The long tradition of mixta-genera fiction, particularly favoured by women novelists, which combined fully-transcribed letters and third-person narrative has been largely overlooked in literary criticism. Working with recognized formal conventions and typical thematic concerns, Tavor Bannet demonstrates how narrative-epistolary novels opposed the real, situated, transactional and instrumental character of letters, with their multi-lateral relationships and temporally shifting readings, to merely documentary uses of letters in history and law. Analyzing issues of reading and misreading, knowledge and ignorance, communication and credulity, this study investigates how novelists adapted familiar romance plots centred on mysteries of identity to test the viability of empiricism's new culture of fact and challenge positivism's later all-pervading regime of truth. Close reading of narrative-epistolary novels by authors ranging from Aphra Behn and Charlotte Lennox to Frances Burney and Wilkie Collins tracks transgenerational debates, bringing to light both what Victorians took from their eighteenth-century forbears and what they changed.

‘… I applaud Bannet's experimental reinvestigation of letters in fiction, which inaugurates a different, important way of reading them as purposefully bound to narrative.’

Laura Rotunno Source: Review19

‘Eve Tavor Bannet … tells two intertwined stories. One uncovers the unique mixed genre of ‘narrative-epistolary fiction’; the other examines how 18th- and 19th-century narrative-epistolary fiction joined with romance and mystery genres to engage with empiricist and positivist thought … I applaud Bannet's experimental re-investigation of letters in fiction, which inaugurates a different, important way of reading them as purposefully bound to narrative.’

Laura Rotunno Source: Review19

‘This is a book that should be read and its insights pondered by everyone who teaches English fiction between Aphra Behn and Anthony Trollope … The Letters in the Story packs a huge amount of erudition and analytic acuity into a relatively small number of pages … a major contribution to our understanding of viewpoint and meaning in the pre-twentieth-century novel in English.’

Robert D. Hume Source: The Eighteenth-Century Intelligencer

'Bannet’s insightful interrogation of often-neglected as well as familiar works encourages their reappraisal, and her caution regarding overly trusting reading remains pertinent. … Recommended.'

J. Rosenblum Source: Choice

‘… breaks new scholarly ground in delineating a little-known novelistic tradition she terms “narrative-epistolary fiction” for the first time. … this important study shows how letters embedded in narratives are best understood as making meaning together collaboratively. In illuminating this point, Bannet brilliantly maps out the critical territory needed for new kinds of conversations about the relationship between the epistolary and the novel form, both in this period and beyond.’

Crystal Biggin Source: Women’s Writing