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The opera parodies of Florent Carton Dancourt

Published online by Cambridge University Press:  12 July 2002

JOHN S. POWELL
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Abstract

Unlike the opera parodies performed at the Comédie-Italienne in the 1690s and collected by Evariste Gherardi, Dancourt's Angélique et Médor and Renaud et Armide were performed during the première runs of their target operas – Lully's and Quinault's Roland and Armide, respectively. Undoubtedly prompted by Lully's opera monopoly and the draconian restrictions on music and dance that affected the musical repertory at the Comédie-Française, Dancourt's parodies take a tongue-in-cheek view of the madness of opera in general, while specifically satirizing the themes, characters, and operatic situations found in Roland and Armide.

Information

Type
Regular Articles
Information
Cambridge Opera Journal , Volume 13 , Issue 2 , July 2001 , pp. 87 - 114
Copyright
© 2001 Cambridge University Press

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Footnotes

I would like to thank Professors Buford Norman and Perry Gethner for their careful readings and thoughtful comments on this article, and Susan Harvey for providing information on eighteenth-century theories of parody from her dissertation-in-progress.