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A Paradigm of a Postsubjective “Theatrical Mind”

Wu Tsang and Moved by the Motion’s Sudden Rise

Published online by Cambridge University Press:  01 December 2025

Frithwin Wagner-Lippok
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Abstract

The postsubjective theatre of Sudden Rise (2019) by Wu Tsang and the collective Moved by the Motion denies human agency, suggesting instead a posthuman world, and brings the theatrical paradox of action and subjectivity to light. Sudden Rise’s hyperaffective timelessness heralds a posthuman world, both in reality and in theatre. Characterized by collectivity, entanglement, and synesthesia, the working mode of Tsang’s team of artists frames and codetermines the theatrical experience.

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TDR , Volume 69 , Issue 4 , December 2025 , pp. 80 - 97
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© The Author(s), 2025. Published by Cambridge University Press on behalf of New York University Tisch School of the Arts

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TDRreading

Schmutz, Christina. 2025. “ Sudden Rise: A Posthuman Performance.” TDR 69, 4 (T268):65–79.Google Scholar