with his water,
that I am only an extremely exhausted man
who suffered all his life long from poverty
who worked all day long
to pursue a dignified life for his children
I wanted to flee like all poor people
I went to you, sea
to pull me out of the darkness
to take me to a brighter trajectory
You misunderstood me, sea
I told you that I wasn’t thirsty
Mahmoud Bakir, a young father from Gaza, wrote this poem in February 2021 before drowning on his way to reach Europe.

Footnotes

1 From the poem “Conversations about Home (at the Deportation Centre)” by Warsan Shire.

2 Excerpt from group discussion at later-evacuated L’Autre Caserne community in Brussels.

3 The combination of Code/Body is first used by Suneel Jethani (Reference Jethani2020) in their paper on self-tracking and mediating the body. The paper uses the similar notion of Code/Body or coded body to represent the hybrid or networked body. However, my chapter’s theoretical perspective differentiates between Code/Body and coded body and furthers the concept of Code/Body beyond self-quantification. This text is inspired by my lecture-performance at PACT Zollverein Performing Arts Theatre in Essen, Germany in 2023.

4 Table 9.1 was produced in 2022 in collaboration with Christopher Husemann, PhD student in political geography, University of Münster, and was later updated by the author.

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Figure 0

Table 9.1 Data categories stored in European immigration data banks.4Table 9.1 long description.

Figure 1

Figure 9.1 Mobius strip on Immigration Courts’ verdictFigure 9.1 long description.

© Azadeh Akbari, 2023
Figure 2

Figure 9.2 Blocking CCTV cameras in Public transportation with menstruation pads.

(Akbari 2023, 24)
Figure 3

Figure 9.3 AI-generated pictures created by Azadeh Akbari based on the poem “Conversations about Home (at the Deportation Centre)” by Warsan Shire, using three popular AI-based platformsFigure 9.3 long description.

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