Skip to main content Accessibility help
×
  • Cited by 28
    • Show more authors
    • You may already have access via personal or institutional login
    • Select format
    • Publisher:
      Cambridge University Press
      Publication date:
      January 2010
      August 2002
      ISBN:
      9780511481895
      9780521802017
      9780521057172
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.605kg, 344 Pages
      Dimensions:
      (228 x 158 mm)
      Weight & Pages:
      0.526kg, 344 Pages
    You may already have access via personal or institutional login
  • Selected: Digital
    Add to cart View cart Buy from Cambridge.org

    Book description

    Associated through descriptive texts with literature, politics, religion, and other subjects, 'characteristic' symphonies offer an opportunity to study instrumental music as it engages important social and political debates of the eighteenth and early nineteenth centuries. This first full-length study of the genre illuminates the relationship between symphonies and their aesthetic and social contexts by focussing on the musical representation of feeling, human physical movement, and the passage of time. The works discussed include Beethoven's Pastoral and Eroica Symphonies, Haydn's Seven Last Words of our Savior on the Cross, Carl Ditters von Dittersdorf's symphonies on Ovid's Metamorphoses, and orchestral battle reenactments of the Revolutionary and Napoleonic eras. A separate chapter details the aesthetic context within which characteristic symphonies were conceived, as well as their subsequent reception, and a series of appendixes summarises bibliographic information for over 225 relevant examples.

    Reviews

    ‘… [this book] is never less than challenging and, at its best, is dazzlingly virtuosic.’

    Source: Eighteenth-Century Music

    Refine List

    Actions for selected content:

    Select all | Deselect all
    • View selected items
    • Export citations
    • Download PDF (zip)
    • Save to Kindle
    • Save to Dropbox
    • Save to Google Drive

    Save Search

    You can save your searches here and later view and run them again in "My saved searches".

    Please provide a title, maximum of 40 characters.
    ×

    Contents

    Bibliography
    Ackermann, Peter. “Struktur, Ausdruck, Programm: Gedanken zu Joseph Haydns Instrumentalmusik über Die Sieben letzten Worte unseres Erlösers am Kreuze.” In Anke Bingmann, Klaus Hortschansky, and Winfried Kirsch, eds., Studien zur Instrumentalmusik: Lothar Hoffmann-Erbrecht zum 60. Geburtstag, 253–60. Tutzing: Schneider, 1988
    Algarotti, Francesco. Saggio sopra l'opera in musica. Livorno, 1755
    Allanbrook, Wye Jamison. Rhythmic Gesture in Mozart: “Le nozze di Figaro” and “Don Giovanni.” Chicago: University of Chicago Press, 1983
    Allgemeine musikalische Zeitung. Leipzig, 1798–1848
    Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. 2nd rev. edn. London: Verso, 1991
    Augsburger musikalischer Merkur auf das Jahr 1795. Augsburg, 1795
    Avison, Charles. An Essay on Musical Expression. 2nd edn. London, 1753
    Baker, Nancy Kovaleff and Thomas Christensen, eds. Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch. Cambridge: Cambridge University Press, 1995
    Bakhtin, Mikhail. The Dialogic Imagination: Four Essays. Trans. Michael Holquist and Caryl Emerson, ed. Holquist. Austin: University of Texas Press, 1981
    Barbour, J. Murray. Trumpets, Horns and Music. Lansing, MI: Michigan State University Press, 1964
    Barth, Karl. Protestant Theology in the Nineteenth Century: Its Background and History. Trans. Brian Cozens and John Bowden. London: SCM Press, 1972
    Bartha, Dénes. “A ‘Sieben Worte’ változatainak keletkezése az Esterházy-gyüjtemény kéziratainak tükrében.” Zenetudományi tanulmányok 8 (1960): 107–86
    Bartlitz, Eveline, ed. Die Beethoven-Sammlung in der Musikabteilung der Deutschen Staatsbibliothek. Berlin: Deutsche Staatsbibliothek, 1970
    Batteux, Charles. Les Beaux-arts réduits à un même principe. Paris, 1746
    Beales, Derek. Joseph Ⅱ. Vol. Ⅰ, In the Shadow of Maria Theresa 1741–1780. Cambridge: Cambridge University Press, 1987
    Ludwig van Beethoven: Briefwechsel Gesamtausgabe. 7 vols. Ed. Sieghard Brandenburg. Munich: Henle, 1996–98
    Beethoven, Ludwig van. Ein Skizzenbuch zur Chorfantasie op. 80 und zu anderen Werken. Ed. Dagmar Weise. Bonn: Beethovenhaus, 1957
    Beethoven, Ludwig van Ein Skizzenbuch zur Pastoralsymphonie op. 68 und zu den Trios op. 71, 1 und 2. 2 vols. Ed. Dagmar Weise. Bonn, Beethovenhaus, 1961
    Bent, Ian, ed. Music Analysis in the Nineteenth Century. 2 vols. Cambridge: Cambridge University Press, 1994
    Bérenger, Jean. “The Austrian Church.” In William J. Callahan and David Higgs, eds., Church and Society in Catholic Europe of the Eighteenth Century, 88–105. Cambridge: Cambridge University Press, 1979
    Berg, Darrell L. “C. P. E. Bach's Character Pieces and his Friendship Circle.” In Stephen L. Clark, ed., C. P. E. Bach Studies, 1–32. Oxford: Clarendon Press, 1988
    Berlinische musikalische Zeitung. Ed. Johann Friedrich Reichardt. Berlin, 1805–06
    Berlioz, Hector. A travers chants. 3rd edn. Paris, 1880
    Bernstein, Leonard. The Unanswered Question. Cambridge, MA: Harvard University Press, 1976
    Beutner, Eduard. “Aufklärung versus Absolutismus? Zur Strategie der Ambivalenz in der Herrschersatire der österreichischen Literatur des Josephinischen Jahrzehnts.” In Gerhard Ammerer and Hanns Haas, eds., Ambivalenzen der Aufklärung: Festschrift für Ernst Wangermann, 241–52. Vienna: Verlag für Geschichte und Politik; Munich: Oldenbourg, 1997
    Biba, Otto, ed. “Eben komme ich von Haydn …”: Georg August Griesingers Korrespondenz mit Joseph Haydns Verleger Breitkopf & Härtel 1799–1819. Zurich: Atlantis, 1987
    Biba, Otto, and David Wyn Jones, eds. Studies in Music History Presented to H. C. Robbins Landon on his Seventieth Birthday. London: Thames and Hudson, 1996
    Blackbourn, David. The Long Nineteenth Century: A History of Germany, 1780–1918. Oxford: Oxford University Press, 1998
    Blangini, Felice. Souvenirs de F. Blangini (1797–1834) dédiés à ses élèves, et publiés par son ami Maxime de Villemarest. Paris, 1834
    Bockholdt, Rudolf. Beethoven: Ⅵ. Symphonie F-dur op. 68 Pastorale. Meisterwerke der Musik 23. Munich: Fink, 1981
    Bockmaier, Claus. Entfesselte Natur in der Musik des achtzehnten Jahrhunderts. Tutzing: Schneider, 1992
    Bodi, Leslie. Tauwetter in Wien: Zur Prosa der österreichischen Aufklärung 1781–1795. Frankfurt am Main: S. Fischer, 1977
    Bonds, Mark Evan. “Haydn, Laurence Sterne, and the Origins of Musical Irony.” Journal of the American Musicological Society 44 (1991): 57–91
    Bonds, Mark Evan “Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century.” Journal of the American Musicological Society 50 (1997): 387–420
    Bonds, Mark Evan “The Symphony as Pindaric Ode.” In Sisman, ed., Haydn and His World, 131–53
    Bonds, Mark Evan Wordless Rhetoric: Musical Form and the Metaphor of the Oration. Cambridge, MA: Harvard University Press, 1991
    Böschenstein, Renate. Idylle. Stuttgart: Metzler, 1968
    Botstein, Leon. “The Demise of Philosophical Listening: Haydn in the 19th Century.” In Sisman, ed., Haydn and His World, 255–85
    Boyle, Nicholas. Goethe: The Poet and the Age. Vol. Ⅰ, The Poetry of Desire. Oxford: Oxford University Press, 1992
    Brandenburg, Sieghard. “Die Stichvorlage zur Erstausgabe von Beethovens Pastoralsymphonie op. 68: Eine neuaufgefundene Primärquelle.” In Festschrift Rudolf Elvers zum 60. Geburtstag, ed. Ernst Hettrich and Hans Schneider, 49–61. Tutzing: Schneider, 1985
    Brandenburg, Sieghard “Once Again: On the Question of the Repeat of the Scherzo and Trio in Beethoven's Fifth Symphony.” In Lewis Lockwood and Phyllis Benjamin, eds., Beethoven Essays in Honor of Elliot Forbes, 146–98. Cambridge, MA: Harvard University Press, 1984
    Braunbehrens, Volkmar. Mozart in Vienna 1781–1791. Trans. Timothy Bell. New York: Grove Weidenfeld, 1986
    Brauneis, Walther. “Die Familie Ditters in Wien und Umgebung.” In Hubert Unverricht, ed., Carl Ditters von Dittersdorf: Leben, Umwelt, Werk, 39–60. Tutzing: Schneider, 1997
    Breitkopf, Johann Gottlob Immanuel. The Breitkopf Thematic Catalogue: The Six Parts and Sixteen Supplements 1762–1787, ed. Barry S. Brook. New York: Dover, 1966
    Brinkmann, Reinhold. “In the Time of the Eroica.” In Scott Burnham and Michael P. Steinberg, eds., Beethoven and His World, 1–26. Princeton: Princeton University Press, 2000
    Brown, A. Peter. “The Sublime, The Beautiful, and the Ornamental: English Aesthetic Currents and Haydn's London Symphonies.” In Biba and Jones, eds., Studies in Music History Presented to H. C. Robbins Landon, 44–71
    Brown, Bruce Alan. Gluck and the French Theatre in Vienna. Oxford: Clarendon Press, 1991
    Brown, Clive. A New Appraisal of the Sources of Beethoven's Fifth Symphony. Wiesbaden: Breitkopf und Härtel, 1996
    Broyles, Michael. Beethoven: The Emergence and Evolution of Beethoven's Heroic Style. New York: Excelsior, 1987
    Burke, Edmund. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. London, 1757
    Burnham, Scott. Beethoven Hero. Princeton: Princeton University Press, 1995
    Burnham, Scott “Mozart's felix culpa: Così fan tutte and the Irony of Beauty.” Musical Quarterly 78 (1994): 77–98
    Chabanon, Michel Paul Gui de. Observations sur la musique. Paris, 1779
    Chew, Geoffrey. “The Austrian Pastorella and the stylus rusticanus: Comic and Pastoral Elements in Austrian Music, 1750–1800.” In Jones, ed., Music in Eighteenth-Century Austria, 133–93
    Chew, Geoffrey “Haydn's Pastorellas: Genre, Dating, and Transmission in the Early Church Works.” In Biba and Jones, eds., Studies in Music History Presented to H. C. Robbins Landon, 21–43
    Chew, Geoffrey “The Night-Watchman's Song Quoted by Haydn and its Implications.” Haydn-Studien 3 (1973–74): 106–24
    Chua, Daniel K. L. Absolute Music and the Construction of Meaning. Cambridge: Cambridge University Press, 1999
    Clark, Christopher. “The Wars of Liberation in Prussian Memory: Reflections on the Memorialization of War in Early Nineteenth-Century Germany.” Journal of Modern History 68 (1996): 550–76
    Clausewitz, Carl von. On War. Trans. and ed. Michael Howard and Peter Paret. Princeton: Princeton University Press, 1976
    Cole, Malcolm. “Momigny's Analysis of Haydn's Symphony No. 103.” Music Review 30 (1969): 261–84
    Comini, Alessandra. The Changing Image of Beethoven: A Study in Mythmaking. New York: Rizzoli, 1987
    Compan, Charles. Dictionnaire de danse. Paris, 1787
    Connerton, Paul. How Societies Remember. Cambridge: Cambridge University Press, 1989
    Cooper, Barry. “Schindler and the Pastoral Symphony.” Beethoven Newsletter 8/1 (1993): 2–6
    Dahlhaus, Carl. Beethoven: Approaches to his Music. Trans. Mary Whittall. Oxford: Clarendon Press, 1991
    Dahlhaus, Carl Esthetics of Music. Trans. William Austin. Cambridge: Cambridge University Press, 1982
    Dahlhaus, Carl “E. T. A. Hoffmanns Beethoven-Kritik und die Ästhetik des Erhabenen.” Archiv für Musikwissenschaft 38 (1981): 80–92
    Dahlhaus, Carl “Ethos und Pathos in Glucks Iphigenie auf Tauris.” Die Musikforschung 27 (1974): 289–300
    Dahlhaus, Carl The Idea of Absolute Music. Trans. Roger Lustig. Chicago: University of Chicago Press, 1989
    Dahlhaus, Carl “Thesen über Programmusik.” In Dahlhaus, ed., Beiträge zur musikalischen Hermeneutik, 187–204. Regensburg: Bosse, 1975
    Danckwardt, Marianne. “Zu zwei Haydnschen Sinfoniesätzen mit liturgischer Melodien (Sinfonien Nr. 30, 1. Satz und Nr. 26, 2. Satz).” In Norbert Dubowy and Sören Meyer-Eller, eds., Festschrift Rudolf Bockholdt zum 60. Geburtstag, 193–99. Pfaffenhofen: Ludwig, 1990
    Dannreuther, Edward. Oxford History of Music. Vol. Ⅵ, The Romantic Period. Oxford: Clarendon Press, 1905
    Diderot, Denis. Entretiens sur le Fils naturel. Paris, 1757. Trans. in Selected Writings on Art and Literature, ed. Geoffrey Bremner. London: Penguin, 1994
    Dies, Albert Christoph. Biographische Nachrichten von Joseph Haydn nach mündlichen Erzählungen desselben entworfen und herausgegeben. Vienna, 1810
    Dittersdorf, Carl Ditters von. Lebensbeschreibung, seinem Sohne in die Feder diktiert. Ed. Karl Spazier. Leipzig, 1801. Modern edn. by Norbert Miller, Munich: Kösel, 1967
    Dittersdorf, Carl Ditters von Les Métamorphoses d'Ovide mises en musique par Mr. Charles Ditters noble de Dittersdorf. Vienna, 1786
    Donakowski, Conrad L. A Muse for the Masses: Ritual and Music in an Age of Democratic Revolution 1770–1870. Chicago: University of Chicago Press, 1972
    Drury, Jonathan Daniels. “Haydn's ‘Seven Last Words’: An Historical and Critical Study.” Ph.D. diss., University of Illinois, 1976
    DuBos, Jean-Baptiste. Réflexions critiques sur la poësie, la peinture et la musique. Paris, 1719
    Edge, Dexter. “Review Article: Mary Sue Morrow, Concert Life in Haydn's Vienna.” Haydn Yearbook 17 (1992): 108–66
    Eggebrecht, Hans Heinrich. Zur Geschichte der Beethoven-Rezeption: Beethoven 1970. Mainz: Akademie der Wissenschaften und der Literatur, 1972
    Eisen, Cliff. “Leopold Mozart Discoveries.” Mitteilungen der Internationalen Stiftung Mozarteum 35 (1987): 1–10
    Engel, Johann Jakob. Über die musikalische Malerei. Berlin, 1780. Reprint. J. J. Engel's Schriften, vol. Ⅳ, 299–342. Berlin, 1802
    Feder, Georg. “Haydns Korrekturen zum Klavierauszug der ‘Jahreszeiten.’” In Thomas Kohlhase and Volker Scherliess, eds., Festschrift Georg von Dadelsen zum 60. Geburtstag, 101–12. Neuhausen-Stuttgart: Hänssler, 1978
    Fétis, François-Joseph. “Deux Symphonies pastorales.” Revue et gazette musicale de Paris (28 October 1866): 337–38
    Fischer, Kurt von. Die Beziehungen von Form und Motiv in Beethovens Instrumentalwerken. 2nd edn. Baden-Baden: Koerner, 1972
    Flora. Ed. Carl Friedrich Cramer. Hamburg, 1787
    Floros, Constantin. Beethovens Eroica und Prometheus-Musik: Sujet-Studien. Wilhelmshaven: Heinrichshofen, 1978
    Floros, Constantin “Das ‘Programm’ in Mozarts Meisterouvertüren.” Studien zur Musikwissenschaft 26 (1964): 140–86
    Forkel, Johann Nikolaus. Allgemeine Geschichte der Musik. 2 vols. Leipzig, 1788 and 1801
    Forsberg, Suzanne. “The Symphonies of Placidus von Camerloher (1718–82) and Joseph Camerloher (1710–43): An Investigation of Style Authorship.” Ph.D. diss., New York University, 1990
    Foster, Susan Leigh. Choreography & Narrative: Ballet's Staging of Story and Desire. Bloomington and Indianapolis: Indiana University Press, 1996
    Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley: University of California Press, 1980
    Frogley, Alain. “Beethoven's Struggle for Simplicity in the Sketches for the Third Movement of the Pastoral Symphony.” Beethoven Forum 4 (1995): 99–134
    Fubini, Enrico. Music and Culture in Eighteenth-Century Europe: A Source Book. Trans. Wolfgang Freis, Lisa Gasbarrone, and Michael Louis Leone. Ed. Bonnie Blackburn. Chicago: University of Chicago Press, 1994
    Fuller, David. “Of Portraits, ‘Sapho’ and Couperin: Titles and Characters in French Instrumental Music of the High Baroque.” Music & Letters 78 (1997): 149–74
    Geck, Martin, and Peter Schleuning. “Geschrieben auf Bonaparte.” Beethovens “Eroica”: Revolution, Reaktion, Rezeption. Reinbek bei Hamburg: Rowohlt, 1989
    Gerber, Ernst Ludwig. Historisch-biographisches Lexikon der Tonkünstler. 2 vols. Leipzig, 1790–92
    Germer, Mark. “The Austro-Bohemian Pastorella and Pastoral Mass to c1780.” Ph.D. diss., New York University, 1989
    Gerstenberg, Heinrich Wilhelm. “Schlechte Einrichtung des Italienischen Singgedichts. Warum ahmen Deutsche sie nach?Briefe über Merkwürdigkeiten der Litteratur 1 (1766): 116–36
    Ghircoiaşiu, Romeo. “Das Musikleben in Großwardein (Oradea) im 18. Jahrhundert.” Haydn Yearbook 10 (1978): 45–55
    Gillespy, Edward. The Military Instructor, or, New System of European Exercise and Drill as Now Practised by the British Army According to General Dundas. Boston, 1809
    Gillis, John R. “Memory and Identity: The History of a Relationship.” In Gillis, ed., Commemorations: The Politics of National Identity, 3–24. Princeton: Princeton University Press, 1994
    Goldstein, Laurence. Ruins and Empire: The Evolution of a Theme in Augustan and Romantic Literature. Pittsburgh: University of Pittsburgh Press, 1977
    Göllner, Theodor. “Die Sieben Worte am Kreuz” bei Schütz und Haydn. Munich: Bayrische Akademie der Wissenschaften, 1986
    Gossett, Philip. “Beethoven's Sixth Symphony: Sketches for the First Movement.” Journal of the American Musicological Society 27 (1974): 248–84
    Götze, Ursula. “Johann Friedrich Klöffler.” Diss., University of Münster, 1965
    Grace, Harvey. Ludwig van Beethoven. London: Kegan Paul, Trench and Trubner, J. Curwen: 1927
    Grave, Floyd K. and Margaret G. Grave. In Praise of Harmony: The Teachings of Abbé Georg Joseph Vogler. Lincoln: University of Nebraska Press, 1987
    Griesinger, Georg August. Biographische Notizen über Joseph Haydn. Leipzig, 1810
    Grove, George. Beethoven and His Nine Symphonies. 3rd edn. London, 1898. Reprint. New York: Dover, 1962
    Grove, George “The Birds in the Pastoral Symphony.” The Musical Times 33 (15 December 1892): 14–15
    Guest, Ivor Forbes. The Ballet of the Enlightenment: The Establishment of the Ballet d'action in France 1770–1793. London: Dance Books, 1996
    Halbwachs, Maurice. On Collective Memory. Trans. and ed. Lewis A. Coser. Chicago: University of Chicago Press, 1992
    Halm, August. Von zwei Kulturen der Musik. 3rd edn. Stuttgart: Ernst Klett, 1947
    Hanslick, Eduard. Concerte, Componisten und Virtuosen der letzten fünfzehn Jahre, 1870–85. Berlin: Allgemeiner Verein für Deutsche Literatur, 1886
    Hanslick, Eduard Geschichte des Concertwesens in Wien. 2 vols. Vienna: Wilhelm Braumüller, 1869–70
    Harris, James. Three Treatises Concerning Art. London, 1744
    Harrison, Bernard. Haydn: Paris Symphonies. Cambridge Music Handbook. Cambridge: Cambridge University Press, 1998
    Haydn: Gesammelte Briefe und Aufzeichnungen: Unter Benützung der Quellensammlung von H. C. Robbins Landon herausgegeben und erläutert von Dénes Bartha. Kassel: Bärenreiter, 1965
    Heartz, Daniel. Haydn, Mozart, and the Viennese School, 1740–1780. New York: Norton, 1995
    Heartz, Daniel “The Hunting Chorus in Haydn's Jahreszeiten and the ‘Airs de Chasse’ in the Encyclopédie.” Eighteenth-Century Studies 9 (1975–76): 523–39
    Heartz, Daniel Mozart's Operas. Ed. with contributing essays by Thomas Bauman. Berkeley and Los Angeles: University of California Press, 1990
    Heinz, Günther. “Veränderungen in der religiösen Malerei des 18. Jahrhunderts mit besonderer Berücksichtigung Österreichs.” In Kovács, ed., Katholische Aufklärung und Josephinismus, 349–70
    Helm, Eugene. “The ‘Hamlet’ Fantasy and the Literary Element in C. P. E. Bach's Music.” Musical Quarterly 58 (1972): 277–96
    Hepokoski, James. “Fiery-Pulsed Libertine or Domestic Hero? Strauss's Don Juan Reinvestigated.” In Bryan Gilliam, ed., Richard Strauss: New Perspectives on the Composer and His Work, 135–75. Durham and London: Duke University Press, 1992
    Hepokoski, James “Genre and Content in Mid-Century Verdi: ‘Addio, del passato’ (La traviata, Act Ⅲ).” Cambridge Opera Journal 1 (1989): 249–76
    Hermes, Johann Timotheus. Analyse de Ⅻ Métamorphoses tirées d'Ovide, et mises en musique par Mr. Charles Ditters de Dittersdorf. Breslau, 1786. Repr. in Krebs, Dittersdorfiana, 167–82
    Herzog, Urs. Geistliche Wohlredenheit: Die katholische Barockpredigt. Munich: Beck, 1991
    Hilton, Wendy. Dance of Court and Theater: The French Noble Style 1690–1725. Princeton: Princeton Book Publishers, 1981. Repr. in Dance and Music of Court and Theater: Selected Writings of Wendy Hilton. Stuyvesant, NY: Pendragon, 1997
    E. T. A. Hoffmanns Briefwechsel. 3 vols. Ed. Hans von Müller and Friedrich Schnapp. Munich: Winkler, 1967–69
    E. T. A. Hoffmann's Musical Writings: Kreisleriana, The Poet and the Composer, Music Criticism. Ed. David Charlton. Trans. Martyn Clarke. Cambridge: Cambridge University Press, 1989
    Holmström, Kirsten Gram. Monodrama, Attitudes, Tableaux vivants: Studies on Some Trends of Theatrical Fashion 1770–1815. Stockholm, Almqvist & Wiksell, 1967
    Holschneider, Andreas. “C. Ph. E. Bachs Kantate Auferstehung und Himmelfahrt Jesu und Mozarts Aufführung des Jahres 1788.” Mozart-Jahrbuch (1968–70): 264–80
    Hopkins, David. “Dryden and Ovid's ‘Wit out of Season.’” In Charles Martindale, ed., Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century, 167–90. Cambridge: Cambridge University Press, 1988
    Hoppe, Bernhard M. Predigtkritik im Josephinismus: Die “Wöchentlichen Wahrheiten für und über die Prediger in Wien” (1782–1784). St. Ottilien: EOS Verlag, 1989
    Hosler, Bellamy. Changing Aesthetic Views of Instrumental Music in 18th-Century Germany. Ann Arbor: UMI Research Press, 1981
    Huray, Peter le and James Day, eds. Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries. Cambridge: Cambridge University Press, 1981
    Hyatt-King, Alexander. “Mountains, Music, and Musicians.” Musical Quarterly 31 (1945): 395–419
    Ingrao, Charles. The Habsburg Monarchy 1618–1815. Cambridge: Cambridge University Press, 1994
    Irwin, David. “Sentiment and Antiquity: European Tombs 1750–1830.” In Joachim Whaley, ed. Mirrors of Mortality: Studies in the Social History of Death, 131–53. London: Europa, 1981
    Jahn, Otto. Gesammelte Aufsätze über Musik. Leipzig: Breitkopf und Härtel, 1866
    Jam, Jean-Louis. “Marie-Joseph Chénier and François-Joseph Gossec: Two Artists in the Service of Revolutionary Propaganda.” In Malcolm Boyd, ed., Music and the French Revolution, 221–35. Cambridge: Cambridge University Press, 1992
    Jander, Owen. “The Prophetic Conversation in Beethoven's ‘Scene by the Brook.’Musical Quarterly 77 (1993): 508–59
    Johnson, James H. Listening in Paris: A Cultural History. Berkeley and Los Angeles: University of California Press, 1995
    Jones, David Wyn. Beethoven: “Pastoral Symphony.” Cambridge Music Handbook. Cambridge: Cambridge University Press, 1995
    Jones, David Wyn, ed. Music in Eighteenth-Century Austria. Cambridge: Cambridge University Press, 1996
    Jung, Hermann. “Antiker Mythos im symphonischen Gewand der Wiener Klassik: Karl Ditters von Dittersdorfs Symphonien nach Ovids Metamorphosen (1785).” In Petr Macek, ed., Das internationale musikwissenschaftliche Kolloquium “Wenn es nicht Österreich gegeben hätte …,” 30.9.–2.10.1996, 162–69. Brno: Filozofická fakulta Masarykovy univerzity Brno, 1997
    Jung, Hermann Die Pastorale: Studien zur Geschichte eines musikalischen Topos. Bern: Francke, 1980
    Jung, Hermann “Zwischen Malerey und Ausdruck der Empfindung: Zu den historischen und ästhetischen Voraussetzungen von Justin Heinrich Knechts Le Portrait musical de la Nature (1785).” In Annegrit Laubenthal, ed., Studien zur Musikgeschichte: Eine Festschrift für Ludwig Finscher, 417–31. Kassel: Bärenreiter, 1995
    Junker, Carl Friedrich. Tonkunst. Bern, 1777
    Junker, Carl Friedrich Betrachtungen über Mahlerey, Ton- und Bildhauerkunst. Basel, 1778
    Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History, and Musical Genre. Cambridge, MA: Harvard University Press, 1996
    Kinsky, Georg, ed. Versteigerung von Musiker-Autographen aus dem Nachlaß des Herrn Kommerzienrates Wilhelm Heyer in Köln, Pt. 1. Berlin: Henrici & Liepmannssohn, 1926
    Kirby, F. E.Beethoven's Pastoral Symphony as a Sinfonia caracteristica.” Musical Quarterly 56 (1970): 605–23
    Kirby, F. E. “The Germanic Symphony in the Eighteenth Century: Bridge to the Romantic Era.” Journal of Musicological Research 5 (1984): 51–84; 6 (1986): 357–62
    Klauwell, Otto. Geschichte der Programmusik von ihren Anfängen bis zur Gegenwart. Leipzig: Breitkopf und Härtel, 1910
    Koch, Heinrich Christoph. Musikalisches Lexikon. Frankfurt am Main, 1802
    Koch, Heinrich Christoph Versuch einer Anleitung zur Composition. 3 vols. Leipzig, 1782–93
    Kollmann, Augustus Frederic Christopher. An Essay on Practical Musical Composition, According to the Nature of That Science and the Principles of the Greatest Musical Authors. London, 1799
    König, Ingeborg. Studien zum Libretto des “Tod Jesu” von Karl Wilhelm Ramler und Karl Heinrich Graun. Munich: Katzbichler, 1972
    Körner, Christian Gottfried. “Über Charakterdarstellung in der Musik.” Die Horen 5 (1795): 97–121. Repr. in Seifert, Christian Gottfried Körner, 147–58. Trans. in Riggs, “‘On the Representation of Character in Music,’” 612–25
    Koukal, Petr. “Die letzten Jahre: Dittersdorf in Sudböhmen.” In Hubert Unverricht, ed., Carl Ditters von Dittersdorf 1739–1799: Sein Wirken in Österreichisch-Schlesien und seine letzten Jahre in Böhmen, 21–24. Würzburg: Korn, 1993
    Kovács, Elisabeth, ed. Katholische Aufklärung und Josephinismus. Munich: Oldenbourg, 1979
    Kramer, Richard. “The New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice.” Journal of the American Musicological Society 38 (1995): 551–92
    Kraus, Joseph Martin. Etwas von und über Musik fürs Jahr 1777. Frankfurt am Main, 1778. Facsimile reprint. Ed. Friedrich W. Riedel. Munich: Katzbichler, 1977
    Krause, Christian Gottfried. Von der musikalischen Poesie. Berlin, 1752
    Krebs, Carl. Dittersdorfiana. Berlin, 1900. Reprint. New York: Da Capo, 1972
    Krones, Hartmut. “‘Meine Sprache verstehet man durch die ganze Welt’: Das ‘redende Prinzip’ in Joseph Haydns Instrumentalmusik.” In Krones, ed., Wort und Ton im Europäischen Raum: Gedenkschrift für Robert Schollum, 79–108. Vienna: Böhlau, 1989
    Kunze, Stefan, ed. Ludwig van Beethoven: Die Werke im Spiegel seiner Zeit. Gesammelte Konzertberichte und Rezensionen bis 1830. Laaber: Laaber-Verlag, 1987
    Lacépède, Bernard Germain Etienne Médard de la Ville-sur-Illon. La Poétique de la musique. Paris, 1785
    Landon, H. C. Robbins. Haydn: Chronicle and Works. 5 vols. London: Thames and Hudson, 1976–80
    Landon, H. C. Robbins The Mozart Essays. London: Thames and Hudson, 1995
    Langrock, Klaus. Die Sieben Worte Jesu am Kreuz: Ein Beitrag zur Geschichte der Passionskomposition. Essen: Blaue Eule, 1987
    LaRue, Jan. A Catalogue of Eighteenth-Century Symphonies. Vol. Ⅰ, Thematic Identifier. Bloomington: Indiana University Press, 1988
    Lichtenthal, Pietro (Peter). Dizionario e bibliografia della musica. 2nd edn. 4 vols. Milan, 1836
    Lippman, Edward A. A History of Western Musical Aesthetics. Lincoln: University of Nebraska Press, 1992
    Lippman, Edward A., ed. Musical Aesthetics: A Historical Reader. 3 vols. New York: Pendragon Press, 1986–90
    Lessing, Gotthold Ephraim. Laokoon: oder über die Grenzen der Malerei und Poesie. Berlin, 1766. Trans. Edward Allen McCormick. Indianapolis: Bobbs Merrill, 1962
    MacIntyre, Bruce C. The Viennese Concerted Mass of the Early Classic Period. Ann Arbor: UMI Research Press, 1986
    Magazin der Musik. Ed. Carl Friedrich Cramer. Hamburg, 1783–87
    Marpurg, Friedrich Wilhelm, ed. Der Critische Musikus an der Spree. Berlin, 1749–50
    Marx, Adolf Bernhard. Ludwig van Beethoven: Leben und Schaffen. 2 vols. Berlin: Otto Janke, 1859
    Marx, Adolf Bernhard Musical Form in the Age of Beethoven: Selected Writings on Theory and Method. Trans. and ed. Scott Burnham. Cambridge: Cambridge University Press, 1997
    Marx-Weber, Magda. “‘Musiche per le tre ore di agonia de N. S. G. C.’: Eine italienische Karfreitagsandacht im späten 18. und frühen 19. Jahrhundert.” Die Musikforschung 33 (1980): 136–60
    Massow, Albrecht von. “Programmusik.” In Hans Heinrich Eggebrecht and Albrecht Riethmüller, eds., Handwörterbuch der musikalischen Terminologie. Stuttgart: Steiner, 1992
    McNeill, William H. Keeping Together in Time: Dance and Drill in Human History. Cambridge, MA: Harvard University Press, 1995
    McVeigh, Simon. Concert Life in London from Mozart to Haydn. Cambridge: Cambridge University Press, 1993
    Melton, James Van Horn. Absolutism and the Eighteenth-Century Origins of Compulsory Schooling in Prussia and Austria. Cambridge: Cambridge University Press, 1988
    Millen, Ronald Forsyth and Robert Erich Wolf. Heroic Deeds and Mystic Figures: A New Reading of Rubens’ “Life of Maria de’ Medici.” Princeton: Princeton University Press, 1989
    Momigny, Jérôme-Joseph de. Cours complet d'harmonie et de composition, d'après une théorie nouvelle et générale de la musique. 3 vols. Paris, 1803–05
    Mongrédien, Jean. French Music from the Enlightenment to Romanticism 1789–1830. Trans. Sylvain Frémaux. Portland: Amadeus, 1996
    Morrow, Mary Sue. Concert Life in Haydn's Vienna: Aspects of a Developing Musical and Social Institution. Stuyvesant, NY: Pendragon, 1989
    Morrow, Mary Sue German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music. Cambridge: Cambridge University Press, 1997
    Mozart: Briefe und Aufzeichnungen. Gesamtausgabe. 7 vols. Ed. W. A. Bauer, O. E. Deutsch, and J. H. Eibl. Kassel: Bärenreiter, 1962–75
    Musikalische Realzeitung. Ed. Heinrich Philipp Boßler and Johann Friedrich Christmann. Speyer, 1788–90. Continued as Musikalische Korrespondenz der Teutschen Filharmonischen Gesellschaft. Speyer, 1790–92
    Musikalischer Almanach für Deutschland. Ed. Johann Nikolaus Forkel. Leipzig, 1782–89
    Musikalisches Kunstmagazin. Ed. Johann Friedrich Reichardt. Berlin, 1782 and 1791
    Musikalisches Taschenbuch. Ed. J. Werden [J. G. Winzer], A. Werden [F. T. Mann], and W. Schneider. Penig, 1803 and 1805
    Neubauer, John. The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics. New Haven: Yale University Press, 1986
    Newman, Ernest. “Programme Music.” In Musical Studies, 2nd edn., 103–86. London: Lane, 1910
    Niecks, Frederick. Programme Music in the Last Four Centuries: A Contribution to the History of Musical Expression. London: Novello, 1906
    Nisbet, H. B., ed. German Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller, Goethe. Cambridge: Cambridge University Press, 1985
    Norton, Robert E. The Beautiful Soul: Aesthetic Morality in the Eighteenth Century. Ithaca: Cornell University Press, 1995
    Nottebohm, Gustav. Beethoveniana. Leipzig: C. F. Peters, 1872
    Nottebohm, Gustav Ludwig van Beethoven: Thematisches Verzeichnis von Gustav Nottebohm nebst der Bibliotheca Beethoveniana von Emerich Kastner, ergänzt von Theodor Frimmel. Wiesbaden: Sändig, 1969
    Nottebohm, Gustav Zweite Beethoveniana. Leipzig, 1887
    Noverre, Jean-Georges. Lettres sur la danse, et sur les ballets. Stuttgart, 1760
    Ozouf, Mona. Festivals and the French Revolution. Trans. Alan Sheridan. Cambridge, MA: Harvard University Press, 1988
    Palisca, Claude V. “French Revolutionary Models for Beethoven's Eroica Funeral March.” In Anne Dhu Shapiro, ed., Music and Context: Essays for John M. Ward, 198–209. Cambridge, MA: Harvard University Department of Music, 1985
    Palm, Albert. “Mozarts Streichquartett D-moll, KV 421, in der Interpretation Momignys.” Mozart-Jahrbuch (1962–63), 256–79
    Palm, Albert “Unbekannte Haydn-Analysen.” Haydn Yearbook 4 (1968): 169–94
    Pauly, Reinhard. “The Reforms of Church Music under Joseph Ⅱ.” Musical Quarterly 43 (1957): 372–82
    Poggioli, Renato. The Oaten Flute: Essays on Pastoral Poetry and the Pastoral Ideal. Cambridge, MA: Harvard University Press, 1975
    Pohl, Carl Ferdinand. Joseph Haydn. 2 vols. Leipzig: Breitkopf und Härtel, 1878–82
    Prendergast, Christopher. Napoleon and History Painting: Antoine-Jean Gros's “La Bataille d'Eylau.” Oxford: Clarendon Press, 1997
    Prod'homme, J.-G. Les Symphonies de Beethoven. 4th edn. Paris: Delagrave, 1906
    Rambach, Johann Jacob. Betrachtungen über die sieben letzten Worte des gecreuzigten Jesu. Halle, 1726
    Ratner, Leonard. Classic Music: Expression, Form, and Style. New York: Schirmer, 1980
    Reichart, Sarah Bennett. “The Influence of Eighteenth-Century Social Dance on the Viennese Classical Style.” Ph.D. diss., City University of New York, 1984
    Rice, John. “New Light on Dittersdorf's Ovid Symphonies.” Studi musicali 29 (2000): 453–98
    Richter, Jean Paul. Vorschule der Aesthetik. Hamburg, 1804. Trans. Margaret Hale as Horn of Oberon: Jean Paul Richter's School for Aesthetics. Detroit: Wayne State University Press, 1973
    Richter, Simon. “Sculpture, Music, Text: Winckelmann, Herder, and Gluck's Iphigénie en Tauride.” Goethe Yearbook 8 (1996): 157–71
    Riedel, Friedrich W. “Die Trauerkompositionen von Joseph Martin Kraus: Ihre geistes- und musikgeschichtliche Stellung.” In Riedel, ed., Joseph Martin Kraus in seiner Zeit, 154–69. Munich: Katzbichler, 1982
    Riepel, Joseph. Anfangsgründe zur musikalischen Setzkunst. Vol. Ⅱ, Grundregeln zur Tonordnung insgemein. Frankfurt and Leipzig, 1755
    Ries, Ferdinand, and Franz Gerhard Wegeler. Biographische Notizen über Ludwig van Beethoven. Coblenz: K. Bädeker, 1838
    Riethmüller, Albrecht. “Wellingtons Sieg op. 91.” In Beethoven: Interpretationen seiner Werke, Ⅱ: 34–45
    Riethmüller, Albrecht, Carl Dahlhaus, and Alexander L. Ringer, eds. Beethoven: Interpretationen seiner Werke. 2 vols. Laaber: Laaber-Verlag, 1994
    Riggs, Robert. “‘On the Representation of Character in Music’: Christian Gottfried Körner's Aesthetics of Instrumental Music.” Musical Quarterly 81 (1997): 599–631
    Ringer, Alexander L. The “Chasse”: Historical and Analytical Bibliography of a Musical Genre. Ph.D. diss., Columbia University, 1955
    Röder, Thomas. “Beethovens Sieg über die Schlachtenmusik: Opus 91 und die Tradition der Battaglia.” In Helga Lühning and Sieghard Brandenburg, eds., Beethoven zwischen Revolution und Restauration, 229–58. Bonn: Beethoven-Haus, 1989
    Rosen, Charles. Sonata Forms. Rev. edn. New York: Norton, 1988
    Ruiter, Jacob de. Der Charakterbegriff in der Musik. Studien zur deutschen Ästhetik der Instrumentalmusik 1740–1850. Beihefte zum Archiv für Musikwissenschaft 29. Stuttgart: Steiner, 1989
    Russell, Gillian. The Theatres of War: Performance, Politics, and Society, 1793–1815. Oxford: Clarendon Press, 1995
    Sandberger, Adolf. Ausgewählte Aufsätze zur Musikgeschichte. 2 vols. Munich: Drei Masken, 1921–24
    Schachter, Carl. “The Triad as Place and Action.” Music Theory Spectrum 17 (1995): 149–69
    Schauffler, Robert Haven. Beethoven: The Man Who Freed Music. 2 vols. Garden City, NJ, and New York: Doubleday, 1929
    Schenker, Heinrich. The Masterwork in Music: A Yearbook. Vol. Ⅲ (1930). Trans. Ian Bent, Alfred Clayton, and Derrick Puffett, ed. William Drabkin. Cambridge: Cambridge University Press, 1997
    Schering, Arnold. Musikgeschichte Leipzigs. Vol. Ⅲ, Johann Sebastian Bach und das Musikleben Leipzigs im 18. Jahrhundert. Leipzig: Fr. Kistner & C. F. W. Siegel, 1941
    Schindler, Anton. Biographie von Ludwig van Beethoven. 3rd edn. Münster: Aschendorff, 1860
    Schmenner, Roland. Die Pastorale: Beethoven, das Gewitter und der Blitzableiter. Kassel: Bärenreiter, 1998
    Schmidt, Hans. “Die Beethovenhandschriften des Beethovenhauses in Bonn.” Beethoven-Jahrbuch 7 (1969/70): 1–443
    Schnaus, Peter. E. T. A. Hoffmann als Beethoven-Rezensent der Allgemeinen musikalischen Zeitung. Munich: Katzbichler, 1977
    Schneider, Hans. Der Musikverleger Heinrich Philipp Boßler 1744–1812. Tutzing: Schneider, 1985
    Schroeder, David P. Haydn and the Enlightenment: The Late Symphonies and their Audience. Oxford: Clarendon Press, 1990
    Schulin, Karin. Musikalische Schlachtengemälde in der Zeit von 1756 bis 1815. Tutzing: Schneider, 1986
    Schwartz, Judith L. “Periodicity and Passion in the First Movement of Haydn's ‘Farewell’ Symphony.” In Eugene K. Wolf and Edward H. Roesner, eds., Studies in Musical Sources and Style: Essays in Honor of Jan LaRue, 293–338. Madison: A-R Editions, 1990
    Seifert, Wolfgang. Christian Gottfried Körner, ein Musikästhetiker der deutschen Klassik. Regensburg: Bosse, 1960
    Semmel, Stuart. “Reading the Tangible Past: British Tourism, Collecting, and Memory after Waterloo.” Representations 29 (2000): 9–37
    Shaw's Music: The Complete Musical Criticism of Bernard Shaw. 2nd rev. edn. 3 vols. Ed. Dan H. Laurence. London: Bodley Head, 1989
    Simms, Brendan. The Struggle for Mastery in Germany, 1779–1850. New York: St. Martin's, 1998
    Sipe, Thomas. Beethoven: “Eroica Symphony.” Cambridge Music Handbook. Cambridge: Cambridge University Press, 1998
    Sisman, Elaine R.Haydn's Theater Symphonies.” Journal of the American Musicological Society 43 (1990): 292–352
    Sisman, Elaine R. Mozart: The “Jupiter” Symphony No. 41 in C major, K. 551. Cambridge Music Handbook. Cambridge: Cambridge University Press, 1993
    Sisman, Elaine R., ed. Haydn and His World. Princeton: Princeton University Press, 1997
    Smither, Howard E. A History of the Oratorio. Vol. Ⅲ, The Oratorio in the Classical Era. Chapel Hill: University of North Carolina Press, 1987
    Solomon, Maynard. Beethoven. 2nd rev. edn. New York: Schirmer, 1998
    Spitzer, John. “Metaphors of the Orchestra – The Orchestra as a Metaphor.” Musical Quarterly 80 (1996): 234–64
    Statham, H. Heathcote. My Thoughts on Music and Musicians. London: Chapman and Hall, 1892
    Steinbeck, Wolfram. “6. Symphonie F-Dur Pastorale op. 68.” In Beethoven: Interpretationen seiner Werke, Ⅰ: 503–15
    Stevenson, Robert. “Haydn's Iberian World Connections.” Inter-American Music Review 4/2 (1982): 3–30
    Studien für Tonkünstler und Musikfreunde. Ed. Johann Friedrich Reichardt and Friedrich Ludwig Aemilius Kunzen. Berlin, 1793
    Sulzer, Johann Georg. Allgemeine Theorie der schönen Künste. 2nd expanded edn. 4 vols. Leipzig, 1792–94
    Szabo, Frank A. J. Kaunitz and Enlightened Absolutism 1753–1780. Cambridge: Cambridge University Press, 1994
    Thayer, Alexander Wheelock. Thayer's Life of Beethoven. Rev. edn. 2 vols. Ed. Elliot Forbes. Princeton: Princeton University Press, 1967
    Thomas, Downing A. Music and the Origins of Language: Theories from the French Enlightenment. Cambridge: Cambridge University Press, 1995
    Tovey, Donald Francis. Beethoven. London: Oxford University Press, 1945
    Tovey, Donald Francis Essays in Musical Analysis, 6 vols. London: Oxford University Press, 1935–39
    Tovey, Donald Francis Essays and Lectures on Music. London: Oxford University Press, 1949
    Tovey, Donald Francis Musical Articles from the Encyclopaedia Britannica. London: Oxford University Press, 1944
    Treitler, Leo, gen. ed. Source Readings in Music History. Rev. edn. New York: Norton, 1998
    Türk, Daniel Gottlob. Klavierschule. Leipzig and Halle, 1789
    Türk, Daniel Gottlob Von den wichtigsten Pflichten eines Organisten. Halle, 1787
    van Boer, Bertil H., Jr. Dramatic Cohesion in the Music of Joseph Martin Kraus: From Sacred Music to Symphonic Form. Lewiston, Lampeter, and Queenston: Edwin Mellen, 1989
    Vogler, Georg Joseph, ed. Betrachtungen der Mannheimer Tonschule. 3 vols. Mannheim, 1778–81
    Wackenroder, Wilhelm Heinrich. Sämtliche Werke und Briefe. Ed. Silvio Vietta and Richard Littlejohns. 2 vols. Heidelberg: Carl Winter Universitätsverlag, 1991
    Wilhelm Heinrich Wackenroder's Confessions and Fantasies. Trans. Mary Hurst Schubert. University Park: Pennsylvania State University Press, 1971
    Waldvogel, Nicolas Henri. “The Eighteenth-Century Esthetics of the Sublime and the Valuation of the Symphony.” Ph.D. diss., Yale University, 1992
    Wallace, Robin. Beethoven's Critics: Aesthetic Dilemmas and Resolutions During the Composer's Lifetime. Cambridge: Cambridge University Press, 1986
    Wallace, William. “The Scope of Programme Music.” Proceedings of the Royal Musical Association, Session 25 (1898–99): 139–56
    Walter, Horst. “Über Haydns ‘charakteristische’ Sinfonien.” In Gerhard J. Winkler, ed., Das symphonische Werk Joseph Haydns, 65–78. Eisenstadt: Burgenländisches Landesmuseum, 2000
    Wangermann, Ernst. “Josephinismus and katholischer Glaube.” In Kovács, ed., Katholische Aufklärung und Josephinismus, 332–41
    Wangermann, Ernst “Reform Catholicism and Political Radicalism in the Austrian Enlightenment.” In Roy Porter and Mikulás Teich, eds., The Enlightenment in National Context, 127–40. Cambridge: Cambridge University Press, 1981
    Weber, William. “Did People Listen in the 18th Century?Early Music 25 (1997): 678–91
    Webster, James. Haydn's “Farewell” Symphony and the Idea of Classical Style. Cambridge: Cambridge University Press, 1991
    Weiss, Piero, and Richard Taruskin, eds. Music in the Western World: A History in Documents. New York: Schirmer, 1984
    Wieland, Christoph Martin. “Versuch über das Deutsche Singspiel und einige dahin einschlagende Gegenstände.” Der Teutsche Merkur (1775). Reprint. Sämmtliche Werke, vol. ⅩⅩⅥ, 299–342. Leipzig, 1796
    Will, Richard. “Programmatic Symphonies of the Classical Period.” Ph.D. diss., Cornell University, 1994
    Will, Richard “Time, Morality, and Humanity in Beethoven's Pastoral Symphony.” Journal of the American Musicological Society 50 (1997): 271–329
    Will, Richard “When God Met the Sinner, and Other Dramatic Confrontations in Eighteenth-Century Instrumental Music.” Music & Letters 78 (1997): 175–209
    Winckelmann, Johann. Gedancken über die Nachahmung der Griechischen Wercke in der Mahlerey und Bildhauer-Kunst. Friedrichstadt, 1755. Repr. in Helmut Pfotenhauer, Markus Bernauer, and Norbert Miller, eds., Frühklassizismus: Position und Opposition: Winckelmann, Mengs, Heinse. Frankfurt am Main: Deutscher Klassiker Verlag, 1995
    Winn, James Anderson. Unsuspected Eloquence: A History of the Relations between Poetry and Music. New Haven: Yale University Press, 1981
    Winter, Eduard. Der Josefinismus: Die Geschichte des österreichischen Reformkatholizismus 1740–1848. Berlin: Rütten & Loening, 1962
    Wiora, Walter. Das musikalische Kunstwerk. Tutzing: Schneider, 1983
    Wolf, Ernst Wilhelm. Musikalischer Unterricht für Liebhaber und diejenigen, welche die Musik treiben und lehren wollen. 2 vols. Dresden, 1788
    Wolf, Eugene K. “The Mannheim Court.” In Neal Zaslaw, ed., The Classical Era: From the 1740s to the End of the 18th Century, 213–39. London: Macmillan, 1989
    Wolf, Eugene K. The Symphonies of Johann Stamitz: A Study in the Formation of the Classic Style. Utrecht and Antwerp: Bohn, Scheltema and Holkema, 1981
    Wolfsgruber, Cölestin. Christoph Anton Kardinal Migazzi, Fürsterzbischof von Wien. Saulgau: Kitz, 1890
    Zaslaw, Neal. “Mozart, Haydn, and the Sinfonia da chiesa.” Journal of Musicology 1 (1982): 95–124
    Zaslaw, Neal Mozart's Symphonies: Context, Performance Practice, Reception. Oxford: Clarendon Press, 1989

    Metrics

    Altmetric attention score

    Full text views

    Total number of HTML views: 0
    Total number of PDF views: 0 *
    Loading metrics...

    Book summary page views

    Total views: 0 *
    Loading metrics...

    * Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

    Usage data cannot currently be displayed.

    Accessibility standard: Unknown

    Why this information is here

    This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

    Accessibility Information

    Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.