Othello

Emma Smith

Shakespeare's play of 1604 is marked from its outset by a doubleness in its very title 'Othello, or the Moor of Venice'. In this study Emma Smith teases out instances of doubleness, duplication and paradox to discuss the play's language and its themes.

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Othello

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Frontmatter
pp i-iv

Contents
pp v-v

List of Illustrations
pp vi-vi

Acknowledgements
pp vii-vii

References
pp viii-viii

Introduction
pp 1-3

1 - Doubleness
pp 4-27

2 - Race and Othello
pp 28-48

3 - The Domestic Sphere
pp 49-72

4 - Tragedy and Comedy
pp 73-89

Notes
pp 90-98

Select Bibliography
pp 99-101

Index
pp 102-104

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