Dedication

pp iii-iv

Contents

pp v-vi

List of figures

pp vii-vii

List of web links

pp viii-viii

Notes on contributors

pp ix-xii

Acknowledgements

pp xiii-xiv

Introduction: Human Perception and Digital Information Technologies

pp 1-26

Part I - Animation and Consciousness

pp 27-28

1 - Pastures New: Atmospheres, Mud, and Moods

pp 29-41

2 - The Neurodynamics of Technically Mediated Motion: Perceptual vs. Conceptual Animation in Artworks of Nam June Paik and Bill Viola

pp 42-61

3 - Moving Images and Human Perception: Affect in Hand-Drawn Animation and Computer-Generated Imagery

pp 62-85

4 - New Punctums, Proto-Perceptions, and Animated Entanglements

pp 86-108

Part II - Affective Experience and Expression

pp 109-110

5 - On Pixar’s Marvellous Astonishment: When Synthetic Bodies Meet Photorealistic Worlds

pp 111-130

6 - Player and Avatar in Motion: Affective Encounters

pp 131-150

Part III - Data Visualization: Space and Time

pp 151-152

7 - Animation, Data, and the Plasticity of the Real: From the Military Survey of Scotland to Synthetic Training Environments

pp 153-170

Part IV - Image Formation and Embodiment

pp 193-194

9 - Deepfake Face-Swap Animations and Affect

pp 195-212

10 - Deepfake Reality, Societies for Technical Feeling, and the Phenomenotechnics of Animation

pp 213-238

Index

pp 239-248