Contents

pp iii-iv

Preface

pp v-vi

Part I - Introduction: Margot Norris and the Ideal of Interpretive Possibility

pp 1-2

l - Defining a Generation in Joyce

pp 3-12

Part II - Personal Testimonies

pp 13-14

2 - California Joyce

pp 15-24

Part III - Suspicious Readings

pp 25-26

3 - Wondering Where on Earth All the Children Came From?

pp 27-40

4 - Free Indirect Palaver

pp 41-56

5 - “But Who Was Gerty?”: “Nausicaa,” The Lamplighter and the Styles of Modernism

pp 57-72

Part IV - Joyce’s Webs

pp 73-74

6 - Ulysses: Thoughts in Isolation

pp 75-86

7 - Inorganic Form From James Joyce to Eleanor Catton

pp 87-104

8 - Joyce’s “The Dead” and Shakespeare’s Romeo and Juliet: A Reading of Memory, Adaptation, and Afterlife

pp 105-122

9 - Ephemeral Spectacles: Art, Political Theater, Ulysses

pp 123-140

Part V - The Value of James Joyce: Ethico-Political Readings

pp 141-142

10 - “Foreign Words are The Jews of Language”: Joyce’s Philological Anatomy of Anti-Semitism and The Diaspora of Joyceans

pp 143-158

11 - Always A Good Turn: Veterans of The Jewish Subject in Joyce

pp 159-174

12 - James Joyce’s Humane Comedy

pp 175-188

13 - Changing Perspective: Why Style and Structure Matter in Ulysses

pp 189-204

Part VI - Possible Worlds

pp 205-206

14 - Hobgoblins in Dublin: Joyce’s “Circe” and The World of the Work

pp 207-222

15 - Finnegans Wake As Fictional World Refusal

pp 223-238

Part VII - Epilogue

pp 239-240

16 - The Reel Margot

pp 241-250

Index

pp 251-254