In the religious mindset of the sixteenth-, seventeenth- and eighteenth-century West it was generally accepted that God addressed people directly by means of thunder and lightning. These were empyrean signs, usually betokening divine wrath and the coming Day of Judgement. Until the mid-eighteenth century, many, both Protestant and Catholic, regarded that as self-evident. Preaching was therefore intended to evoke penitence and repentance. In the second half of the eighteenth century, however, the newly-invented lightning rod deprived God of his supposed instrument of punishment and thus the nature of man's relationship with him was changed. Fatalism, though still endorsed by many, was gradually replaced by personal responsibility, which enabled man to utilise the rational preventive device that God had placed in his hands. Nature no longer posed a threat but was the result of God's marvellous work of creation, and could be understood through reason and increasingly also through feeling. God, man, and nature all worked in unison. So-called physico-theology stressed the goodness, wisdom, and omnipotence of the Creator evinced in the impressive natural phenomenon of the thunderstorm.
God's Wrath
In practically every cultural tradition, thunder and lightning are regarded not as mere natural phenomena but as direct manifestations of higher powers. In the Andaman archipelago, thunder is the voice of the pre-eminent deity. In Mesoamerica lightning has powerful associations with primary deities; in Mongolia it represents the displeasure of the creator of balance in the world. From the Baltic to Bolivia, Iceland to India, Jamaica to Japan, thunderstorms are interpreted as signs from the Demiurge. Up to a point, there is a parallel with the monotheistic Judeo-Christian tradition, which conceives of Yahweh as an invisible supreme being whose speech emanates from the storm.
That God addresses people directly in thunder and lightning was also a generally accepted idea in the religious mentality of the sixteenth-, seventeenth- and eighteenth- century West. “During the Baroque era thunderstorms were simply considered the appropriate language of the Godhead,” as German historian Christian Begemann pointed out some decades ago.
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