Edinburgh German Yearbook 15: Tracing German Visions of Eastern Europe in the Twentieth Century

doi:10.1017/9781800103221

Reconsidering the German tendency to define itself vis-à-vis an eastern 'other' in light of fresh debate regarding the Second World War, this volume and the cultural products it considers expose and question Germany's relationship with its imagined East.

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Contents

Frontmatter
pp i-iv
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Contents
pp v-vi
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Miscellaneous Frontmatter
pp vii-viii
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Between Estrangement and Entanglement: An Introduction to German Visions of Eastern Europe in the Twentieth (and Twenty-First) Century
pp 1-34
- By Jenny Watson
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Colonizing a Central European City: Transnational Perspectives on Kronstadt/Braşov/Brassó in the First Half of the Twentieth Century
pp 35-55
- By Enikő Dácz
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Exile as a Literary-Political Mission: Leo Katz’s Antifascist Bukovina Novel Totenjäger (1944)
pp 56-84
- By Olha Flachs
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Brunnenland: The Image of the Bukovina in Paul Celan
pp 85-113
- By Paul Peters
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“Auch bei uns im fernen Transsilvanien”: The Transylvanian Saxons and the Long Shadow of the Third Reich in the Work of Bettina Schuller
pp 114-132
- By Raluca Cernahoschi
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Through an Orientalist Lens: Colonial Renderings of Poland in German Cinema after 1989
pp 133-154
- By Jakub Kazecki
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The Nazi Ghost and the Sinti Woman in Kerstin Hensel’s Bell Vedere (1982)
pp 155-175
- By Ernest Schonfield
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The Haunted Landscape of Babi Yar: Memory, Language, and the Exploration of Holocaust Spaces in Katja Petrowskaja’s Vielleicht Esther (2014)
pp 176-193
- By Deirdre Byrnes
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“dann hüpfe ich auch, komisch und ungeschickt, wie eine Nadel auf einer abgespielten Platte …”: Translational Ethics and Affects in Katja Petrowskaja’s Vielleicht Esther (2014)
pp 194-223
- By Daniel Harvey
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Expanding the Nationalgeschichte: Multidirectional European Memory in Nino Haratischwili and Saša Stanišić
pp 224-241
- By Amy Leech
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Reading Photographic Images and Identifying Mnemonic Threads of the Post-Memorial Project in Sie kam aus Mariupol (2017) by Natascha Wodin
pp 242-261
- By Shivani Chauhan
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Navid Kermani’s Entlang den Gräben (2018) and Its Readers: Remapping Europe’s East
pp 262-284
- By Karolina Watroba
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Notes on the Contributors
pp 285-288
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Edinburgh German Yearbook 15

Tracing German Visions of Eastern Europe in the Twentieth Century

Book description

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Actions for selected content:

Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Miscellaneous Frontmatter
pp vii-viii

Between Estrangement and Entanglement: An Introduction to German Visions of Eastern Europe in the Twentieth (and Twenty-First) Century
pp 1-34

Colonizing a Central European City: Transnational Perspectives on Kronstadt/Braşov/Brassó in the First Half of the Twentieth Century
pp 35-55

Exile as a Literary-Political Mission: Leo Katz’s Antifascist Bukovina Novel Totenjäger (1944)
pp 56-84

Brunnenland: The Image of the Bukovina in Paul Celan
pp 85-113

“Auch bei uns im fernen Transsilvanien”: The Transylvanian Saxons and the Long Shadow of the Third Reich in the Work of Bettina Schuller
pp 114-132

Through an Orientalist Lens: Colonial Renderings of Poland in German Cinema after 1989
pp 133-154

The Nazi Ghost and the Sinti Woman in Kerstin Hensel’s Bell Vedere (1982)
pp 155-175

The Haunted Landscape of Babi Yar: Memory, Language, and the Exploration of Holocaust Spaces in Katja Petrowskaja’s Vielleicht Esther (2014)
pp 176-193

“dann hüpfe ich auch, komisch und ungeschickt, wie eine Nadel auf einer abgespielten Platte …”: Translational Ethics and Affects in Katja Petrowskaja’s Vielleicht Esther (2014)
pp 194-223

Expanding the Nationalgeschichte: Multidirectional European Memory in Nino Haratischwili and Saša Stanišić
pp 224-241

Reading Photographic Images and Identifying Mnemonic Threads of the Post-Memorial Project in Sie kam aus Mariupol (2017) by Natascha Wodin
pp 242-261

Navid Kermani’s Entlang den Gräben (2018) and Its Readers: Remapping Europe’s East
pp 262-284

Notes on the Contributors
pp 285-288

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Edinburgh German Yearbook 15

Tracing German Visions of Eastern Europe in the Twentieth Century

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