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Published online by Cambridge University Press: 14 March 2025
The transnational dissemination and consumption of contemporary Korean culture, better known as Hallyu, has encouraged a wave of academic writing from various disciplines, forming one of the major new developments in the field of Korean studies (Kim 2014, 12). This issue attempts to contribute to the burgeoning scholarship on Hallyu by demonstrating how the consumption of Hallyu delineates multiple borders in various societies-national, cultural, gender, class, and ethnicity-borders that are constantly shifting and transforming.