The American South received increased attention from national commentators during the interwar era. Beginning in the 1920s, the proliferation of daily book columns and Sunday book supplements in newspapers reflected a growing audience of educated readers and its demand for books and book reviews. This period of intensified scrutiny coincided with a boom in the publishing industry, which, in turn, encouraged newspapers to pay greater attention to the world of books. Reviewing the South shows how northern critics were as much involved in the Southern Literary Renaissance as Southern authors and critics. Southern writing, Gardner argues, served as a litmus to gauge Southern exceptionalism. For critics and their readers, nothing less than the region's ability to contribute to the vibrancy and growth of the nation was at stake.

‘Gardner, one of America's leading literary historians, offers strikingly fresh insights into the South and the nation between the World Wars. In shifting our focus from authors to the commercial book industry, Gardner reveals a world of reviewers, readers, and publishers, a culture that has remained largely hidden until now. This book will shape our understanding of American literary history for years to come.'

Jonathan Daniel Wells - University of Michigan

‘Sarah Gardner's lively and, at times, provocative Reviewing the South locates the origins of the Southern Renaissance in the joint efforts of publishers, daily newspapers, and weekly journals (both inside and outside the South), and, of course, book reviewers and critics. Her treatment of the intersection of the Harlem Renaissance with the Southern Renaissance is particularly fresh and revealing, while her categories of analysis – realism, traditionalism, and the genre of the grotesque and gothic – will be of great help to future students of the territory that Gardner has so skilfully mapped here. Reviewing the South is a must-read for literary historians and intellectual historians of the South, and should prove invaluable for anyone interested in Southern and American cultural history.'

Richard King - Emeritus Professor, University of Nottingham

‘Gardner has produced a fascinating analysis of the role of the south in the American imaginary during the interwar years based on a sophisticated and nuanced exploration of the role of reviewers and their reviews of a wide range of southern fiction in the mainstream press during those years.'

Michael Winship - University of Texas, Austin

'Gardner begins this cultural-historical study of the southern literary renaissance - a rebirth in and new direction for literature from the southern US after WWI - with a review of the roles that book publishers and reviewers played in steering readers to worthwhile books. … A central, intriguing idea underlying Gardner’s analysis is that the line between meeting a demand and creating that demand in the first place is sometimes hard to trace. The book looks at how southern renaissance writers including Julia Peterkin, Jean Toomer, Ellen Glasgow, Erskine Caldwell, and William Faulkner rejected sentimentality and nostalgia, offering instead a more realistic view of Jim Crow. Analysis of reviews, readers’ replies, and advertisements demonstrates why these writers’ works gained attention between the wars, how readers responded to them, and why Margaret Mitchell’s Gone with the Wind outsold them all. … Recommended. Upper-division undergraduates through faculty.'

C. A. Bily Source: Choice