Contemporary Russian Satire: A Genre Study

Karen L. Ryan-Hayes

doi:10.1017/CBO9780511519635

This wide-ranging 1996 study presents an examination of the extraordinary diversity and range of satirical writing in Russian literature and will be of interest not only to Slavicists but also to those interested in genre theory. Through the close analysis of seminal satirical texts written by five Russian and émigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. Each work under examination is placed within the wider European literary context as well as within the Russian tradition and is representative of a different sub-genre of satire. The author focuses on a variety of these genres and modes and offers practical criticism on each text. The writers under discussion have enjoyed a positive reception in the West and their works demonstrate the variety and vitality of Russian and Soviet satire.

"I highly recommend this book for advanced undergraduate courses in Russian and world literature, and also for specialists." Valerie Z. Nollan, The Russian Review

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Contemporary Russian Satire

A Genre Study

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Contents

Frontmatter
pp i-viii

Contents
pp ix-ix

Acknowledgments
pp x-x

Note on the translation
pp xi-xii

Introduction
pp 1-10

1 - Iskander's transparent allegory: Rabbits and Boa Constrictors
pp 11-57

2 - Beyond picaresque: Erofeev's Moscow–Petushki
pp 58-100

3 - Satire and the autobiographical mode: Limonov's It's Me, Eddie
pp 101-149

4 - The family chronicle revisited: Dovlatov's Ours
pp 150-192

5 - Dystopia redux: Voinovich and Moscow 2042
pp 193-238

Conclusion
pp 239-243

Notes
pp 244-272

Select bibliography
pp 273-283

Index
pp 284-289

CAMBRIDGE STUDIES IN RUSSIAN LITERATURE
pp 290-292

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Contemporary Russian Satire

A Genre Study

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