To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
The modernist encounter with classical tragedy challenges received notions about tragic form and tragic sensibility: that it is incompatible with modernity (George Steiner) and that it is primarily a European/Eurocentric legacy. In engaging with classical Greek tragedy, modernist writers and theatre-makers (from T. S Eliot, W. B. Yeats, H. D., Ezra Pound, Edward Gordon Craig, and Isadora Duncan, to George Abyad, Tawfiq al-Hakim, Bertolt Brecht, Antonin Artaud, and the later postcolonial iterations of Wole Soyinka, Athol Fugard, John Kani, and Winston Ntshona) create a set of relationships that radically rewrite ideas of influence and tradition and gesture towards an understanding of tragedy as a form of theatricality rather than as a play-text. This theatricality, read in conjunction with primitivism and orientalism, is not a quest for authenticity or for the lost humanism of the classics but helps to construct an experimental laboratory in translation, in performance, and in adaptation. From the Cambridge Ritualists to the later postcolonial readings, modernism helps to revision tragedy as part of world theatre.
In the early twentieth century, Black American theatre pioneers like Paul Laurence Dunbar and Will Marion Cook sought to redefine the stereotypical minstrel figure for white audiences. Their efforts gave rise to the ‘coon’ character, a complex representation of Black urban life that challenged traditional norms while perpetuating some harmful stereotypes. This figure played a significant role in global modernism and shaped discussions about race, appearing in works by Eugene O’Neill and Jean Genet. By the 1960s, Black American artists felt the need to reimagine the ‘coon’ character to align with a more radical political agenda, reflecting the evolving social and cultural landscape that included the advent of Black radical politics and postcolonial thought. The new figure that emerged directly challenged political disenfranchisement and cultural appropriation, creating a theatre that was far more confrontational in its exploration of race.
The Shona people of Zimbabwe hold rich social histories that should be approached as public humanities. This article explores the oral traditions, pre-colonial sociopolitical systems, and the profound impacts of colonial and post-colonial developments on cultural identity to understand the cohesion of the Shona people. The Shona people’s rich culture of myths, folktales, and storytelling serves as a repository of collective memory that preserves the values, beliefs, and cosmologies underpinning their society. In examining pre-colonial Shona governance, this article highlights the decentralised political systems rooted in chieftaincy, kinship networks, and communal land tenure still in practice today. Using a hybrid methodological approach that integrates ethnographic insights, historical analysis, and theoretical frameworks, such as Santos’ (2018) epistemologies of the South, this study positions Shona public humanities within broader debates on African Indigenous knowledge systems and post-colonial identity reconstruction. The analysis extends to the economic practices of agrarian subsistence and long-distance trade, underscoring the sophisticated socio-economic frameworks of Shona society. Despite the challenges posed by industrial encroachment and cultural commodification, a resilient Shona heritage upholds adaptive strategies. A Shona situated approach contributes to broader debates on decolonisation for the preservation of Indigenous knowledge in a rapidly globalising world.
Joyce’s life spans a period when material conditions, political structures, and intellectual life throughout the world were profoundly shaped by the growth and decline of European empires and the flourishing of various nationalisms, both imperialist and anti-imperialist. When Joyce was born in 1882 the ‘scramble for Africa’ and the era that one influential historian has called the ‘age of empire’ had just begun. When he died in 1941 the world was engulfed in WWII, a conflict that would fundamentally alter the balance of global power, and the age of decolonization was under way. A good deal of influential Joyce scholarship has explored Joyce’s relation to this historical trajectory. Much of it has been informed by postcolonial studies, committed to examining the complex set of issues and questions we can group under the general headings of ‘colonialism’ and ‘nationalism’. Ireland’s double status as both centre and periphery, agent and victim of colonialism is important to any investigation of how Joyce’s works engage with such issues and questions.
Archaeology has been closely entangled with dominant power structures since its formal emergence in the nineteenth century. Recent scholarly work has sought to challenge this relationship and destabilize the fundamental Eurocentrism of archaeological theory and praxis. The extent to which this effort is reflected beyond academia has, however, not been as widely explored. In this article, the author presents evidence concerning the production of archaeological knowledge within the academy, the dissemination of knowledge of the past in schools and the media, and the consumption of this knowledge by members of the British public, including adults and secondary school pupils aged 11–14. He concludes that there exists a fundamental disjuncture between contemporary scholarly work and popular perceptions of the past and suggests some ways the academy may challenge the continued prevalence of Eurocentric perspectives of the past in popular discourse.
The ‘Age of Anxiety’ has emerged as a common narrative trope in International Relations scholarship, particularly within the sub-field of ontological security studies. This narrative frames recent global crises – such as climate change, COVID-19, and declining Western-liberal hegemony – as ushering in a new era of existential uncertainty. The article critiques the universality of this thesis, arguing that it overgeneralises from the Western-liberal experience and neglects spatial and temporal diversity in the global experience of anxiety.
Methods
The article employs a critical-interpretivist methodology, drawing on postcolonial theory, the history of emotions, and ontological security studies. It draws on illustrative examples to interrogate the spatial and temporal assumptions underpinning the Age of Anxiety thesis.
Results
The article shows how the Age of Anxiety thesis reproduces Eurocentric periodisations, presenting the affective experiences of the liberal-Western lifeworld as universal, thereby marginalising subaltern experiences of anxiety. The article also identifies significant spatial and demographic variation in the circulation of anxiety, such as the uneven distribution of climate anxiety, and introduces the concept of postcolonial anxiety to foreground longue durée, haunting forms of insecurity that elude Western-centric framings.
Conclusion
The article concludes by calling for a pluriversal approach to ontological security that recognises diverse emotional communities and alternative temporalities through which anxiety can be experienced. It urges scholars to adopt more reflexive, empirically grounded, and historically sensitive analyses that decentre the Western-liberal subject.
The 1970s saw the rise of two unrelated and yet affine historical concepts: Late Antiquity (Brown 1971) and Post-Modernism (Lyotard 1979). It is almost as if the breakdown of Antiquity in the way it had been traditionally understood, clearly delineated from the Middle Ages and the Byzantine Empire, heralded the dissolution of the Modern Western self-understanding and everything that went with it. For Byzantine studies, it came with a flora of textual rediscoveries; but the gate that had opened onto the spiritual meadows of Late Antiquity could also be used to approach and contextualize Islam in a new way.
Post-colonialism, an interdisciplinary field that developed in the 1980s, examines the culture of colonialism by re-reading colonial texts through a de-colonizing eye. It provides tools to examine dilemmas of post-colonial societies that are in part tied to their colonial roots, while also offering insights into a spectrum of practices of resistance and accommodation. This chapter outlines some of post-colonial scholarship’s major contributions to understanding sexuality in colonial contexts, including the Americas, Africa, and Asia. Post-colonial scholarship has helped historians write new histories of the discipline and rule of sexual bodies under colonialism. It has emphasized that far from being only a process of economic extraction, colonialism shaped the ways that we see, know, and experience sexuality together with race, gender, and nationality. Post-colonialism continues to provide analytical tools for decolonizing knowledge and debate over sexual issues in formerly colonized societies and their metropoles, including same-sex marriages, transgender identities, and sex as paid labour. It has opened doors for new interpretations of tradition, as many people deploy post-colonial thinking in re-imagining cultural knowledge.
Sociology emerged in the course of Western modernization; its major classical-era statements are preoccupied with modernity and its impact on national societies. After decolonization, ‘Third World’ modernization paved the way for the notion of globalization. The sociology of globalization is a current specialty within US and European sociological associations. The promise of global sociology has been on the agenda of the International Sociological Association since at least 1990. At a deeper level, global sociology requires un-thinking the role of core concepts such as modernity or religion or society vis-à-vis their Western origins. Global Studies and post-colonial sociology, two of the most widely known research fields claiming global intent, are examined with respect to whether they provide adequate conceptual resources for global sociology. While the research agendas of both offer promising insights, inquiry suggests that both suffer from important drawbacks. The sociological tradition is now facing an impasse; fragmentation may persist, but other possibilities also exist. No grand solution is perhaps possible. A truly global sociology may eventually emerge from the original interpretations that develop from non-Western historical paths.
This major new reference work with contributions from an international team of scholars provides a comprehensive account of ideas and practices of nationhood and nationalism from antiquity to the present. It considers both continuities and discontinuities, engaging critically and analytically with the scholarly literature in the field. In volume II, leading scholars in their fields explore the dynamics of nationhood and nationalism's interactions with a wide variety of cultural practices and social institutions – in addition to the phenomenon's crucial political dimensions. The relationships between imperialism and nationhood/nationalism and between major world religions and ethno-national identities are among the key themes explained and explored. The wide range of case studies from around the world brings a truly global, comparative perspective to a field whose study was long constrained by Eurocentric assumptions.
The past two decades have witnessed Macao’s development into the casino capital of the world. Casinos have significantly transformed all respects of Macao society—a phenomenon termed as the casinoization of Macao. While much research has explored how casinoization has affected Macao’s socioeconomic developments, empirical research on the relationship between casinoization and law enforcement agencies is extremely limited. Using official statistics and interviews with serving and retired police officers as well as police applicants in Macao, this article examines the quick-money mentality, laissez-faire regulation, and the paradox of plenty, three features of casinoization, and their profound impact on the Macao police. First, the early phase of casino liberalization created a draining effect on human capital from the police force. Second, the lucrative casino tax revenues empowered the government to resolve the labour shortage issue and significantly improve the police image. Third, casinoization inadvertently reinforced the colonial legacy of laissez-faire regulation, hampering the progress of institutional reforms. Fourth, the decline of casino has contributed to the unprecedented “police fever” among the youth in Macao.
For centuries, European operas have portrayed dramatic, exotic Others on stage. However, as opera is increasingly adopted around the world, including by those “Eastern” Others it orientalized, its Othering tendencies serve new, more critical purposes. Post-colonial studies of knowledge and cultural production have shown how relations between centers and peripheries, knowledge and power are integral to forms of orientalism. In Tajikistan, the accounts of opera told today by the daughter of a successful Soviet Tajik composer bring to light the ambiguity of power relations and positionalities in Soviet opera’s production. Her accounts, beyond highlighting opera’s readily apparent orientalist tendencies, reveal surprising cosmopolitan aspirations in Soviet Central Asian opera. Cosmopolitan histories and values also feature heavily in post-colonial politics of knowledge production, but the concept appears worlds apart from, even in opposition to that of orientalism: the latter feeds off center-periphery, knowledge-power relations, while the former aspires to evade them. Through this present-day account of opera’s development in Soviet Tajikistan, this article challenges this opposition, theorizing a conceptual ambiguity and interdependence between orientalism and cosmopolitanism, which has important consequences for knowledge-producing fields like opera, as well as anthropology. Multiple forms of orientalism and cosmopolitanism overlapped and interacted in the development of Soviet Central Asian opera as numerous, intersecting meanings and socio-political agendas went into its production. Ultimately, a conceptual space emerges between the orientalism(s) and cosmopolitanism(s) at play. This ambiguous space in-between offers a lens for critically evaluating the complex, uneven practice of portraying and engaging with Others.
Intersecting critical dance studies and performance studies, this chapter examines K-pop dance as an emerging popular dance medium. It situates K-pop music video choreography within the genealogy of popular dance scholarship by closely reading select point choreographies of iconic K-pop idols over the past decade, such as BTS, BIGBANG, Seventeen, PSY, EXO, BLACKPINK, and TWICE. Styles of K-pop music video include schoolgirls and schoolboys, beast idols and bad girls, dance-centric, experimental, and hybrid. While these categories are preliminary and overlap with one another, the basic styles of choreography open room for discussion on racial and gender identity, hybridity, authenticity, and tourism in transnational contemporary Korean dance beyond the mediated screen.
Despite the growing prominence and use of Rights of Nature (RoN), doubts remain as to their tangible effect on environmental protection efforts. By analyzing two initiatives in post-colonial societies, we argue that they do influence the creation of institutionalized bridges between differing land-ownership regimes. Applying the methodology of inter-legality, we examine the Ecuadorian Constitution of 2008 and the Ugandan National Environment Act 2019. We identify five normative spheres that influence land-ownership regimes. We find that the established Ecuadorian RoN have an institutionalized effect on the nation's legal system. Their more recently established Ugandan counterpart shows potential to develop in the same direction.
This article looks at lawsuits surrounding two Chinese cemeteries in the mid-twentieth century South Korean cities of Incheon and Seoul as crucial sites to examine the post-colonial legal construction of national citizenry based on property rights. While different legal rationales were employed in each case, the two Chinese cemeteries were relocated to the periphery of each city as a consequence of the litigation. In Incheon, it was argued that the cemetery was owned by Chinese nationals whose land rights were ambiguous and hence open to question, both during the colonial and post-colonial period. On the other hand, in Seoul, rights to the cemetery were at stake due to its association with Japanese nationals, whose holdings were regarded as ‘enemy properties’ in the post-colonial years. Not only were the lawsuits symbolic events that foreshadowed the displacement of Chinese residents from what was considered to be Korea's national land, they also revealed an operative ambiguity in the post-colonial legal system, readily exploited as a tool for discrimination. Drawing upon an analysis of these cases, I argue that the Chinese cemeteries served as a reminder that uncertainty and ambiguity were on tap in the legal workings of post-colonial society, manifested in blunt efforts to define its legitimate members and dictate who is entitled to be buried within a nation's borders.
This article seeks to remedy a fundamental flaw in the debate about European integration and European Union (EU) law: the almost complete absence of a reckoning with the legacy of empire and imperialism. The article shows that the significance of EU law can be understood only against the background of the historical transformation of the European public law order with the decline of the European empires. European integration is an integral part of a new European public law order that finally replaced the public law order of the European empires – Droit Public de l’Europe or Jus Publicum Europaeum – in which the European states held a privileged place as the only ‘civilised’, and hence, sovereign states in the world. The post-World War II European public law order entailed a new vision for domestic public law, but also constituted intra-European relations anew, and established a new set of external relations between Europe and its former colonies. With the shift from ‘European’ international law to ‘universal’ international law in the twentieth century, European integration helped carve out a space for ‘Europe’ in a world where Europe was no longer the centre of gravity.
Part V presents an overview of different fixers’ career trajectories in the larger context of the international news economy and shifting meta-narratives about Turkey and Syria. Fixers find opportunities to contribute to the news behind the scenes, even as their counterparts in the domestic Turkish media face political and economic hardship, and even as Syria has become an inhospitable environment for journalists. Many fixers nonetheless find it difficult to challenge dominant narratives imposed by foreign reporters and news organizations, and so end up moving on to different pursuits. Turnover of both fixers and foreign reporters is continual and counterintuitively contributes to the stability of the system of international news production. The book concludes with a discussion of emergent forms of social media–based information brokerage in newsmaking in comparison with the longer-standing tradition of local fixers assisting foreign reporters.
The introduction explains the subject and purpose of this study, placing it in its historiographical contexts, which includes the history of the racial identity of the Italians, the history of the continuities of fascist and colonial racism in post-fascist and post-colonial Italy, and the history of Black Italy. I illustrate the specificities of the story of the Italian “brown babies” within the larger framework of post-World War II Europe, foregrounding the persistence of racial ideology in post-fascist Italy and the continuing racial subtext of Italian national identity, in spite of the emergence of ant-iracist sensibilities. The introduction also provides an overview of the book chapters.
Focusing on the experiences and representations of the 'brown babies' born at the end of World War Two from the encounters between Black Allied soldiers and Italian women, this book explores the persistence of racial thinking and racism in post-fascist and postcolonial Italy. Through the use of a large variety of historical sources, including personal testimonies and the cinema, Silvana Patriarca illustrates Italian – and also American – responses to what many considered a 'problem'. She sensitively analyses the perceptions of race/color among different actors, such as state and local authorities, Catholic clerics, filmmakers, geneticists, psychologists, and ordinary people, and her book is rich in detail about their impact on the lives of the children. Uncovering the pervasiveness of anti-Black prejudice in the early democratic republic, as well as the presence and limitations of anti-racist sensibilities, Race in Post-Fascist Italy allows us to better understand Italy's conflicted reaction to its growing diversity.