Carmen Abroad - Title page

pp ii-iii

Copyright page

pp iv-iv

Contents

pp v-vii

Figures

pp viii-ix

Tables

pp x-x

Preface

pp xi-xiv

Acknowledgements

pp xv-xvi

Notes on Contributors

pp xvii-xxii

Part I - Establishment in Paris and the Repertoire

pp 1-110

1 - Carmen at Home and Abroad

pp 3-25

2 - Carmen’s Second Chance: Revival in Vienna

pp 26-44

3 - Carmen Faces Paris and the Provinces

pp 45-63

4 - Carmen Dusted Down: Albert Carré’s 1898 Revival at the Opéra-Comique

pp 64-79

5 - Refashioning Carmen at the Théâtre de La Monnaie, 1902

pp 80-93

6 - How Carmen Became a Repertory Opera in Italy and in Italian

pp 94-110

Part II - Across Frontiers

pp 111-260

7 - A New Performance for the New World: Carmen in America

pp 113-129

8 - The Unstoppable March of Time: Carmen, and New Orleans in Transition

pp 130-142

9 - The Return of the Habanera: Carmen’s Early Reception in Latin America

pp 143-157

10 - From Spain to Lusophone Lands: Carmen in Portugal and Brazil

pp 158-170

11 - Carmen in the Antipodes

pp 171-185

12 - Carmen, as Seen and Heard in Victorian Britain

pp 186-199

13 - Celtic Carmens: Rebellion and Redemption

pp 200-214

14 - Carmen for the Czechs and Germans, 1880 to 1945

pp 215-229

15 - Carmen in Poland prior to 1918

pp 230-244

16 - A Woman or a Demon: Carmen in the Late Nineteenth-Century Nordic Countries

pp 245-260

Part III - Localising Carmen

pp 261-349

17 - Russian Carmens and ‘Carmenism’: From Imperial Import to Ideological Benchmark

pp 263-283

18 - The Other Reversed? Japan’s Assimilation of Carmen, 1885 to 1945

pp 284-303