The Montpellier Codex: The Final Fascicle. Contents, Contexts, Chronologies

doi:10.1017/9781787441828

The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Page 1 of 2

First
« Prev
1
2
Next »
Last

Contents

Frontmatter
pp i-iv
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Contents
pp v-vi
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Figures
pp vii-viii
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Musical examples
pp ix-x
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Tables
pp xi-xi
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Acknowledgements
pp xii-xii
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

List of manuscript sigla
pp xiii-xiv
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Abbreviations
pp xv-xv
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Table of fascicle 8 contents
pp xvi-xviii
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Introduction
pp 1-10
- By Catherine A. Bradley, University of Oslo., Karen Desmond, Brandeis University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

I - The Material Object
pp 11-12
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

1 - Montpellier 8: Anatomy of …
pp 13-31
- By Mark Everist, University of Southampton.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

2 - A Palaeographical Analysis of the Verbal Text in Montpellier 8: Problems, Implications, Opportunities
pp 32-65
- By Sean Curran, Junior Research Fellow of Trinity College Cambridge.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

3 - The Style and Iconography of Montpellier folio 35or
pp 66-77
- By Alison Stones, Architecture, University of Pittsburgh.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

4 - The Decoration of Montpellier 8: Its Place in the Continuum of Parisian Manuscript Illumination
pp 78-89
- By Rebecca A. Baltzer, University of Texas at Austin.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

5 - Double Motet Layouts in the Montpellier Codex and Contemporaneous Libri motetorum
pp 90-99
- By Oliver Huck, University of Hamburg since 2006.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

6 - Deus in adiutorium Revisited: Sources and Contexts
pp 100-120
- By Eva M. Maschke, Heidelberg University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

7 - Thematic Clusters and Compilational Strategies in Montpellier 8
pp 121-136
- By Anna Kathryn Grau, University of Illinois-Chicago.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

II - INNOVATION AND TRADITION
pp 137-138
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

8 - Texture, Rhythm, and Stylistic Groupings in Montpellier 8 Motets
pp 139-160
- By Karen Desmond, Brandeis University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

9 - Je le temoin en mon chant: The Art of Diminution in the Petronian Triplum
pp 161-183
- By David Maw, University of Oxford, holding a Research Fellowship at Oriel College and Lectureships at Christ Church and Trinity College.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

10 - How Rhythmically Innovative is Montpellier 8?
pp 184-196
- By Mary E. Wolinski, Western Kentucky University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

11 - Re-Presentation in the Ars antiqua: From Chant to Polyphony
pp 197-210
- By Solomon Guhl-Miller, Rutgers University and Temple University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

12 - … Que ne dit ‘cief bien seans’: Quoting Motets in Montpellier 8
pp 211-230
- By Anne Ibos-Augé, University of Southampton, the CESCM, and the CESR.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

III - ANALYTICAL CASE STUDIES
pp 231-232
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

13 - Montpellier 8 PORTARE Motets and Tonal Exploration
pp 233-253
- By Dolores Pesce, University in St. Louis, is a specialist in music of the Middle Ages and the late nineteenth century.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

14 - Repetitions, Rhythmical Evolution, and Rhetoric in the Montpellier Codex
pp 254-268
- By Margaret Dobby, University of Poitiers and the Sorbonne, she specializes in thirteenth-century motets.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

15 - Shedding Light on Mo 8,304: Alma virgo virginum/Benedicta es, Maria
pp 269-282
- By Rachel Davies, York College.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

16 - A Performance and Reception History of On parole/A Paris/FRESE NOUVELE
pp 283-298
- By Edward Breen, The City Literary Institute, London and a regular contributor to Gramophone Magazine.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Bibliography
pp 299-312
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Page 1 of 2

First
« Prev
1
2
Next »
Last

Metrics

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

Why this information is here

This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

Accessibility Information

Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.

The Montpellier Codex

The Final Fascicle. Contents, Contexts, Chronologies

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Full text views

Book summary page views

Accessibility standard: Unknown

Why this information is here

Accessibility Information