The Cambridge Companion to Nineteen Eighty-Four - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vi

Figures

pp vii-vii

Contributors

pp viii-x

Acknowledgements

pp xi-xi

Chronology

pp xii-xiii

Abbreviations

pp xiv-xvi

Introduction

pp 1-20

Part I - Contexts

pp 21-78

1 - Teaching and Learning in and beyond Nineteen Eighty-Four

pp 23-36

2 - The Virtual Geographies of Nineteen Eighty-Four

pp 37-50

3 - The Politics of the Archive in Nineteen Eighty-Four

pp 51-63

4 - Orwell and Humanism

pp 64-78

Part II - Histories

pp 79-138

5 - Nineteen Eighty-Four and the Tradition of Satire

pp 81-94

6 - Orwell’s Literary Context: Modernism, Language, and Politics

pp 95-108

7 - Wells, Orwell, and the Dictator

pp 109-122

8 - Orwell’s Literary Inheritors, 1950–2000 and Beyond

pp 123-138

Part III - Questions

pp 139-196

9 - Europe, Refugees, and Nineteen Eighty-Four

pp 141-154

10 - The Problem of Hope

pp 155-167

11 - Oceania’s Dirt

pp 168-180

12 - Room 101

pp 181-196

Part IV - Media

pp 197-278

13 - Nineteen Eighty-Four on Radio, Stage, and Screen

pp 199-212

14 - Making Nineteen Eighty-Four Musical

pp 213-231

15 - Nineteen Eighty-Four and Comics

pp 232-246

16 - ‘In this game that we’re playing’

pp 247-264