Contents

pp v-vi

List of figures

pp vii-ix

Acknowledgements

pp x-x

Notes on contributors

pp xi-xiv

Introduction

pp 1-8

Part I - Film

pp 9-10

1 - Fashion documentaries and the tension between celebratory and critical approaches

pp 11-31

Expanding interview 1: Elena Caoduro in conversation with Lorna Tucker, director of Westwood: Punk, Icon, Activist (2018)

pp 32-38

2 - ‘The Helen Rose originals are fabulous’: the fashion featurette and fashion show as sites of industrial reflexivity

pp 39-56

3 - The fashion of east and west in German cinema newsreels (1950–65)

pp 57-80

4 - ‘Third way’ teenage fashion: housewives’ films documenting ideals of middle-class youth culture in 1950s Sweden

pp 81-101

5 - A maverick on the streets: Bill Cunningham and the documentary process

pp 102-121

6 - Extending the exhibition narrative: making sense of non-fiction fashion footage

pp 122-143

Expanding interview 2: Boel Ulfsdotter in conversation with Alexandra Palmer at Royal Ontario Museum, Canada

pp 144-156

Part II - Television

pp 157-158

7 - Documenting fashion history: television and the temporalities of cultural remembrance

pp 159-181

8 - Italian ready-to-wear fashion through Cori-carousels

pp 182-202

9 - Fashioning self-care: Queer Eye, affect and makeover culture

pp 203-224

Part III - Digital media

pp 225-226

10 - From newsreel to ‘see now, buy now’: a genealogy of the fashion show live stream

pp 227-247

11 - Documenting fashion in the era of Instagram: a critical reading of Asri Bendacha’s Follow Me and Chiara Ferragni’s Unposted

pp 248-268

Index

pp 269-282