Skip to main content Accessibility help
×
Hostname: page-component-6bb9c88b65-fsdjw Total loading time: 0 Render date: 2025-07-22T12:03:31.722Z Has data issue: false hasContentIssue false

Suzanne Dumesnil, Suzanne Beckett

Published online by Cambridge University Press:  04 July 2025

Emilie Morin
Affiliation:
University of York

Summary

Little has been written about Suzanne Beckett, née Déchevaux-Dumesnil (1900–1989). As Samuel Beckett's lifelong companion, she found herself in a peculiar quandary, owing to the amounts of support required by Beckett's unease with success and with the business of writing, and owing to her deep awareness of the damage that fame can cause to everyday life, friendships, and freedom. This Element offers the first full portrait of this elusive figure. It contextualises the texts she wrote under the name Suzanne Dumesnil, emphasises the significance of her artistic and literary accomplishments, and discusses her steady labour, her uncompromising discretion, and her profound reluctance to ever become a public figure as Beckett's wife.
Get access

Information

Type
Element
Information
Online ISBN: 9781009585545
Publisher: Cambridge University Press
Print publication: 24 July 2025

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Element purchase

Temporarily unavailable

References

Primary Sources

Secondary Sources

Anzieu, Didier (1992), Beckett et le psychanalyste, Paris: Archimbaud.Google Scholar
Arnold, Bruce (1999), ‘From Proof to Print: Anthony Cronin’s Samuel Beckett: The Last Modernist Reconsidered’, Samuel Beckett Today/Aujourd’hui, 8, pp. 217–19.Google Scholar
Arrabal, Fernando (1993), Genios y figuras, Madrid: Espasa Calpe.Google Scholar
Atik, Anne (2001), How It Was: A Memoir of Samuel Beckett, London: Faber & Faber.Google Scholar
Avec toi sans toi, film, directed by Ragusa, Francesca. Paris: La Vie est Belle, 2011.Google Scholar
Bair, Deirdre (1978), Samuel Beckett: A Biography, London: Cape.Google Scholar
Bair, Deirdre (2020), Parisian Lives: Samuel Beckett, Simone de Beauvoir and Me, London: Atlantic.Google Scholar
Banier, François-Marie (2009), Beckett, Göttigen: Steidl.Google Scholar
Beckett, Samuel (2009), The Letters of Samuel Beckett, Vol. 1: 1929–1940, ed. Fehsenfeld, Martha Dow and Overbeck, Lois More, Cambridge: Cambridge University Press.Google Scholar
Beckett, Samuel (2011), The Letters of Samuel Beckett, Vol. 2: 1941–1956, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More, Cambridge: Cambridge University Press.Google Scholar
Beckett, Samuel (2014), The Letters of Samuel Beckett, Vol. 3: 1957–1965, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More, Cambridge: Cambridge University Press.Google Scholar
Beckett, Samuel (2016a), The Letters of Samuel Beckett, Vol. 4: 1966–1989, ed. Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More, Cambridge: Cambridge University Press.Google Scholar
Beckett, Samuel (2016b), Molloy: A Digital Genetic Edition, ed. Magessa O’Reilly, Edouard, Van Hulle, Dirk, Verhulst, Pim and Neyt, Vincent, Brussels: ASP/University Press Antwerp, www.beckettarchive.orgGoogle Scholar
Beckett, Samuel (2017), Malone meurt/Malone Dies: A Digital Genetic Edition, ed. Van Hulle, Dirk, Verhulst, Pim and Neyt, Vincent, Brussels: ASP/University Press Antwerp, www.beckettarchive.org.Google Scholar
Berest, Anne and Berest, Claire (2017), Gabriële, Paris: Stock.Google Scholar
Bernold, André (1992), L’Amitié de Beckett, 1979–1989, Paris: Hermann.Google Scholar
Blau, Herbert (2000), Sails of the Herring Fleet: Essays on Beckett, Ann Arbor, MI: University of Michigan Press.10.3998/mpub.16561CrossRefGoogle Scholar
Boileau, Nicolas Despréaux (1800), Œuvres, tome premier, Paris: Didot.Google Scholar
Boxall, Peter (2024), The Possibility of Literature: The Novel and the Politics of Form, Cambridge: Cambridge University Press.10.1017/9781009314305CrossRefGoogle Scholar
Brater, Enoch (1989), Why Beckett, London: Thames & Hudson.Google Scholar
Calder, John (2001), Pursuit: Uncensored Memoirs, London: Calder.Google Scholar
Campagne, Jean-Marc (1937), ‘New York, Hollywood, Paris, avec Lucien Lelong’, Marianne, 25 November, p. 13.Google Scholar
Chabert, Pierre (2005), ‘L’Auteur, l’auteur, où se trouve l’auteur’, in Jean-Marie Thomasseau (ed.), Le Théâtre au plus près: Pour André Veinstein, Saint-Denis: Presses Universitaires de Vincennes, pp. 2742.Google Scholar
Chapsal, Madeleine (2018), Souvenirs involontaires, Paris: Fayard.Google Scholar
Charpentier, Raymond (1920), ‘L’Enseignement musical: Une intéressante initiative’, Comoedia, 13 November, p. 1.Google Scholar
Cioran, (1997), Cahiers 1957–1972, ed. Boué, Simone, Paris: Gallimard.Google Scholar
Cohn, Ruby (1998), ‘The “F–” Story’, Samuel Beckett Today/Aujourd’hui, 7, pp. 41–5.Google Scholar
Cohn, Ruby (2001), A Beckett Canon, Ann Arbor, MI: University of Michigan Press.10.3998/mpub.15933CrossRefGoogle Scholar
Cosnay, Marie (2006), Villa Chagrin, Lagrasse: Verdier.Google Scholar
Cronin, Anthony ([1996] 1997), Samuel Beckett: The Last Modernist, London: Flamingo.Google Scholar
Curran, Beverley (2006), ‘Review of Beckett Remembering/Remembering Beckett: A Centenary Celebration by Elizabeth Knowlson and James Knowlson’, Journal of Irish Studies, 21, pp. 140–1.Google Scholar
Dance First, film, directed by James Marsh. Sky Original, 2023.Google Scholar
Dandelot, Alexandre (2017), ‘Georges Dandelot (1895–1975): Vie sociale, vie privée d’un compositeur oublié’, dissertation, ENM [Ecole Nationale de Musique, Danse et Art Dramatique] de Villeurbanne, www.musimem.com.Google Scholar
Darrieussecq, Marie (2023), Sleepless: A Memoir of Insomnia, trans. Penny Hueston, London: Fitzcarraldo.Google Scholar
David, Angie (2013), Sylvia Bataille, Paris: Scheer.Google Scholar
David, Max (1973), ‘Antologia critica’, in Saporetti, Milan: Galleria Levi, npag.Google Scholar
De Crémone, L. (1927), ‘Spectacles et concerts’, Figaro, 16 January, p. 5.Google Scholar
Delaney, Frank (1996), ‘Coffee without the Brandy’, The Observer, 1 September, p. 4.Google Scholar
De Lardélec, Jean (1934), ‘Paris-Soir’, Revue des lectures, 3, 15 March, pp. 267–72.Google Scholar
Dukes, Gerry (2001), Samuel Beckett, London: Penguin.Google Scholar
Dumas, Alexandre (1843), Filles, lorettes et courtisanes, Paris: Dolin.Google Scholar
Dumesnil, Suzanne (1935a), Musique Jeux: Pédagogie moderne – Premiers contacts de l’enfant et de la musique, Paris: H. Lemoine.Google Scholar
Dumesnil, Suzanne (1935b), ‘L’Amant de coeur’, Paris-Soir, 30 June, p. 2.Google Scholar
Duthuit, Georges (1949), ‘Notes about Contributors’, Transition Forty-Eight, 4, pp. 151–5.Google Scholar
Echenoz, Jean (2001), Jérôme Lindon, Paris: Minuit.Google Scholar
Ellmann, Richard (1978), ‘The Life of Sim Botchit’, New York Review of Books, 15 June, pp. 38.Google Scholar
Fandos, Manolo (2024), ‘Fandos-Beckett Relationship’, trans. Julio Trujillo, personal collection.Google Scholar
Fernández, José Franscisco (2015), ‘“Minister of Horses”: Samuel Beckett According to Fernando Arrabal’, Journal of Beckett Studies, 24:2, pp. 223–41.CrossRefGoogle Scholar
Fernández, José Francisco (2025), ‘Le Petit Sot Poems: Exploring the German Connection’, Samuel Beckett Today/Aujourd’hui 37:1, pp. 23–37.10.1163/18757405-tat00003CrossRefGoogle Scholar
Fletcher, John (2016), ‘My Conversations with Samuel Beckett’, Samuel Beckett Today/Aujourd’hui, 28:1, pp. 2934.Google Scholar
Fourcade, J.-F. (2016), Autographes et manuscrits, Paris: Fourcade.Google Scholar
Matter, Front (1949), Kenyon Review, 11:3, npag.Google Scholar
Gallica (2000–24), Bibliothèque Nationale de France, https://gallica.bnf.fr/.Google Scholar
Gawann, (1936), ‘L’Edition musicale’, L’Art musical, 26 June, p. 8.Google Scholar
Geelhaar, Christian (1973), Paul Klee and the Bauhaus, Bath: Adams & Dart.Google Scholar
Gibson, Andrew (2010), Samuel Beckett, London: Reaktion.Google Scholar
Gordon, Lois (1996), The World of Samuel Beckett, 1906–1946, New Haven, CT: Yale University Press.Google Scholar
Guggenheim, Peggy (1980), Out of This Century: Confessions of an Art Addict, London: Deutsch.Google Scholar
Gussow, Mel (1996), Conversations with (and About) Beckett, New York: Grove.Google Scholar
Harmon, Maurice, ed. (1998), No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider, Cambridge, MA: Harvard University Press.Google Scholar
Harvey, Lawrence E. (1970), Samuel Beckett: Poet and Critic, Princeton, NJ: Princeton University Press.Google Scholar
Hebert, Hugh (1980), ‘Brief Encounter with a Stage Irishman’, The Guardian, 17 May, p. 11.Google Scholar
Henri, Ch. and Singla, Etienne (1869), ‘J’aurai seize ans’, Paris: Tessier.Google Scholar
Horovitz, Israel (1997), ‘A Remembrance of Samuel Beckett’, Paris Review, 142, pp. 189–93.Google Scholar
Huston, Nancy (2004), Professeurs de désespoir, Arles: Actes Sud.Google Scholar
Hutchings, William (1997), ‘Review of Damned to Fame: The Life of Samuel Beckett by James Knowlson’, World Literature Today, 71:3, pp. 597–8.10.2307/40152915CrossRefGoogle Scholar
Insee [French National Institute of Statistics and Economic Studies] (2019–25), Fichier des personnes décédées, https://deces.matchid.io/search.Google Scholar
Israel, Calvin (1979), ‘Review of Samuel Beckett: A Biography by Deirdre Bair’, Journal of Beckett Studies, 4, pp. 80–5.Google Scholar
Jacometti, Nesto (1934), Têtes de Montparnasse, Paris: Villain.Google Scholar
Janvier, Ludovic (1969), Samuel Beckett par lui-même, Paris: Seuil.Google Scholar
Jonic, Bettina (2010), ‘A Bizarre Lady’, London Magazine, https://thelondonmagazine.org/article/with-and-without-sam/.Google Scholar
Juliet, Charles (1999), Rencontres avec Samuel Beckett, Paris: P.O.L.Google Scholar
Karagheuz, Hermine ([2002] 2021), Roger Blin: Une dette d’amour, Paris: Ypsilon.Google Scholar
Kędzierski, Marek (2011), ‘Barbara Bray: In Her Own Words’, Modernism/modernity, 18:4, pp. 887–97.10.1353/mod.2011.0108CrossRefGoogle Scholar
Knowlson, James (1996), Damned to Fame: The Life of Samuel Beckett, London: Bloomsbury.Google Scholar
Knowlson, James and Haynes, John (2003), Images of Beckett, Cambridge: Cambridge University Press.Google Scholar
Knowlson, James and Knowlson, Elizabeth, eds (2006), Beckett Remembering/Remembering Beckett, New York: Arcade.Google Scholar
Labreure, David (2000), Louis-Ferdinand Céline, une pensée médicale, Paris: Publibook.Google Scholar
Lamont, Rosette C. (1995), ‘Beckett’s Lost Play’, Theater Week, 9:2, pp. 32–6.Google Scholar
Léger, Nathalie (2006), Les vies silencieuses de Samuel Beckett, Paris: Allia.Google Scholar
Levy, Jay A. (1998), ‘Conversations with Samuel Beckett’, in Andonian, Cathleen Culotta (ed.), The Critical Response to Samuel Beckett, Westport, CT: Greenwood, pp. 195206.Google Scholar
Lindon, Jérôme and Simon, Alfred (1992), ‘Avis’, Esprit, 183:7, pp. 176–7.Google Scholar
Lindon, Mathieu (2023), Une archive, Paris: P.O.L.Google Scholar
Lucas, Hippolyte (1893), Chants de divers pays (poésies inédites), Nantes: Société des Bibliophiles Bretons et de l’Histoire de Bretagne.Google Scholar
Maitron, Jean et al. (2007–24), Le Maitron: Dictionnaire biographique, mouvement ouvrier, mouvement social, https://maitron.fr/.Google Scholar
Martelli, H. (1936), ‘Dumesnil (Suzanne), Pédagogie moderne’, Revue Musicale, 168, p. 288.Google Scholar
Mélèse, Pierre (1966), Beckett, Paris: Seghers.Google Scholar
Memmi, Albert (1985), Portrait du colonisé précédé du Portrait du colonisateur, Paris: Gallimard.Google Scholar
Montague, John (2001), Company: A Chosen Life, London: Duckworth.Google Scholar
Moorjani, Angela (1978), ‘Review of Samuel Beckett: A Biography by Deirdre Bair’, MLN, 93:5, pp. 1106–15.10.2307/2906473CrossRefGoogle Scholar
Morin, Emilie (2017), Beckett’s Political Imagination, Cambridge: Cambridge University Press.10.1017/9781108284011CrossRefGoogle Scholar
Nugent, Georgina, ed. (2023a), Beckett’s Women Contemporaries, special issue of Journal of Beckett Studies, 32:1.10.3366/jobs.2023.0385CrossRefGoogle Scholar
Nugent, Georgina (2023b), ‘Unfathered Connections: Samuel Beckett and Djuna Barnes’, Journal of Beckett Studies, 32:1, pp. 4563.CrossRefGoogle Scholar
O’Brien, John (2016), ‘On Meeting Samuel Beckett’, Samuel Beckett Today/Aujourd’hui, 28:1, pp. 5662.10.1163/18757405-02801009CrossRefGoogle Scholar
Olivier, Philippe (2002), ‘Introduction’, in Musique: Ecole Normale de Musique de Paris Alfred Cortot, Paris: Plume, pp. 111–24.Google Scholar
Overbeck, Lois More et al. (2024), Chercher: Index to Samuel Beckett’s Letters, https://chercherbeckettletters.emory.edu/.Google Scholar
Pattie, David (2000), The Complete Critical Guide to Samuel Beckett, London: Routledge.Google Scholar
Pilling, John (2015), ‘“Dead before Morning”: How Beckett’s “Petit Sot” Never Got Properly Born’, Journal of Beckett Studies, 24:2, pp. 198209.10.3366/jobs.2015.0136CrossRefGoogle Scholar
Renaud, Madeleine (2000), La Déclaration d’amour, Monaco: Editions du Rocher.Google Scholar
Renouard, Madeleine (1993), Robert Pinget à la lettre: Entretiens avec Madeleine Renouard, Paris: Belfond.Google Scholar
Robbe-Grillet, Catherine (2004), Jeune mariée: Journal, 1957–1962, Paris: Fayard.Google Scholar
Rosset, Barney (2009), ‘Remembering Samuel Beckett’, Conjunctions, 53, pp. 834.Google Scholar
Rosset, Barney (2016), Rosset: My Life in Publishing and How I Fought Censorship, New York: OR Books.Google Scholar
Royer, Corinne (2019), Ce qui nous revient, Arles: Actes Sud.Google Scholar
Ruffel, David (2013), ‘Pinget Queer’, Romanic Review, 104:2, pp. 127–45.10.1215/26885220-104.1-2.127CrossRefGoogle Scholar
Samuel Beckett: Silence to Silence, film, directed by Seán O’Mórdha. Dublin: RTE, 1984.Google Scholar
Sardin, Pascale (2024a), ‘On Writing a Translator’s Biography: Bringing Barbara Bray out of the Archives’, Journal of Beckett Studies, 33:2, pp. 181200.10.3366/jobs.2024.0430CrossRefGoogle Scholar
Sardin, Pascale (2024b), Barbara Bray, A Woman of Letters: Translator, Radio Producer, Scriptwriter, Critic, and Theatre Director, New York: Routledge.10.4324/9781003499800CrossRefGoogle Scholar
Scharwath, Günter (1999), Miniaturen zur Kunst- und Kulturgeschichte der Saarregion, Saarbrücken: Die Mitte.Google Scholar
Scharwath, Günter (2017), Das große Künstlerlexikon der Saar-Region, Saarbrücken: Geistkirch.Google Scholar
Schneiderman, Leo (1988), The Literary Mind: Portraits in Pain and Creativity, New York: Insight.Google Scholar
Seaver, Richard (2011), The Tender Hour of Twilight: Paris in the ’50s, New York in the ’60s: A Memoir of Publishing’s Golden Age, ed. Seaver, Jeannette, New York: Farrar, Straus & Giroux.Google Scholar
Shainberg, Lawrence ([1987] 1992), ‘Exorcising Beckett’, in Plimpton, George (ed.), Writers at Work: The Paris Review Interviews, 9th series, Harmondsworth: Penguin, pp. 135.Google Scholar
Simpson, Hannah (2018), ‘Samuel Beckett and the Nobel Catastrophe’, Samuel Beckett Today/Aujourd’hui, 30:2, pp. 337–52.Google Scholar
Stern, Anne (n.d.), ‘Biographie de Paul Stern’, Convoi 77, https://convoi77.org/deporte_bio/stern-paul/.Google Scholar
Stern, Richard (1991), ‘Samuel Beckett’, Salmagundi, 901, pp. 179–90.Google Scholar
Strathern, Paul (2005), Beckett in 90 Minutes, Chicago, IL: Dee.Google Scholar
Taylor, Karen (1988), Alfred Cortot: His Interpretive Art and Teachings, dissertation, Indiana University.Google Scholar
Tholozan, Jean-Pierre (n.d.), Déchevaux-Dumesnil family tree, Geneanet, https://gw.geneanet.org/.Google Scholar
Tholozan-Warluzel, Michèle (2024), ‘Suzanne: Fragments of Memories’, trans. Emilie Morin, Journal of Beckett Studies, 33:2, pp. 137–61.CrossRefGoogle Scholar
Timbrell, Charles (1999), French Pianism: A Historical Perspective, 2nd ed., Portland, OR: Amadeus.Google Scholar
Van Hulle, Dirk and Verhulst, Pim (2017), ‘Notes on a Newly Discovered Draft of the Poem “Le Petit Sot”’, Journal of Beckett Studies, 26:2, pp. 206–20.10.3366/jobs.2017.0203CrossRefGoogle Scholar
Van Hulle, Dirk, Nixon, Mark and Neyt, Vincent, eds. (2016), The Beckett Digital Library: A Digital Genetic Edition, Beckett Digital Manuscript Project, Brussels: ASP/University Press Antwerp, www.beckettarchive.org.Google Scholar
Van Velde, Bram (2012), Lettres à Marthe Arnaud, Jacques Putman, Françoise Porte, ed. Béraud, Gilles, Lacroix, Martin and Porte, Françoise, Lagrasse: Verdier.Google Scholar
Vignes, Henri, Jean-Etienne Huret and Les Libraires Associés, eds. (2011), NRF Gallimard, 100 ans d’édition, Paris: Librairie Vignes.Google Scholar
Vines, Alan (1962), ‘Artist with a Camera’, British Journal of Photography, 109:5304, p. 200.Google Scholar
Waiting for Beckett, film, directed by John Reilly and Melissa Shaw Smith. New York: Global Village, 1993.Google Scholar
Walker, Tim (2014), ‘Mandrake’, Daily Telegraph, 30 April, p. 6.Google Scholar
Wheatley, David (2002), ‘Labours Unfinished’, Irish Times, 27 April, p. 11.Google Scholar
Whelan, Robert (1985), Robert Capa: A Biography, Lincoln: University of Nebraska Press.Google Scholar
Whitelaw, Billie (1995), Billie Whitelaw Who He?, London: Hodder & Stoughton.Google Scholar
Wick, Rainer (2000), Teaching at the Bauhaus, Oggebio: Hatje Cantz.Google Scholar
Williams, Val (1989), Ida Kar: Photographer, 1908–1974, London: Virago.Google Scholar

Accessibility standard: WCAG 2.1 AA

The PDF of this Element complies with version 2.1 of the Web Content Accessibility Guidelines (WCAG), covering newer accessibility requirements and improved user experiences and achieves the intermediate (AA) level of WCAG compliance, covering a wider range of accessibility requirements.

Content Navigation

Table of contents navigation
Allows you to navigate directly to chapters, sections, or non‐text items through a linked table of contents, reducing the need for extensive scrolling.
Index navigation
Provides an interactive index, letting you go straight to where a term or subject appears in the text without manual searching.

Reading Order & Textual Equivalents

Single logical reading order
You will encounter all content (including footnotes, captions, etc.) in a clear, sequential flow, making it easier to follow with assistive tools like screen readers.

Visual Accessibility

Use of colour is not sole means of conveying information
You will still understand key ideas or prompts without relying solely on colour, which is especially helpful if you have colour vision deficiencies.

Structural and Technical Features

ARIA roles provided
You gain clarity from ARIA (Accessible Rich Internet Applications) roles and attributes, as they help assistive technologies interpret how each part of the content functions.

Save element to Kindle

To save this element to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Suzanne Dumesnil, Suzanne Beckett
  • Emilie Morin, University of York
  • Online ISBN: 9781009585545
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Suzanne Dumesnil, Suzanne Beckett
  • Emilie Morin, University of York
  • Online ISBN: 9781009585545
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Suzanne Dumesnil, Suzanne Beckett
  • Emilie Morin, University of York
  • Online ISBN: 9781009585545
Available formats
×