The Films of Michelangelo Antonioni

Peter Brunette

doi:10.1017/CBO9780511624346

The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work, and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in colour. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of his maturity. Rather than emphasizing the stress and alienation of Antonioni's characters, in this book Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom, and demonstrates also how they are formal exercises that depend on painterly abstraction for their expressive effects.

‘ … a long-overdue review of an auteur too often dismissed or ignored.’

David Martin-Jones Source: Film-Philosophy

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The Films of Michelangelo Antonioni

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Contents

Frontmatter
pp i-viii

Contents
pp ix-x

List of Illustrations
pp xi-xii

Acknowledgments
pp xiii-xiv

Introduction
pp 1-27

1 - L'avventura (1960)
pp 28-51

2 - La notte (1961)
pp 52-72

3 - L'eclisse (1962)
pp 73-89

4 - Red Desert (1964)
pp 90-108

5 - Blow-up (1966)
pp 109-126

6 - The Passenger (1975)
pp 127-146

Filmography
pp 147-154

Notes
pp 155-180

Selected Bibliography
pp 181-182

Index
pp 183-186

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