Debussy's Resonance

doi:10.1017/9781787442528

Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Page 1 of 2

First
« Prev
1
2
Next »
Last

Contents

Frontmatter
pp i-iv
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Contents
pp v-viii
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

List of Illustrations
pp ix-x
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Acknowledgments
pp xi-xii
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

List of Abbreviations
pp xiii-xiv
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Introduction
pp 1-16
- By François de Médicis, Université de Montréal as a musicology and theory professor in 1998., Steven Huebner, Professor of Musicology at McGill University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part One - Historiographical and Editorial Issues
pp 17-18
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

1 - Debussy Fifty Years Later: Has the Barrel Run Dry?
pp 19-37
- By Richard Langham Smith, Royal College of Music in London.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

2 - The Œuvres complètes de Claude Debussy Thirty Years On
pp 38-56
- By Roy Howat, Royal Academy of Music and the Royal Conservatoire of Scotland.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

3 - The Kunkelmann Manuscripts: New Sources for Early Mélodies by Claude Debussy
pp 57-104
- By Denis Herlin, Musicology at the Royal Northern College of Music in Manchester (2017–19).
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

4 - “Paysage sentimental”: “Si doux, si triste, si dormant …”
pp 105-124
- By David Grayson, professor of music at the University of Minnesota.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part Two - Style and Genre
pp 125-126
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

5 - The “Song Triptych”: Reflections on a Debussyan Genre
pp 127-174
- By David J. Code, University of Glasgow.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

6 - Composing after Wagner: The Music of Bruneau and Debussy, 1890–1902
pp 175-224
- By François de Médicis, Université de Montréal as a musicology and theory professor in 1998.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

7 - Between Massenet and Wagner
pp 225-253
- By Steven Huebner, Professor of Musicology at McGill University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

8 - Debussy's Concept of Orchestration
pp 254-271
- By Robert Orledge, University of Liverpool.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

9 - Oriental and Iberian Resonances in Early Debussy Songs
pp 272-298
- By Marie Rolf, University of Rochester.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part Three - History and Hermeneutics
pp 299-300
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

10 - Debussy and Japanese Prints
pp 301-325
- By Michel Duchesneau, Observatoire interdisciplinaire de création et de recherche en musique (OICRM).
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

11 - “Les sons … tournent”: Debussy, the Waltz, and Embodied Hermeneutics
pp 326-352
- By August Sheehy, Stony Brook University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

12 - Secrets and Lies, or the Truth About Pelléas
pp 353-365
- By Katherine Bergeron, Connecticut College in New London, Connecticut.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

13 - Vertige!: Debussy, Mallarmé, and the Edge of Language
pp 366-392
- By Julian Johnson, University of London.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part Four - Theoretical Issues
pp 393-394
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

14 - Follow the Leader: Debussy's Contrapuntal Games
pp 395-418
- By Matthew Brown, University of Rochester.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

15 - Debussy's Absolute Pitch: Motivic Harmony and Choice of Keys
pp 419-434
- By Mark DeVoto, Tufts University.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

16 - Debussy's G♯/A♭ Complex: The Adventures of a Pitch-Class from the Suite bergamasque to the Douze études
pp 435-475
- By Boyd Pomeroy, University of Arizona's Fred Fox School of Music.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

17 - The Games of Jeux
pp 476-510
- By Mark McFarland, University in Atlanta.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Part Five - Performance and Reception
pp 511-512
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

18 - Debussy and Late-Romantic Performing Practices: The Piano Rolls of 1912
pp 513-561
- By Jocelyn Ho, University of California at Los Angeles.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

19 - Marius-François Gaillard's Debussy: Controversies and Pianistic Legacy
pp 562-580
- By Caroline Rae, University and concertizing pianist and has published widely on twentieth-century French music as well as on the musical writings of Alejo Carpentier.
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation

Page 1 of 2

First
« Prev
1
2
Next »
Last

Metrics

Altmetric attention score

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

Why this information is here

This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

Accessibility Information

Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.

Debussy's Resonance

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Altmetric attention score

Full text views

Book summary page views

Accessibility standard: Unknown

Why this information is here

Accessibility Information