Dedicating Music, 1785–1850

Emily H. Green

doi:10.1017/9781787444478

A synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music

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Contents

Frontmatter
pp i-iv
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Dedication
pp v-vi
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Contents
pp vii-viii
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List of Illustrations
pp ix-x
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Acknowledgments
pp xi-xii
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Introduction: Encountering Dedications
pp 1-38
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Part One - Maintaining Early Modern Models
pp 39-40
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1 - Gifting a Commodity
pp 41-76
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2 - Selling a Gift
pp 77-106
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Part Two - Commodifying the Composer
pp 107-108
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3 - Sociability and Celebrity
pp 109-137
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4 - Influence, Arrangement, and Authorship
pp 138-173
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Epilogue: Dedications and Romanticism
pp 174-180
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Appendix: Dedicatory Epistles
pp 181-190
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Notes
pp 191-218
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Bibliography
pp 219-234
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Index
pp 235-247
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Dedicating Music, 1785–1850

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Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

List of Illustrations
pp ix-x

Acknowledgments
pp xi-xii

Introduction: Encountering Dedications
pp 1-38

Part One - Maintaining Early Modern Models
pp 39-40

1 - Gifting a Commodity
pp 41-76

2 - Selling a Gift
pp 77-106

Part Two - Commodifying the Composer
pp 107-108

3 - Sociability and Celebrity
pp 109-137

4 - Influence, Arrangement, and Authorship
pp 138-173

Epilogue: Dedications and Romanticism
pp 174-180

Appendix: Dedicatory Epistles
pp 181-190

Notes
pp 191-218

Bibliography
pp 219-234

Index
pp 235-247

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Dedicating Music, 1785–1850

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