The First Quarto of ‘The Merry Wives of Windsor'

doi:10.1017/9781107358492

The First Quarto of The Merry Wives of Windsor is the most fascinatingly problematic of all the early Shakespearean texts. Was it an authorial first draft? Or a cut-down version of the better-known Folio text designed for acting? Or a text put together from faulty actors' memories? Or a reported text assembled by notetakers from attendance at the theatre? None of these theories, though advanced and interrogated for the last 250 years, is totally convincing. The Introduction to this edition explores the various attempts to make sense of the short version of the play, demonstrating the ways in which preferences for one theory or another reflect the changes in editorial theory and fashion over the centuries. The modernised text and its commentary enable the reader to enter into this ongoing and endlessly intriguing debate.

‘In sum, this is a very competent edition that is to be applauded for its clear presentation of the text and for its lucid explanation of theories about Quarto and Folio variants, and the kinds of cruxes that need to be addressed when staging or editing The Merry Wives of Windsor.’

Emma Depledge Source: Shakespeare Survey

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Contents

The New Cambridge Shakespeare
pp i-i
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The New Cambridge Shakespeare - Series page
pp ii-ii
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The First Quarto of The Merry Wives of Windsor - Title page
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Copyright page
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The New Cambridge Shakespeare The Early Quartos
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Frontispiece
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Contents
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Illustrations
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Acknowledgements
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Abbreviations and Conventions
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Introduction
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Document
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List of Characters
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A Pleasant Conceited Comedy of Sir John Falstaff, and The Merry Wives of Windsor.
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Act
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[Scene 1] - scene
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[Scene 2] - scene
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[Scene 3] - scene
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[Scene 4] - scene
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[Scene 5] - scene
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[Scene 6] - scene
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[Scene 7] - scene
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[Scene 8] - scene
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[Scene 9] - scene
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[Scene 10] - scene
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[Scene 11] - scene
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[Scene 12] - scene
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[Scene 13] - scene
pp 65-67
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[Scene 14] - scene
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[Scene 15] - scene
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