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  3. The Ephemeral Eighteenth Century
  • Cited by 12
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    • Publisher:
      Cambridge University Press
      Publication date:
      13 August 2020
      27 August 2020
      ISBN:
      9781108767347
      9781108487580
      9781108720663
      DOI:
      https://doi.org/10.1017/9781108767347
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.6kg, 324 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.47kg, 324 Pages
      • Subjects:
      Literature, Printing and Publishing History, English Literature 1700-1830
      Series:
      Cambridge Studies in Romanticism (129)
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    Subjects:
    Literature, Printing and Publishing History, English Literature 1700-1830
    Series:
    Cambridge Studies in Romanticism (129)
    Information

    Book description

    Often regarded as trivial and disposable, printed ephemera, such as tickets, playbills and handbills, was essential in the development of eighteenth-century culture. In this original study, richly illustrated with examples from across the period, Gillian Russell examines the emergence of the cultural category of printed ephemera, its relationship with forms of sociability, the history of the book, and ideas of what constituted the boundaries of literature and literary value. Russell explores the role of contemporary collectors such as Sarah Sophia Banks in preserving such material, arguing for 'ephemerology' as a distinctive strand of popular antiquarianism. Multi-disciplinary in scope, The Ephemeral Eighteenth Century reveals new perspectives on the history of theatre, the fiction of Maria Edgeworth and Jane Austen, and on the history of bibliography, as well as highlighting the continuing relevance of the concept of ephemerality to how we connect through social media today.

    Awards

    Winner, Rose Mary Crawshay Prize 2021, British Academy

    Reviews

    ‘A comprehensive, interdisciplinary examination, Russell’s admirable volume will resonate with those researching Romanticism, English literature, print and publishing history, material culture, and the history of collecting. Twenty-four illustrations; a stunning bibliography of collections, primary, and secondary sources; and a thorough index enhance the volume’s significance.’

    J. Decker Source: Choice

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