Skip to main content Accessibility help
×
Hostname: page-component-68c7f8b79f-m4fzj Total loading time: 0 Render date: 2025-12-26T07:15:45.107Z Has data issue: false hasContentIssue false

Index

Published online by Cambridge University Press:  22 December 2025

Rob Harris
Rob Harris
Affiliation:
Magdalen College, Oxford

Information

Type
Chapter
Information
After Impressionism
Poetry and Painting, 1874-1914
 , pp. 223 - 230
Publisher: Cambridge University Press
Print publication year: 2025
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0 https://creativecommons.org/cclicenses/

Index

AE (George William Russell), 104
aestheticism, 24–25, 81n20
Albright, Daniel, 166, 188, 192n27, 197n76
Aldington, Richard, 161n85, 176
Alighieri, Dante, 71, 108–109, 175
Altieri, Charles, 192n24
Aquinas, Thomas, 24
Archer, William, 71–72
Arène, Paul, 16
Ariosto, Ludovico, 112, 122n59
Aristotle, 44n86, 190
Arnold, Matthew, 4, 17, 54–56, 71, 81n18
art for art’s sake, 56, 60, 68, 81n20, 201
Auden, W. H., 90
Augustine, 24
Austin, Alfred, 124
Balzac, Honoré de, 94
Barry, Iris, 180, 195n57n58
Bastien-Lepage, Jules, 88–92, 98, 103, 109
Les foins, 89
Baudelaire, Charles, 16, 55, 62, 66, 80n10, 81n12
Beasley, Rebecca, 190n2, 191n3, 192n23
Beaunier, André, 150, 159n54
Beerbohm, Max, 122n53
Bell, Clive, 198–202
Bergson, Henri, 35, 47n117, 150–152
Berkeley, George, 23, 74
Binyon, Laurence, 184
Bizzotto, Elisa, 80n2
Blackmur, R. P., 192n15, 195n63
Blake, William, 81n20, 87–89, 91, 94–97, 101, 103, 120n31
Blanc, Charles, 11
Blast, 166, 196n74
Blavet, Émile, 12
Boime, Albert, 40n32
Boland, Eavan, 90
Bonnard, Pierre, 25
Botticelli, Sandro, 112
Bourget, Paul, 15–17, 19, 21, 80n8
Bowen, Elizabeth, 22
Bowler, Rebecca, 26, 44n82, 47n113, 79n2, 192n15, 195n63
Brancusi, Constantin, 116, 190n2
Braque, Georges, 162
Brettell, Richard, 37n9, 40n35
Brown, Ford Madox, 155n12
Browning, Robert, 90, 126, 135, 139, 171
Brunetière, Ferdinand, 15, 158n46
Buchanan, Robert, 155n14
Bunting, Basil, 159n56
Burne-Jones, Edward, 82n30, 156n17
Burne-Jones, Philip, 129–130, 140
Burns, Emile C., 40n36
Burty, Philippe, 38n15, 195n69
Caillebotte, Gustave, 38n15, 92
Calvert, Edward, 97
Campbell, Joseph, 133
Campbell, Matthew, 120n38
Cantaloube, Amédée, 94
Cardon, Émile, 7
Cassatt, Mary
The Sun Bath (after the Bath), 168–171
Castagnary, Jules, 8–9, 11–12
Castiglione, Baldissare, 112
Cavalcanti, Guido, 175
Cézanne, Paul, 9, 36n3, 203n8
Chamberlain, Basil Hall, 196n71
Chardin, Jean Siméon, 20, 40n30
Chaumelin, Marius, 40n28
Cheeke, Stephen, 6, 68, 82n27
Childers, Erskine, 26
Cicero, 24
Clark, Alexis, 40n36
Clark, T. J., 94
Clausen, George, 39n20
Clough, Arthur Hugh, 54
Coleridge, Samuel Taylor, 82n27, 135, 142, 157n45
Comte, Auguste, 29, 55, 136
Congreve, William, 113
Conrad, Joseph, 22, 26–27, 30–31, 178, 195n53
Corbière, Tristan, 15
Cornforth, Fanny, 87
Couchoud, Paul-Louis, 151, 196n71
Cousin, Victor, 81n20
Crane, Stephen, 22, 26, 30–31, 195n53
cubism, 162, 165, 199
Cunningham, Minnie, 63
Custance, Olive, 18
Daudet, Alphonse, 15–16
Davidson, John, 20, 71
Davray, Henri, 122n58
Debussy, Claude, 41n41, 187
decadence, 16, 18, 22, 33, 51–55, 61–62, 68, 73, 80n10, 140, 200, See also Symons, Arthur, ‘The Decadent Movement in Literature’
Degas, Edgar, 5, 14, 17, 20–21, 37n4, 61, 70, 88, 104, 106, 108, 114, 145, 160n63, 164, 195n69, 200
Dancing Class, 10
Delior, Paul, 146
Demeny, Paul, 16
Denis, Maurice, 11
Desmarais, Jane, 62, 66
Dewhurst, Wynford, 39n21
Dobell, Sydney Thomspon, 142
Donoghue, Denis, 56
Durand, Charles Auguste Émile, 88–92, 109
Durand-Ruel, Paul, 38n10, 104, 121n45, 129, 132, 156n22, 200
Duranty, Edmond, 11
Dürer, Albrecht, 107
Duret, Théodore, 8–9
Egerton, George, 26
Eisenman, Stephen F., 40n34
Elder, R. Bruce, 192n21
Eliot, T. S., 4, 20, 47n117, 71, 109, 159n56, 200
‘A Foreign Mind’ (review of The Cutting of an Agate), 118n12
‘The Perfect Critic’, 43n75, 75, 84n57
‘Reflections on Vers Libre’, 153–154, 161n84
Ellis, Edwin, 91
Ellis, Henry Havelock, 62, 80n8
Ellman, Maud, 28
Emerson, Ralph Waldo, 135, 158n45
empiricism, 20, 23–25, 44n85, 107, 166, 177, 201, See also Hume, David; Locke, John
Engels, Friedrich, 86n81
Epstein, Jacob, 116, 134, 162
Evangelista, Stefano, 80n2
expressionism, 162, 165, 199
Farr, Florence, 133, 157n42
fauvism, 199
Fechner, Gustav, 136
Felski, Rita, 75
Flaubert, Gustave, 25, 94, 176, 178–179, 191n8, 194n45, 195n53
Flint, F. S., 3, 14, 19, 35–36, 125, 133–134, 137, 145–149, 151, 184, 196n71
‘Book of the Week: Remy de Gourmont’, 146–147
‘The History of Imagism’, 157n35n36n39 n41, 160n64n65
In the Net of the Stars, 134
‘Foreword’, 148–149
‘Monody’, 148
‘Palinode’, 147
‘Recent Verse’ columns for the New Age, 43n65, 133–134, 145–147
Flint, Kate, 5, 11
Forbes, Stanhope, 39n20
Ford (Hueffer), Ford Madox, 3, 14, 19–22, 25–27, 31, 35–36, 47n116, 71, 90, 124–154, 164, 173–178, 181–183, 187, 191n8, 201
‘Algernon Charles Swinburne’, 157n26
Ancient Lights and Certain New Reflections, 42n62, 157n26, 160n79
Buckshee, 139
High Germany, 181–183
‘The Starling’, 140–141
‘Impressionism—Some Speculations’ (‘Preface’ to Collected Poems), 42n62, 127, 132, 138, 194n51
‘Joseph Conrad’, 194n46
‘A Jubilee’, 157n37
‘Lecture on Vers Libre’, 138, 142
‘Les Jeunes and Des Imagistes’, 138, 195n64
‘Literary Portraits IV: Herr Gerhardt Hauptmann’, 157n43
‘The Making of Modern Verse’, 157n43
Mister Bosphorus and the Muses, 139
‘Modern Poetry’, 35, 118n12, 125–128, 130–132, 134, 138, 174
‘Mr. W. B. Yeats and His New Poems’, 118n12
On Heaven, and Poems Written on Active Service
‘On Heaven’, 139
‘On Impressionism’, 43n80, 127, 174
‘The Passing of the Great Figure’, 155n9
The Pre-Raphaelite Brotherhood: A Critical Monograph, 42n62, 127–131
Rossetti: A Critical Essay on His Art, 194n45
Songs from London
‘Views’, 139–140
Thus to Revisit, 157n43, 160n61
‘The Year 1908’, 124–125
Forgotten School of 1909, 19, 31, 33, 35, 124–154, 200
Fowle, Frances, 40n36
free verse. See vers libre
Freeman, Nicholas, 26, 29, 74, 80n2
Freud, Sigmund, 14
Fried, Michael, 26, 40n30, 79n2
Friesz, Othon, 44n83
Fry, Roger, 44n83, 155n7, 197n74, 198–199, 203n4
futurism, 165–166, 191n8
Gardner, Edmund G., 112, 122n59
Garland, Hamlin, 17–18
Garnett, Edward, 31
Gascquet, Joachim, 38n11
Gass, William, 25, 192n25
Gaudier-Brzeska, Henri, 116, 162, 190n2n2, 196n74
Gautier, Théophile, 52, 80n10, 176
Giles, Herbert Allen, 184
Giorgione, 94, 112
Giotto, 97
Gladstone, William, 126
Goffen, Rona, 119n19
Goncourt, Edmond and Jules de, 16, 24, 51, 53–54, 57, 59, 195n69
Goncourt, Edmond de, 15, 94
Gonne, Maud, 119n17
Gonse, Louise, 195n69
Gonzalès, Eva, 10
Gourmont, Remy de, 146–147, 150, 159n54
Grafton Galleries, 129, 140, 156n22, 198
Gray, John, 18, 42n61
Gregory, Lady Augusta, 112
Gregory, Robert, 112
Grierson, H. J. C., 122n59
Grossman, Allen R., 101
Guillaume, Éugene, 5
Guillemot, Maurice, 38n13
Guys, Constantin, 55–56, 81n12
Gyles, Althea, 114–115
H.D. (Hilda Doolittle), 26, 49n130, 176
haiku, 19, 145, 151–152, 160n68, 163, 184–187
Hakutani, Yoshinobu, 196n71
Hardy, Thomas, 49n129
Harmer, J. B., 192n26
Harrison, Charles, 85n63
Haughton, Hugh, 117n1
Hegel, Georg Wilhelm Friedrich, 56, 66
Henley, W. E., 58, 89, 149
Henry, Charles, 136
Heraclitus, 82n26
Hickman, Miranda, 197n77
Hope, Charles, 119n19
Hopkins, Gerard Manley, 135
House, John, 37n9, 38n12n14, 193n36
Houwen, Andrew, 196n71, 197n80
Hulme, T. E., 3, 13, 21, 35, 49n130, 125, 132–135, 137, 143, 149–153, 184, 201
‘Bergson’s Theory of Art: Notes for a Lecture’, 43n79
‘The Complete Poetical Works of T. E. Hulme’, 43n64
‘The Embankment’, 152–153
‘Lecture on Modern Poetry’, 19, 21, 133–135, 147, 149–152
letter to the New Age, 133
‘Notes on Bergson’, 161n80
‘A Tory Philosophy’, 118n12
Hume, David, 23–26, 29, 44n85, 74
Hunt, Isobel Violet, 134–135, 138, 141
Hunt, William Holman, 128
The Hireling Shepherd, 128
Hurley, Michael, 158n53
Huxley, Thomas Henry, 88–91, 109
Huysmans, Joris-Karl, 16, 52, 62, 65
Ibsen, Henrik, 89
Image, Selwyn, 132
imagism, 17, 19–22, 33, 36, 125, 138, 145, 154, 161n85, 162–190, 200, See also Pound, Ezra.
impression
art-historical sense, 9–10
philosophical connotations, 23–25, 29, 44n85, 55–57, 164–166
impressionist painting, 17, 19, 23, 25–26, 28–30, 34–36, 58–59, 66, 71, 88–94, 97–98, 103–109, 112, 127–132, 135–137, 142–144, 149–150, 154, 156n23, 162–190, 198–202
origins and early reception, 1–5, 7–13
Ingres, Jean-Auguste-Dominique, 81n12
irregularity, 1–5, 7, 10, 13–15, 17, 22–25, 33–34, 55, 116, 126–128, 143, 200, 202
James, Henry, 22, 25–27, 29, 49n129, 82n30, 83n35, 195n53
Jameson, Fredric, 26, 72
Japonisme, 19, 110, 145, 160n67, 183–187, 195n69, 196n70
Jarry, Alfred, 92
John, Augustus, 114
Johnson, Lionel, 20, 71, 173, 180
Joyce, James, 21, 71, 100, 177
Kahn, Gustave, 16, 19, 35, 133, 135–138, 143, 146, 150, 158n51
Kandinsky, Wassily, 162, 164, 190n2
Kant, Immanuel, 24, 81n20
Katz, Tamar, 27, 46n105
Keats, John, 97, 142, 144, 146, 180
Kenner, Hugh, 70–71, 164, 181, 188, 190n2, 192n19
Kermode, Frank, 33, 121n43
Kronegger, Maria, 26
Laforgue, Jules, 12, 15, 17, 19, 61, 133, 135–138, 146, 158n51, 160n67, 193n36
Lane, Hugh, 104–106, 108, 111–113
Larminie, William, 20
Lavery, John, 39n20
Lawrence, D. H., 200, 203n6
Le Gallienne, Richard, 73
Lee, Vernon (Violet Paget), 16, 22, 51
Leighton, Angela, 84n50, 99, 140
Lenz, Desiderius, 203n4
Leonardo da Vinci, 56–57, 107
Leroy, Louis, 7–8, 15, 25
Levenson, Michael, 26
Lévêque, Charles, 39n25
Lewis, Ethan, 190
Lewis, Wyndham, 47n117, 190n2, 197n74, 200
Lindsay, Coutts, 82n30
literary impressionism
origins and early formulations, 14–22, 51–79, 106–107, 110, 132, 137–154, 164, 177–183, 191n8
in recent literary criticism, 2–3, 22–34, 72, 178–179, 202
Littré, Émile, 29, 48n120
Locke, John, 24–26, 29, 191n9
Loizeaux, Elizabeth Bergmann, 116n1n1, 120n29
Longley, Edna, 121n51
Loti, Pierre, 16
Lowell, Amy, 4, 49n130, 200, 203n6
Lucretius, 202n1
Luxembourg, Musée du, 92, 94, 97, 101, 112
MacMahon, Patrice de, 12
Maeterlinck, Maurice, 62, 98
Mallarmé, Stéphane, 11–12, 53, 62, 91, 118n17, 156n15
Manet, Édouard, 5, 10, 14, 35, 40n30, 88, 92–94, 96–98, 103–104, 107, 111, 113–116, 128, 130, 154, 156n15, 195n69, 200
Eva Gonzalès, 104–106, 112–114
Les bockeuses, 89
Olympia, 96, 101, 108–109, 115, 119n19
Manning, Frederic, 173
Mansfield, Katherine, 22
Mao, Douglas, 28, 166
Marinetti, F. T., 159n58
Martin, Wallace, 161n80
Martineau, Harriet, 18
Marx, Karl, 86n81
Mather, Anna, 100
Matisse, Henri, 199
Matthews, Elkin, 193n41
Matz, Jesse, 23, 27, 29, 37n8, 40n29, 41n40, 44n81n82, 44n105, 79n2
Mauclair, Camille, 106–107, 129–130, 138, 140, 157n24, 159n58
Maupassant, Guy de, 165, 176, 179, 191n8, 195n53
Maxwell, Catherine, 66
McDonald, Peter, 103, 120n38
Meisel, Martin, 29
Melot, Michel, 37n8
Meredith, George, 16, 18, 124, 126
Meynell, Alice, 18
Michelangelo, 87, 94, 96, 120n25
Millais, John Everett, 128
The Blind Girl, 128
Milton, John, 95
Mitchell, W. J. T., 28
Molière, 113
Monet, Alice, 193n36
Monet, Claude, 5, 9–10, 12, 14, 19, 21, 25, 97, 104, 136, 156, 168, 170–171, 176–178, 183–184, 193n36, 195n69, 202, 203n8
Boulevard des Capucines, 10, 38n14
Impression, soleil levant, 7–9
Turkeys, 2
Vue de l’Église de Vernon, 130
Monroe, Harriet, 45n93, 154, 180, 183, 192n19, 195n60, 196n71
Montesquiou, Robert de, 143
Montifaud, Marc de, 7
Moody, A. D., 192n22
Moore, George, 1–5, 7, 27, 88, 104–106, 195n53, 199, 202
Moore, Marianne, 47n117
Moreau, Gustave, 92, 97
Morisot, Berthe
The Cradle, 10
Morris, Jane, 87
Munch, Edvard, 199
Murray, Alex, 62
Nabokov, Vladimir, 25
Nelson, James G., 194n48
Newbolt, Henry, 132, 173
Nietzsche, Friedrich, 25
Nisard, Désiré, 80n8
Nittis, Giusseppe de, 8
Noguchi, Yonejirō, 196n71
Nordau, Max, 16, 19
O’Neill, Michael, 158n53
Oppen, George, 47n117
Orage, Alfred, 132
Østermark-Johansen, Lene, 84n45
Ozturk, Anthony, 193n38
Parkes, Adam, 23, 27, 44n82n83, 46n104n105, 47n109n111, 79n2
Pascal, Blaise, 82n27
Pater, Walter, 20, 22, 25–27, 34–35, 47n117, 51, 55–61, 64, 71, 74–75, 90, 106, 131, 165, 194n45, 195n53
Marius the Epicurean, 56, 74–75, 106
‘Romanticism’, 55
Studies in the History of the Renaissance, 55–58, 60, 74, 77–79, 82n27
Picasso, Pablo, 162, 164
Pissarro, Camille, 5, 10, 14, 92, 97, 104, 136, 156n22
Boulevard Montmartre, matinée de printemps, 130
Plato, 44n86, 71
positivism, 29, 91, 136
post-impressionism, 23, 44n83, 125, 199–200
Pound, Ezra, 3–4, 13–14, 19–21, 25, 31–33, 35–36, 49n130, 71, 98, 133, 143, 154, 159n56, 161n85, 162–190, 200–201
ABC of Reading, 197n79n81
‘The Approach to Paris’, 176
Beinecke Manuscripts (unpublished art criticism), 169–171
‘Book of the Month: High Germany. By Ford Madox Hueffer’, 20, 181–183
Canzoni, 173, 176, 181
‘Canzon: To Be Sung beneath a Window’, 173
‘Madrigale’, 173
‘Und Drang’, 173
Catholic Anthology, 189
The Chinese Written Character as a Medium for Poetry, 193n40
‘Constantin Brancusi’, 172
‘Dubliners and Mr. James Joyce’, 21, 177–178, 183
‘Edward Wadsworth - Vorticist’, 195n66
‘A Few Don’ts by an Imagiste’, 164, 172–173, 176
‘Ford Madox (Hueffer) Ford. Obit’., 173–174
‘Ford Madox Hueffer’ (review of Collected Poems), 191n5
Gaudier-Brzeska: A Memoir, 170, 177, 188–189
‘Harold Monro’, 154n3
‘Hell’, 195
‘I Gather the Limbs of Osiris’, 173, 182–183
‘Imagisme’, 161n85, 176, 191n11
‘Lionel Johnson’, 43, 180, 192
Lustra, 185
‘Alba’, 186
‘April’, 186
‘Fan-Piece, for Her Imperial Lord’, 186
‘Gentildonna’, 186
‘Heather’, 186
‘In a Station of the Metro’, 70–71, 163–164, 183, 186, 189–190, 196n71
‘Ts’ai Chi’h’, 186
miscellaneous poems
‘The Summons’, 173
‘On Criticism in General’, 182
‘Pastiche: The Regional – IV’, 195n62
‘Patria Mia: VIII’, 195n65
Personae, 189
‘Against the Crepuscular Spirit in Modern Poetry’, 175
‘Prologomena’, 43n77, 174–175, 192n16
‘The Prose Tradition in Verse’, 160n59
Quinzaine for This Yule, 187
‘Nel Biancheggiar’, 172
A Retrospect, 47n117, 161n84, 176, See also ‘A Few Don’ts by an Imagiste’; ‘Imagisme’; ‘Prologomena’
Ripostes, 43n64, 179
San Trovaso Notebook
‘For Italico Brass’, 171, 176
‘The Serious Artist’, 176
‘Status Rerum’, 175–176, 179
Umbra
‘Phanopoeia’, 187
‘To Whistler: American (On the loan exhibit of his paintings at the Tate Gallery)’, 183
‘Vortex’ (Blast), 166
‘Vorticism’, 41n38, 43n72, 162–166, 170, 172, 176, 182–183, 189
Pound, Omar, 194n51
Poussin, Nicolas, 94
Pre-Raphaelitism, 35, 87–89, 127–131, 137, 140, 156n23, 174, 203n8
Price, Alice M., 40n36
Proust, Marcel, 16, 29
psychophysics, 29, 136
Puvis de Chavannes, Pierre, 92
Quinn, John, 112
Quintilian, 24
Rae, Patricia, 192n20
Raphael, 94, 96, 120n25
Ravel, Maurice, 41n41
Regnier, Henri de, 143
Renaissance, 35, 88, 102, 107–110, 203n8
Renoir, Jean, 5
Renoir, Pierre-Auguste, 1–5, 7, 10, 13, 92, 104, 128, 195n69, 202
Torso, Sunlight Effect, 2
Rhymers’ Club, 74, 90, 109–110
Rhys, Jean, 22
Richardson, Dorothy, 22
Ricketts, Charles, 97, 113
Rimbaud, Arthur, 158n51
Robbia, Luca Della, 25
Robinson, Peter, 174
Rodin, Auguste, 145
Rogers, John, 23
Ronsard, Pierre de, 157n39
Rossetti, Dante Gabriel, 87–90, 128, 132, 145, 155n14, 175
Rossetti, William Michael, 155n12
Rousseau, Jean-Jacques, 82n27
Rowe, John Carlos, 26
Rubens, Peter Paul, 94–95, 120n25
Rubin, James Henry, 37n9
Ruskin, John, 58, 60, 82n30, 83n35, 109, 126, 170
Rutter, Frank, 10, 44n83
Sackville, Margaret, 132
Saintsbury, George, 159n58
Sargent, John Singer, 39n20, 49n129
Saunders, Max, 26, 47n115, 80n2, 195n53
Schapiro, Meyer, 27, 36n1
Schelling, Felix, 195n56n57
Schelling, Friedrich Wilhelm Joseph, 81n20
Schiller, Friedrich, 81n20
Scholar, John, 23, 44n82
Schopenhauer, Arthur, 12, 136
Schuchard, Ronald, 106, 113, 117n5, 118n15, 119n17
Scott, Clive, 158n51
Shakespear, Dorothy, 184
Shakespeare, William, 112
Sharp, William, 16, 18
Shelley, Percy Bysshe, 112
Shiff, Richard, 37n9
Shorthouse, J. H., 16, 51
Sickert, Walter, 11, 17, 61
Simpson, Henry, 132
Sinclair, May, 22
Sisley, Alfred, 92, 104
Smith, Paul, 37n9
Spenser, Edmund, 90
Spinoza, Baruch, 71
Staats Forbes, James, 121n45
Stallman, R. W., 45n98
Stansky, Peter, 155n7
Steer, Philip Wilson, 11
Stein, Gertrude, 200, 203n6
Stevens, Wallace, 200, 203n6
Storer, Edward, 3, 14, 19, 35, 49n130, 125, 133–134, 141–147, 161n86, 178
Mirrors of Illusion, 133, 141–147
‘Essay’, 42n63n64, 134, 137, 142–144
‘Hellebore and Henbane’, 144
‘Image’, 144
‘Street Magic’, 144
Stowell, H. Peter, 26
Sullivan, Hannah, 100, 120n38
Swinburne, Algernon Charles, 81n20, 124, 126, 145, 175, 179
symbolism, 15–17, 20, 22, 33, 53, 87–116, 133, 165, 176, 179, 200, See also Symons, Arthur; Yeats, W. B.; The Symbolist Movement in Literature.
Symons, Arthur, 3, 14, 17–21, 24–25, 31, 33–34, 41n41, 42n61, 51–79, 88, 94, 102, 106, 120n39, 131, 164, 178, 195n53, 200–201
‘At the Alhambra: Impressions and Sensations’, 63–64
Cities, 43n78, 76–77
Cities and Sea Coasts and Islands, 83n36
Cities of Italy, 85n78
Confessions: A Study in Pathology, 78–79
Days and Nights, 62
‘Prologue’, 57
‘The Decadent Movement in Literature’, 17, 34, 44n90, 51–55, 57–58, 60–63, 65–66, 68, 71–79, 121n53
‘Impressionistic Writing’, 83n38, 84n51
‘Introduction’ to Studies in the History of the Renaissance (Pater), 56–57, 75
Knave of Hearts
‘The Brother of a Weed’, 73–74
London Nights, 17, 67–69, 71
‘At Dieppe’, 83n37
‘At the Stage Door’, 64
‘Credo’, 64–65
‘Preface’, 72
‘Veneta Marina’, 73
miscellaneous poems
‘To a Grey Dress’, 84n54
‘Mr. Henley’s Poetry’, 58
‘Mr. Yeats as a Lyric Poet’, 102
‘Paul Verlaine’, 18, 83n44
Silhouettes, 17, 62–63, 70–71
‘City Nights: In the Train’, 63
‘Impression’, 63
‘In Bohemia’, 62
‘Maquillage’, 62
‘Nocturne’, 68–69
‘Preface’, 66–67
Spiritual Adventures, 77–78
‘An Autumn City’, 74
‘Christian Trevalga’, 75–76, 193n35
‘The Death of Peter Waydelin’, 61
‘Henry Luxulyan’, 77–78
‘Prelude to Life’, 57
Studies in Seven Arts
‘The Painting of the Nineteenth Century’, 170–171
‘Rodin’, 160n67
‘Whistler’ (obituary), 58–61, 65, 69
The Symbolist Movement in Literature, 43n66n78, 51, 53, 81n11, 83n39n41n42 n43, 84n49, 102, 119n22, 121n53, 160n67
‘Walter Pater, Imaginary Portraits’ (review), 75
Synge, John Millington, 111–112
Taine, Hippolyte, 25, 29, 136
Tancred, F. W., 132
Tancred, Francis, 133
Tennyson, Alfred, 4, 90, 126, 132
Thain, Marion, 80n2
Thompson, Francis, 146
Tiffany, Daniel, 192n23
Tintoretto, 99
Origin of the Milky Way, 108
Titian, 35, 87–97, 99–101, 109, 111–113, 120n25
Ariosto, 89, 114–115
Bacchus and Ariadne, 96, 114–115
Venus of Urbino, 92–94, 101
Turgenev, Ivan, 179, 195n53
Twain, Mark, 119n19
Tynan, Katherine, 121n44
Tyndall, John, 88–91, 109
Upward, Allen, 184
Vendler, Helen, 90
Verhaeren, Émile, 143, 145, 160n58
Verlaine, Paul, 15, 17–18, 41n41, 53–54, 57, 61–62, 65–69, 73, 84n61, 85n65, 118n17, 133
‘Art poétique’, 65
Veronese, Paul, 87, 92
vers libre, 19–20, 22, 33, 35, 124–154, 200
origins, 133–137
Vielé-Griffin, Francis, 143
Villiers de l’Isle Adam, Auguste, 53, 92, 98
Visan, Tancrède de, 150
Vollard, Ambroise, 10
vorticism, 17, 125, 162, 188, See also Pound, Ezra, ‘Vorticism’
Wagner, Richard, 136, 187
Walker, Tom, 117n1
Walter, Christina, 28
Watt, Ian, 26
Watteau, Jean-Antoine, 20, 40n30
Whistler, James McNeill, 5, 10–11, 14, 17–18, 21, 34, 41n41, 51–52, 58–61, 65–70, 73, 75–76, 82n30, 83n45, 89, 104, 106, 108, 110, 145, 149, 160n63, 164–165, 169–172, 175, 183–187, 195n69, 200–201
The Gentle Art of Making Enemies, 83n32n34, 169–170
Nocturne in Black and Gold – The Falling Rocket, 58–60, 70
Nocturne: Blue and Gold – Old Battersea Bridge, 60, 82n30
Ten O’Clock: A Lecture, 69, 83n32, 193n34
Variations in Flesh Colour and Green – The Balcony, 184
Whitman, Walt, 104, 135, 158n45
Wilde, Oscar, 4, 18, 26, 41n41, 42n61, 121n53, 164, 178
Williams, William Carlos, 47n117, 172, 183
Witemeyer, Hugh, 192n24
Wolff, Albert, 38n15
Woolf, Virginia, 22, 26, 29, 49n129, 125, 155n7, 200
Wordsworth, William, 180
Worringer, Wilhelm, 202n4
Wratislaw, Theodore, 18
Yeats, W. B., 3, 13, 19–20, 25, 31–35, 71, 87–116, 157n42, 175–176, 179, 194n49, 200
‘Art and Ideas’, 45n95, 110, 117n1
Autobiographies, 106–107, 109, 113–114, 117n5
The Trembling of the Veil, 74, 79, 87–92, 99, 109–110, 113–114, 117n2, 122n53
‘The Autumn of the Body’, 91, 97–98
‘The Body of the Father Christian Rosencrux’, 118n16
‘The Celtic Element in Literature’, 108
The Countess Cathleen and Various Legends and Lyrics, 99–101
‘The Countess Cathleen in Paradise’, 100
‘To Ireland in the Coming Times’, 99–100
‘The Lake Isle of Innisfree’, 99–100
‘To the Rose upon the Rood of Time’, 100
‘The Two Trees’, 102–104, 115
‘The White Birds’, 100
‘Discoveries’, 88–89, 94, 106–109, 117n5
‘Edmund Spenser’, 117n11
‘The Galway Plains’, 122n58
‘Introduction’ to Certain Noble Plays of Japan, 117n10
‘Introduction’ to The Oxford Book of Modern Verse, 89–90, 117n5
‘Introduction’ to Poems of William Blake, 95–96
Last Poems
‘The Statues’, 122n60
‘Magic’, 91, 110–112
Memoirs, 117n9
‘The Moods’, 118n16
‘Mr. Symons’s New Book’, 90
‘A Note on the National Drama’, 122n57
‘Preface’ to The Well of the Saints (Synge), 111–112, 117n6
Responsibilities
‘The Realists’, 90
‘To a Wealthy Man who promised a Second Subscription to the Dublin Municipal Gallery if it were proved the People wanted Pictures’, 121n51
The Secret Rose, 114
‘Speaking to the Psaltery’, 100
The Speckled Bird, 119n17
‘A Symbolic Artist and the Coming of Symbolic Art’, 123n64
‘A Symbolical Drama in Paris’, 118n16
‘Symbolism in Painting’, 97
‘The Symbolism of Poetry’, 98–99
The Tower
‘Among School Children’, 122n60
‘The Tragic Theatre’, 89, 92, 103, 113–116, 117n3n5
‘William Blake’s Illustrations to The Divine Comedy’, 94–96
The Wind among the Reeds, 101–102, 114, 175
‘The Everlasting Voices’, 101
‘He remembers Forgotten Beauty’, 101
‘He tells of the Perfect Beauty’, 117n4
‘He wishes for the Cloths of Heaven’, 152
‘The Hosting of the Sidhe’, 117n4
‘The Lover asks Forgiveness because of his Many Moods’, 101
‘The Poet pleads with the Elemental Powers’, 101
‘The Song of Wandering Aengus’, 101
Zola, Émile, 15–16
Zukofsky, Louis, 47n117

Accessibility standard: WCAG 2.2 AAA

Why this information is here

This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

Accessibility Information

The HTML of this book complies with version 2.2 of the Web Content Accessibility Guidelines (WCAG), offering more comprehensive accessibility measures for a broad range of users and attains the highest (AAA) level of WCAG compliance, optimising the user experience by meeting the most extensive accessibility guidelines.

Content Navigation

Table of contents navigation
Allows you to navigate directly to chapters, sections, or non‐text items through a linked table of contents, reducing the need for extensive scrolling.
Index navigation
Provides an interactive index, letting you go straight to where a term or subject appears in the text without manual searching.

Reading Order & Textual Equivalents

Single logical reading order
You will encounter all content (including footnotes, captions, etc.) in a clear, sequential flow, making it easier to follow with assistive tools like screen readers.
Short alternative textual descriptions
You get concise descriptions (for images, charts, or media clips), ensuring you do not miss crucial information when visual or audio elements are not accessible.
Visualised data also available as non-graphical data
You can access graphs or charts in a text or tabular format, so you are not excluded if you cannot process visual displays.

Visual Accessibility

Use of colour is not sole means of conveying information
You will still understand key ideas or prompts without relying solely on colour, which is especially helpful if you have colour vision deficiencies.
Use of high contrast between text and background colour
You benefit from high‐contrast text, which improves legibility if you have low vision or if you are reading in less‐than‐ideal lighting conditions.

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Index
  • Rob Harris, Magdalen College, Oxford
  • Book: After Impressionism
  • Online publication: 22 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009534765.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Index
  • Rob Harris, Magdalen College, Oxford
  • Book: After Impressionism
  • Online publication: 22 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009534765.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Index
  • Rob Harris, Magdalen College, Oxford
  • Book: After Impressionism
  • Online publication: 22 December 2025
  • Chapter DOI: https://doi.org/10.1017/9781009534765.010
Available formats
×