This second Virtual Special Collection of articles from the Journal of the Royal Musical Association archives, curated by and featuring an introduction by Brian Inglis, presents approaches to early musical modernism in the period around the First World War.
Within the context of correspondence between Sorabji and Philip Heseltine (whose article of 1918 is discussed), the essay engages with varied themes including gendered identity, women authors, post-tonal harmony, synaesthesia, and orientalism.