Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by Crossref.
Stinton, T. C. W.
1977.
Notes on Greek tragedy, II.
The Journal of Hellenic Studies,
Vol. 97,
Issue. ,
p.
127.
Muecke, Frances
1977.
Playing with the Play: Theatrical Self-consciousness in Aristophanes.
Antichthon,
Vol. 11,
Issue. ,
p.
52.
Macleod, C. W.
1982.
Politics and theOresteia.
The Journal of Hellenic Studies,
Vol. 102,
Issue. ,
p.
124.
Taplin, Oliver
1986.
Fifth-century tragedy and Comedy: Asynkrisis.
The Journal of Hellenic Studies,
Vol. 106,
Issue. ,
p.
163.
Totaro, Piero
1999.
Le seconde parabasi di Aristofane.
p.
1.
Carter, D. M.
2010.
The demos in Greek tragedy.
The Cambridge Classical Journal,
Vol. 56,
Issue. ,
p.
47.
Bastin-Hammou, Malika
2013.
Le Savoir public.
p.
83.
2013.
The Encyclopedia of Greek Tragedy.
p.
178.
2013.
The Encyclopedia of Greek Tragedy.
p.
1185.
Finglass, P. J.
2018.
Sophocles: <I>Oedipus the King</I>.
Tzoref, Shani
2020.
The songs of Miriam, Deborah, Hannah, and Rebecca (Bunch).
Journal of Modern Jewish Studies,
Vol. 19,
Issue. 1,
p.
6.
Farmer, Matthew
2020.
Choral Disrobing in Aristophanes.
Illinois Classical Studies,
Vol. 45,
Issue. 2,
p.
424.