Book contents
- Fixing Stories
- Reviews
- The Global Middle East
- Fixing Stories
- Copyright page
- Dedication
- Contents
- Figures & Tables
- Acknowledgments
- Introduction: A Tale of Two Fixers
- Part I Beginnings
- Part II Fitting In
- Part III Moral Worlds of Ambivalence and Bias
- Part IV Translations
- Part V From Local to Global
- Strategic Ambiguity
- Leyla and Aziz
- Orhan
- Burcu, Elif, and Solmaz
- Nur
- Karim and Habib
- José
- Temel and Noah
- Coda: Filling in the Blanks
- Appendix: Sociological Fiction
- Bibliography
- Index
Burcu, Elif, and Solmaz
from Part V - From Local to Global
Published online by Cambridge University Press: 18 March 2022
- Fixing Stories
- Reviews
- The Global Middle East
- Fixing Stories
- Copyright page
- Dedication
- Contents
- Figures & Tables
- Acknowledgments
- Introduction: A Tale of Two Fixers
- Part I Beginnings
- Part II Fitting In
- Part III Moral Worlds of Ambivalence and Bias
- Part IV Translations
- Part V From Local to Global
- Strategic Ambiguity
- Leyla and Aziz
- Orhan
- Burcu, Elif, and Solmaz
- Nur
- Karim and Habib
- José
- Temel and Noah
- Coda: Filling in the Blanks
- Appendix: Sociological Fiction
- Bibliography
- Index
Summary
When a news contributor’s social and moral link to the field of international journalism tightens, they gain greater frame control, more moral sway to change their foreign colleagues’ minds. Yet at the same time, the moral drive to challenge those foreign colleagues with frame-breaking information and the capacity to access fresh perspectives weaken as that contributor’s dispositions, social network, and field of vision align with their foreign teammates’. We might call this the Producer’s Paradox, the flip side of the Fixer’s Paradox.
- Type
- Chapter
- Information
- Fixing StoriesLocal Newsmaking and International Media in Turkey and Syria, pp. 280 - 284Publisher: Cambridge University PressPrint publication year: 2022