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Published online by Cambridge University Press: 28 January 2023
The Introduction explains the volume’s scope, material to be investigated, research questions to be pursued and methods to be deployed. Additionally, it situates the book within current scholarship on Shakespeare in performance, theatre history and historical musicology. In doing so, it underlines the volume’s distinctiveness in (i) topic: the first edited collection devoted to Restoration Shakespeare in performance (ii) interdisciplinary methods: the volume integrates archival and practice-led research, embracing Shakespeare studies, theatre history and historical musicology (iii) contributors: chapters are written not just by scholars but also by leading practitioners in music and theatre. We also emphasise how the volume serves as the main publication record for the insights developed during our AHRC-funded project ‘Performing Restoration Shakespeare’ (2017-2020).
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