Book contents
- The Cambridge History of Australian Poetry
- The Cambridge History of Australian Poetry
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 Language, Text and Colony
- 2 British Speculations on Terra Australis and Romantic-Period Poetry
- 3 Poetry in the Penal Colony
- 4 Becoming Distinct
- 5 The Many-Voiced Charles Harpur
- 6 Anonymity and the Popular
- 7 Settler Labour Poetics and the National Imaginary at the Turn of the Twentieth Century
- 8 Children’s Poetry from 1840 to 1950
- 9 Australian Poetries of War and Conflict
- 10 ‘Poetry Is Its Own Advertisement’
- 11 The New Woman and Poetry (1885–1935)
- 12 Women Poets, Mobility and Being ‘In Between’
- 13 Fin-de-Siècle Symbolism and After
- 14 Kenneth Slessor’s Visualism
- 15 Surrealism and Australian Poetry
- 16 Gum Tears Which Are Also Real
- 17 The Mid Century Canon
- 18 Judith Wright
- 19 Oodgeroo Noonuccal
- 20 Aboriginal Song as Australian Poetry
- 21 Re-Imagining Place (1940–1990)
- 22 Australian Poetry and the Rise of a Suburban Quotidian (1950–2000)
- 23 The Three Ontologies of Regional Poetry
- 24 The Poetry of Antarctica
- 25 Poetry and the State (1945 to the Present)
- 26 Australian Expatriate Poets
- 27 Les Murray
- 28 Religion and Poetry in Australia
- 29 Francis Webb
- 30 Australian Poetry and Post-War Immigration from Europe
- 31 The Long 1970s and Print Culture
- 32 Australian Poets of the 1980s
- 33 Activism and the Eruption of Aboriginal Writing
- 34 Reading the Archive of Australian Feminist Poetry since 1970
- 35 Queer Poetry in Australia
- 36 Between Identity and Form
- 37 Poetry of the South West Asian and North African Diasporas
- 38 Transcultural Relations with Latin America
- 39 Performance Poetries
- 40 Long Form Poetry from the 1980s to the Present
- 41 From Conceptual to Concrete (1960–2020)
- 42 The Digital Era
- 43 The Earth Has Been Done
- 44 Contemporary Anthologies and the Question of Canonicity
- 45 New Dynamics in Twenty-First-Century Anthologies
- Index
- References
45 - New Dynamics in Twenty-First-Century Anthologies
Published online by Cambridge University Press: 19 November 2025
By
Book contents
- The Cambridge History of Australian Poetry
- The Cambridge History of Australian Poetry
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 Language, Text and Colony
- 2 British Speculations on Terra Australis and Romantic-Period Poetry
- 3 Poetry in the Penal Colony
- 4 Becoming Distinct
- 5 The Many-Voiced Charles Harpur
- 6 Anonymity and the Popular
- 7 Settler Labour Poetics and the National Imaginary at the Turn of the Twentieth Century
- 8 Children’s Poetry from 1840 to 1950
- 9 Australian Poetries of War and Conflict
- 10 ‘Poetry Is Its Own Advertisement’
- 11 The New Woman and Poetry (1885–1935)
- 12 Women Poets, Mobility and Being ‘In Between’
- 13 Fin-de-Siècle Symbolism and After
- 14 Kenneth Slessor’s Visualism
- 15 Surrealism and Australian Poetry
- 16 Gum Tears Which Are Also Real
- 17 The Mid Century Canon
- 18 Judith Wright
- 19 Oodgeroo Noonuccal
- 20 Aboriginal Song as Australian Poetry
- 21 Re-Imagining Place (1940–1990)
- 22 Australian Poetry and the Rise of a Suburban Quotidian (1950–2000)
- 23 The Three Ontologies of Regional Poetry
- 24 The Poetry of Antarctica
- 25 Poetry and the State (1945 to the Present)
- 26 Australian Expatriate Poets
- 27 Les Murray
- 28 Religion and Poetry in Australia
- 29 Francis Webb
- 30 Australian Poetry and Post-War Immigration from Europe
- 31 The Long 1970s and Print Culture
- 32 Australian Poets of the 1980s
- 33 Activism and the Eruption of Aboriginal Writing
- 34 Reading the Archive of Australian Feminist Poetry since 1970
- 35 Queer Poetry in Australia
- 36 Between Identity and Form
- 37 Poetry of the South West Asian and North African Diasporas
- 38 Transcultural Relations with Latin America
- 39 Performance Poetries
- 40 Long Form Poetry from the 1980s to the Present
- 41 From Conceptual to Concrete (1960–2020)
- 42 The Digital Era
- 43 The Earth Has Been Done
- 44 Contemporary Anthologies and the Question of Canonicity
- 45 New Dynamics in Twenty-First-Century Anthologies
- Index
- References
Summary
This chapter examines specifically oriented poetry anthologies of the twenty-first century, observing their interstitial and multivalent nature. It argues that they fall into two kinds. one is deployed towards institutional consolidation; the other, which is the principal focus of the chapter, is a strategic gathering around a cultural identity, or a thematic, aesthetic, formal or dialogical imperative. The chapter discerns that many such anthologies extend recuperative, topical or other discursive trajectories established in the late twentieth century. Many exceed national-historical formations, track evolving conceptual frames of literary and cultural studies, and map material changes in, and significant structures of feeling around, social, political, intellectual and artistic life. It also includes a discussion of the challenges and significance of translation.
Information
- Type
- Chapter
- Information
- The Cambridge History of Australian Poetry , pp. 856 - 884Publisher: Cambridge University PressPrint publication year: 2025
References
Select Bibliography
Cahill, Michelle, ‘The Poetics of Subalternity’, Mascara Literary Review (23 May 2012), www.mascarareview.com/michelle-cahill-the-poetics-of-subalternity/.Google Scholar
Disney, Dan and Hall, Matthew (eds.), New Directions in Contemporary Australian Poetry, Cham: Palgrave Macmillan, 2021.CrossRefGoogle Scholar
Kirkpatrick, Peter and Dixon, Robert (eds.), Republics of Letters: Literary Communities in Australia, Sydney; Sydney University Press, 2012.CrossRefGoogle Scholar
Leane, Jeanine, ‘Gathering: The Politics of Memory and Contemporary Aboriginal Women’s Writing’, Antipodes 31.2, 2017, pp. 242–51.CrossRefGoogle Scholar
Mead, Philip, Networked Language: Culture and History in Australian Poetry, North Melbourne: Australian Scholarly Publishing, 2008.Google Scholar
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