Berg: Violin Concerto

Anthony Pople

doi:10.1017/CBO9780511611674

Described by Aaron Copland as 'among the finest creations in the modern repertoire', Alban Berg's Violin Concerto has become a twentieth-century classic. In this authoritative and highly readable guide to the work the reader is introduced not only to the concerto itself but to all that surrounded and determined its composition. This is a book about musical culture in the 1930s, about the Second Viennese School, about tonality, atonality and serialism, about Berg's own musical development, compositional method and the private significance the Violin Concerto held for him. The book describes the genesis of the work, its performance history and critical reception and, in two detailed musical chapters, provides a section-by-section account of the book and a closer analysis of the musical language and structure. Anthony Pople's ability to combine musical anecdote with scholarly discussion makes this guide compelling reading for the amateur and the specialist alike.

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Berg: Violin Concerto

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Contents

Frontmatter
pp i-vi

Contents
pp vii-viii

Acknowledgements
pp ix-x

1 - Musical ideologies: style and genre in the 1930s
pp 1-8

2 - Towards the Violin Concerto
pp 9-24

3 - Composition and performance history
pp 25-46

4 - Form, materials and programme
pp 47-64

5 - Harmony, tonality and the series
pp 65-90

6 - Reception and critical evaluation
pp 91-102

Notes
pp 103-113

Select bibliography
pp 114-117

Index
pp 118-121

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